Above it and to the left was a second head. The body of a Barbie doll had been placed under its chin so it looked like a huge head with a tiny body.

On the right side was the third head. It had been neatly mounted on a piece of drywall, the ears carefully tacked on with what must be drywall screws. There was no mess of blood puddling around the exhibit. All three heads were bloodless.

A mirror, a Barbie, and drywall.

Three kills.

Bone dry.

Hello, Dexter.

There was absolutely no question about it. The Barbie body was clearly a reference to the one in my freezer. The mirror was from the head left on the causeway, and the drywall referred to Jaworski. Either someone was so far inside my head they might as well be me, or they actually were me.

I took a slow and very ragged breath. I'm quite sure my emotions were not the same as his, but I wanted to squat down in the middle of the floor beside Angel-no-relation. I needed a moment to remember how to think, and the floor seemed a great place to start. Instead, I found myself moving slowly toward the altar, pulled forward as if I was on well-oiled rails. I could not make myself stop or slow down or do anything but move closer. I could only look, marvel, and concentrate on getting the breath to come in and go out in the right place. And all around me I slowly became aware that I was not the only one who couldn't quite believe what he was seeing.

In the course of my job-to say nothing of my hobby-I had been on the scene of hundreds of murders, many of them so gruesome and savage that they shocked even me. And at each and every one of those murders the Miami-Dade team had set up and gone on with their job in a relaxed and professional manner. At each and every one of them someone had been slurping coffee, someone had sent out for pasteles or doughnuts, someone was joking or gossiping as she sponged up the gore. At each and every crime scene I had seen a group of people who were so completely unimpressed with the carnage that they might as well have been bowling with the church league.

Until now.

This time the large, bare concrete room was unnaturally quiet. The officers and technicians stood in silent groups of two and three, as if afraid to be alone, and simply looked at what had been displayed at the far end of the room. If anybody accidentally made a small sound, everyone jumped and glared at the noisemaker. The whole scene was so positively comically strange that I certainly would have laughed out loud if I hadn't been just as busy staring as all the other geeks.

Had I done this?

It was beautiful-in a terrible sort of way, of course. But still, the arrangement was perfect, compelling, beautifully bloodless. It showed great wit and a wonderful sense of composition. Somebody had gone to a lot of trouble to make this into a real work of art. Somebody with style, talent, and a morbid sense of playfulness. In my whole life I had only known of one such somebody.

Could that somebody possibly be darkly dreaming Dexter?

CHAPTER 20

I STOOD AS CLOSE AS I COULD GET TO THE TABLEAU without actually touching it, just looking. The little altar had not been dusted for prints yet; nothing had been done to it at all, although I assumed pictures had been taken. And oh how I wanted a copy of one of those pictures to take home. Poster sized, and in full, bloodless color. If I had done this, I was a much better artist than I had ever suspected. Even from this close the heads seemed to float in space, suspended above the mortal earth in a timeless, bloodless parody of paradise, literally cut off from their bodies-

Their bodies: I glanced around. There was no sign of them, no telltale stack of carefully wrapped packages. There was only the pyramid of heads.

I stared some more. After a few moments Vince Masuoka swam slowly over, his mouth open, his face pale. “Dexter,” he said, and shook his head.

“Hello, Vince,” I said. He shook his head again. “Where are the bodies?”

He just stared at the heads for a long moment. Then he looked at me with a face full of lost innocence. “Somewhere else,” he said.

There was a clatter on the stairs and the spell was broken. I moved away from the tableau as LaGuerta came in with a few carefully selected reporters-Nick Something and Rick Sangre from local TV, and Eric the Viking, a strange and respected columnist from the newspaper. For a moment the room was very busy. Nick and Eric took one look and ran back down the stairs with their hands covering their mouths. Rick Sangre frowned deeply, looked at the lights, and then turned to LaGuerta.

“Is there a power outlet? I gotta get my camera guy,” he said.

LaGuerta shook her head. “Wait for those other guys,” she said.

“I need pictures,” Rick Sangre insisted.

Sergeant Doakes appeared behind Sangre. The reporter looked around and saw him. “No pictures,” Doakes said. Sangre opened his mouth, looked at Doakes for a moment, and then closed his mouth again. Once again the sterling qualities of the good sergeant had saved the day. He went back and stood protectively by the displayed body parts, as if it was a science-fair project and he was its guardian.

There was a strained coughing sound at the door, and Nick Something and Eric the Viking returned, shuffling slowly up the stairs and back onto the floor like old men. Eric wouldn't look at the far end of the room. Nick tried not to look, but his head kept drifting around toward the awful sight, and then he would snap it back to face LaGuerta again.

LaGuerta began to speak. I moved close enough to hear. “I asked you three to come see this thing before we allow any official press coverage,” she said.

“But we can cover it unofficially?” Rick Sangre interrupted.

LaGuerta ignored him. “We don't want any wild speculation in the press about what has happened here,” she said. “As you can see, this is a vicious and bizarre crime-” she paused for a moment and then said very carefully, “Unlike Anything We Have Ever Seen Before.” You could actually hear her capitalize the letters.

Nick Something said, “Huh,” and looked thoughtful. Eric the Viking got it immediately. “Whoa, wait a minute,” he said. “You're saying this is a brand-new killer? A whole different set of murders?”

LaGuerta looked at him with great significance. “Of course it's too soon to say anything for sure,” she said, sounding sure, “but let's look at this thing logically, okay? First,” she held up a finger, “we got a guy who confessed the other stuff. He's in jail, and we didn't let him out to do this. Second, this doesn't look like anything I ever saw, does it? 'Cause there's three and they're stacked up all pretty, okay?” Bless her heart, she had noticed.

“Why can't I get my camera guy?” Rick Sangre asked.

“Wasn't there a mirror found at one of the other murders?” Eric the Viking said weakly, trying very hard not to look.

“Have you identified the, uh-” Nick Something said. His head started to turn toward the display and he caught himself, snapped back around to LaGuerta. “Are the victims prostitutes, Detective?”

“Listen,” LaGuerta said. She sounded a little annoyed, and a small trace of Cuban accent showed in her voice for just a second. “Let me esplain something. I don't care if they're prostitutes. I don't care if they got a mirror. I don't care about any of that.” She took a breath and went on, much calmer. “We got the other killer locked up in the jail. We've got a confession. This is a whole new thing, okay? That's the important thing. You can see it-this is different.”

“Then why are you assigned to it?” asked Eric the Viking, very reasonably, I thought.

LaGuerta showed shark teeth. “I solved the other one,” she said.