Rossignol stopped singing, though the power of her voice still seemed to reverberate on the air. She swayed suddenly on her feet, then collapsed. I grabbed her before she hit the floor, but caught off-balance, her weight carried both of us down. I sat on the stage, holding her in my arms, and only then realised she was dying. Her breathing was slowing, and 1 could feel her heart counting down to zero. Only the Jonah's will had kept her from death's door, and with him gone her long-delayed destiny was finally catching up with her. Vitality drained out of her, as though someone had opened a tap. I held her to me fiercely, as though I could stop it going through sheer force of will, but that trick never works twice.
"I promised I'd save you," I said numbly.
"You promised me the truth," said Rossignol, with pale lips that hardly moved. "I'll have to settle for that. Not even the great and mighty John Taylor can keep all his promises."
And just like that, she was gone. She stopped talking, she stopped breathing, and all the life went out of her. I still held her in my arms, rocking her quietly, still trying to comfort her.
"Oh dear," said Mr. Cavendish. "What a pity. Now we'll have to start all over again, with someone else."
"Never mind, Mr. Cavendish," said the woman. "Third time lucky."
I looked up at them, and there was murder in my eyes. They started pushing bullets into their guns, but their hands were trembling. And then we all looked round, startled, as Dead Boy spoke. It was just a whisper, with most of his lungs gone, but it was still and quite clear in the quiet.
"It's not over yet," he said, staring blindly up at the ceiling. "Rossignol is dead, but not actually departed. Not yet. There's still time, John. Still time to save her, if you've got the will and the courage."
"How is it you're still with us?" I said, too numb to be properly surprised. "Half of your insides are scattered across the stage. They blew your brains out, for God's sake!"
He chuckled briefly. An eerie, ghostly sound. "My body's been dead for years. It doesn't really need its internal organs any more. They don't serve any purpose. This body is just a shape I inhabit. A habit of living. Like eating and drinking and all the other things I do to help me pretend I'm still alive. You can still rescue Rossignol, John. I can use your life force to power a magic, to send both of us after her. Into the dark lands, the borderlands we pass through between this life and the next. When I died and came back, the door was left open a crack for me. I can go after her, but only a living soul can bring her back again. I won't lie to you, John. You could die, doing this. We could all go through that final door and never return. But if you're willing to try, if you're willing to give up all your remaining years in one last gamble, I promise you, we have a chance."
"You can really do this?" I said.
"I told you," said Dead Boy. "I know all there is to know about death."
"Ah, hell," I said. "I never let a client down yet."
"An attitude like that will get you killed," said Dead Boy.
"What if the Cavendishes attack us while we're gone? Destroy our bodies, so there's nothing left to come back to?"
"We'll be back the same moment we left. Or we won't be back at all."
"Do it," I said.
Dead Boy did it, and we both died.
Powered by all the remaining years of my life, Dead Boy and I went into the dark together, and for the first time I discovered there is a darkness even darker than the Nightside. A night that never ends, that never knew stars or a moon. The coldest cell, the longest fall. It was the absence of everything, except for me and Dead Boy. I was just a presence, without form or shape, a scream without a mouth to limit it, but I calmed somewhat as I sensed Dead Boy's presence. We spoke without voices, heard though there was no sound.
There's nothing here. Nothing ...
Actually there is, John, but you're still too close to life to be able to appreciate it. Think yourself lucky.
Where's Ross?
Think of the darkness as a tunnel, leading us to a light. A way out. This way...
Yes. . . How can there be a direction when there's nothing. . .
Stop asking questions, John. You really wouldn't like the answers. Now follow me.
You've been this way before.
Part of me is always here.
Is that supposed to make me feel better? You're a real spooky person, you know that?
You have no idea, John. This way. . .
And we were falling in a whole new direction. It did help to think of the darkness as a tunnel, leading somewhere. We were definitely approaching something, though with no landmarks it was impossible to judge our speed or progress. I should have been scared, terrified, but already my emotions were fading away, as though they didn't belong there. Even my thoughts were growing fuzzy round the edges. But then I began to feel there was something ahead of me, something special, calling me. A speck of light appeared, beautiful and brilliant, all the colours of the rainbow in a single sharp moment of light. It grew unhurriedly, a great and glorious incandescence, yet still warm and comforting, like the golden beam from a lighthouse, bringing ships safely home through the long lonely nights. And then there was another presence with us, and it was Rossignol.
Are you angels?
Hardly, Ross. I don't think they're talking to me any more. This is John, with Dead Boy. We've come to take you home.
But I can hear music. Wonderful music. All the songs I ever wanted to sing.
For her it was music, for me it was light. Like the warm glow from a window, the friendly light of home after a long hard journey. Or perhaps the last light of the day, when all work is over, all responsibilities put aside, and we can all rest at last. Day is done. Welcome home, at last.
Oh John, I don't think I want to go back.
I know, Ross. I feel it, too. It's like. . . we've been playing a game, and now the game's over, and it's time to go back where we belong . . .
There was a sense of taking her hand in mine, and we moved towards the light and the music. But Dead Boy had been there before. Kindly, remorselessly, he took us both by the hand and pulled us away, back to life and bodies and all the worries of the world.
I sat up sharply, dragging air deep into my lungs as though I'd been underwater for ages. The lesser light of the world crashed in around me. I'd never felt so clearly, starkly alive. My skin tingled with a hundred sensations, the world was full of sound, and Ross was right there beside me. She threw herself into my arms, and for a long moment we hugged each other like we'd never let go. But eventually we did and got to our feet again. We were back in the real world, with all its own demands and priorities. Dead Boy was standing before us, complete and intact again, resplendent in his undamaged finery. The only difference was the neat bullet hole in his forehead.
"Told you I know all there is to know about death," he said smugly. "Oh, I used some of your life energy to repair the damage the Jonah did to my body, John. Knew you wouldn't mind. Trust me, you won't miss it."
I glared at him. "Next time, ask."
Dead Boy raised an eyebrow. "I hope very much there isn't going to be a next time."
"Just how much of my life force did we use up on this stunt anyway?"
"Surprisingly little. It seems there is more to you than meets the eye, John. Mind you, there would have to be."
"You were dead!" said Mr. Cavendish, just a little shrilly. He sounded like he might be going to cry. "You were all dead, and now you're alive again! It just isn't fair!"
"That's the trouble with the Nightside," Mrs. Cavendish said sulkily. "You can't rely on people staying dead. Next time, do remember to bring some thermite bombs with us."