ELEVEN - All Masks Thrown Aside

"It's the house," I said. "It's alive. And it's hungry." I could feel the house all around me now, pulsing with alien life, roaring triumphantly at the edges of my mind. Laughing at me, now it didn't have to hide any more. I looked up and there was Suzie, breathing harshly, her knuckles showing white as she clung to her gun, the only thing that had always made sense to her. Her eyes darted wildly round the room, as she searched desperately for something she could hit or shoot. Joanna was standing very still by the doorway, not looking at Cathy. Her pale face was completely without expression, and when her gaze briefly

crossed mine, I might as well have been a stranger. I looked back at Cathy.

"Tell me," I said. "Tell me why, Cathy. Why did you come here, to this place, of your own free will?"

"The house called me," she said happily. "It opened up a door, and I stepped through, and found myself in a whole new world. So bright and vivid; so alive. Like a movie going from black and white to colour. The house ... needed me. I'd never felt needed before. It felt so good. And so I came here, and gave myself to the house, and now ... I don't have to care about anything any more. The house made me happy, for the first time in my life. It loves me. It'll love you too."

I wiped the blood from my nose on the back of my hand, leaving a long crimson smear. "It's eating you, Cathy. The house is swallowing you up."

"I know," she said blissfully. "Isn't it wonderful? It's going to make me a part of it. Make me part of something greater, something more important than I could ever have been on my own. And I'll never have to feel bad again, never feel lost or alone or unhappy. Never have to worry about anything, ever again."

"That's because you'll be dead! It's lying to you, Cathy. Telling you what you want to hear. When the house attacked my mind, I was able to see it clearly at last, see it for what it really is. It's hungry. That's all it ever is. And you're just food, like all the other victims it's absorbed."

Cathy smiled at me, dying by inches and not caring, because the house wouldn't let her care. Suzie moved in beside me and hauled me bodily to my feet. She held me upright by brute strength until my legs stabilised again, and stuck her face right into mine.

"Talk to me, John! What's happening here? What is this house, really?"

I took a deep breath. It didn't steady me nearly as much as I'd hoped, but at least the shakes were starting to wear off now. Like so many times before in the Nightside, I had found the truth at last, and it didn't please or comfort me one bit.

"The house is a predator," I said. "An alien thing, from some alien place, far outside our own space, where life has taken very different forms. It makes itself into what it needs to be, taking on the colour of its surroundings, hiding in plain sight, calling its prey to it with a voice that cannot be resisted. Its prey is the lost and the lonely, the unloved and the uncared for, the discarded flotsam and jetsam of the city that no-one ever misses when it washes up here, on Blais-ton Street. The house calls, in a voice that no-one ever disbelieves, because it tells them just what they want to hear. It even sucked in a few supposedly important people, people perhaps a little too susceptible for their own good. Being important doesn't necessarily protect you from the secret despairs of the hidden heart."

"Stick to the point, John," said Suzie, shaking me

by the shoulder. "The house lures people into it, and then?"

"And then it feeds on them," I said. "It sucks them dry, absorbing all they are into itself. It grows strong by feeding on their strength, keeping them happy while they last, so they won't try to escape. So they won't even want to."

"Jesus," said Suzie, looking down at Cathy's emaciated body. "From the look of the kid, the house has already taken most of her. Shame. We have to get out of here, John."

"What?" I said, not understanding, or perhaps not wanting to.

"There's nothing we can do," Suzie said flatly. "We got here too late. Even if we could maybe cut the kid free from the floor, odds are she'd bleed to death before we even got her to the street. She's already as good as dead. So we leave her, and get the hell out of here while we still can. Before the house turns on us."

I shook my head slowly. "I can't do that, Suzie. I can't just walk away and leave her here."

"Listen to me, John! I don't do lost causes. This case is over. All that's left to us is to give the kid a quick death, maybe cheat the house out of some of its victory. Then we get out of here, and come back with something heavy in the explosive line. You get Joanna moving. I'll take care of the kid."

"I didn't come all this way, just to abandon her! She's coming back with us!"

"No-one's leaving," said Cathy. "No-one's going anywhere."

Behind us, the door groaned loudly in its frame. Suzie and I looked round sharply, just in time to see the door slam shut and then vanish, its edges absorbed into the surrounding wall. The door's colours faded out, and within moments there was only an unmarked, unbroken expanse of wall, with no sign to show there'd ever been a door there. And all around us, the four walls of the enclosed room rippled suddenly, expanding and contracting in slow sluggish movements; becoming steadily more organic in appearance, soft and puffy and malleable. Thick purple traceries of veins spread across the walls, pulsing rhythmically. And a great inhuman eye opened in the ceiling above us, cold and alien, staring unblinkingly down at its new victims like some ancient and unsympathetic god. A sickly phosphorescent glow blazed from the walls, and I finally knew where the light had been coming from all along. There was a new smell on the air, thick and heavy, of blood and iron and caustic chemicals.

"No-one's going anywhere," said Cathy. "There's nowhere to go." There was another voice under hers now, harsh and deliberate and utterly inhuman.

Suzie stalked over to where the door had been, reversed her gun and slammed the butt of the shotgun

against the wall. The awful pulsing surface gave a little under the blow, but it didn't break or even crack. Suzie hit it again and again, grunting with the effort she put into it, to no avail. She glared at the wall, breathing hard, and then kicked it in frustration. The leather toe of her boot clung stickily to the wall, and she had to use all her strength to pull it free. Part of the leather toe was missing, already absorbed. Drops of dark liquid fell from the ceiling, and more slid slowly down the walls and oozed up out of the floor. Suzie hissed suddenly, in surprise as much as pain, as a drop fell on her bare hand, and steam rose up from the scorched flesh.

"John, what the hell is this? What's going on?"

"Digestive juices," I said. "We're in a stomach. The house has decided we're too dangerous to absorb slowly, like Cathy. It doesn't want to savour us. We're going to be soup. Suzie, make us an exit. Blast a hole right through that wall."

Suzie grinned fiercely. "I thought you'd never ask. Stand back. This could splatter."

She trained her shotgun on the wall where the door had been, and let fly. The wall absorbed the blast, the point-blank impact producing only ripples spreading slowly outwards, like when you throw a stone into a pond. Suzie swore briefly and tried again, reloading and firing repeatedly till the close air stank of cordite, and the sound was overwhelming. But even as the roar of the gun died away, the

ripples were already disappearing from the unmarked wall. Suzie looked back at me.

"We are in serious trouble, John. And don't look now, but your shoes are steaming."