"I know him," said Phyllis. "He keeps looking at me. I detest him."
"I thought," said Elizabeth, "you were dancing to him this morning."
"I was not!" snapped Phyllis.
"And yesterday," laughed Elizabeth, rocking back, clapping her hands, "when Sura asked him to stand forth that one of us might approach him to administer the First Kiss of the Captive Slave Girl, it was you who first sprang to your feet."
"I have scarcely ever seen anyone move so fast," commented Virginia.
"It's not true!" cried Phyllis. "It's not true!"
"Perhaps he will buy you," suggested Elizabeth.
"No!" cried Phyllis.
"Do you think we will be sold at the Curulean?" asked Virginia of me.
"It is apparently the plan of Cernus," I said.
"I wonder," said Virginia, "if someone like Relius will buy me."
"Perhaps," said Elizabeth.
"I doubt it," said Phyllis. "You are too skinny and your face has pocks."
"I am not ugly," said Virginia. "And I cannot help it that I do not have a body like yours."
Phyllis tossed her head, sniffing.
"I was afraid of men," said Virginia, her head down. "But now I find I am curious about them. I did not know what to do, or how to act with men. But now I am a slave, and I am being taught. I am being shown what to do. I am not so afraid of men now." She looked at Phyllis. "I want a man," she said.
"Slave!" jeered Phyllis.
"Don't you want a man?" asked Virginia, tears in her eyes.
"I will have nothing to do with men," said Phyllis.
"Oh yes you will, Pleasure Slave," Elizabeth assured her, "oh yes you will!"
Phyllis cast her a withering glance.
"I wonder what it would be like to be in the arms of a man," said Virginia.
"Like Relius?" asked Elizabeth.
"Yes!" said Virginia.
Phyllis laughed.
Virginia dropped her head. "I am ugly," she said. "I am unworthy of being sold at the Curulean."
"You're a slave!" laughed Phyllis. "Only a slave! Virginia the little slave!"
"I am a slave," said Virginia. And she added, "And so are you!"
"I am not a slave!" cried Phyllis.
"Pretty little slave!" laughed Virginia, pointing her finger at her.
"Never say that to me!" screamed Phyllis, leaping to her feet.
"Pretty little slave!" screamed Virginia.
Phyllis leaped upon her and in an instant the two girls were rolling and scratching on the stones, screaming at one another.
"Stop them!" cried Elizabeth. "Stop them!"
I spoke calmly. "Free men do not much interfere in the squabbles of slaves."
The two girls stopped fighting. Phyllis stood up, breathing heavily. Virginia rose to her feet, and stepped back. She brushed back her hair with her right hand. Both girls looked at me.
"Thank you," said Virginia.
"It is time that you returned to your cells, Slaves," said I.
Virginia smiled. Phyllis, not speaking, turned and went to the door, but there she turned once more, looking at me, waiting for Virginia.
Virginia regarded me. "You are a man," she said. "Does Master find the slave Virginia ugly?"
"No," I said, "the slave Virginia is not ugly. The slave Virginia is beautiful."
There were tears in her eyes. "Could such a man as Relius, do you think," she asked, "desire such a slave as Virginia?"
"Doubtless," I said, as though irritated with her question, "were the slave Virginia not White Silk the man Relius would have asked for her long ago."
She looked at me gratefully.
It is, incidentally, one of the perquisites of employment in the house of a slaver that a member of the guard or staff may ask for, and generally receive, the use of whatever Red Silk Girls he pleases. Elizabeth had not been bothered in this particular because she was, by general recognition, solely mine while I remained in the house.
"And," I said, rather loudly, looking at Phyllis, "were the slave Phyllis not White Silk she would have found herself used frequently, and well, by the man Ho-Sorl."
Phyllis looked at me in fury and turned, leaving the room. She walked beautifully, sinuous in her rage.
"The slave Phyllis," I sad, rather loudly again, "has learned much from Mistress Sura."
Phyllis cried out and turned in the hall, her fists clenched. Then she spun about with a cry of rage and ran weeping down the corridor.
Elizabeth clapped her hands and laughed.
I glared at Virginia, who still stood in the room. "Go to your cell, Slave," I said.
Virginia dropped her head, smiling. "Yes," she said, "Master," and then turned and left. She, too, walked beautifully.
"It is hard to believe," said Elizabeth, "that she once taught classics and ancient history in a college."
"Yes," I said, "it is."
"On Earth," said Elizabeth, "I do not think a woman would dare walk so beautifully."
"No," I said, "I do not think so."
The training of the slave girls progressed. It had begun, following the period entirely consumed with exercises, with such small things as instruction on how to stand, to walk, to kneel, to recline, to eat, to drink. Grace and beauty, following Sura, and I would scarcely dare dispute such an authority, is mostly a matter of expression, both that of the face and body. I could, week to week, see the change in the girls, even Elizabeth. Some of the things they were taught seemed to me very silly, but I, at the same time, found it difficult to object.
One thing of that sort I recall is a trick where the girl feeds the master a grape held between her teeth. She may or may not have her wrists braceleted behind her back for this particular feat. One leg is folded beneath her and the other is extended behind her, toes pointed, and then she lifts the grape delicately to your mouth. Elizabeth and I used to laugh heartily over this one, but I think it was effective, as I seldom got beyond the third grape.
"Observe," once had said Elizabeth to me, to my amusement, in the secrecy of out compartment, "the twelfth way to enter a room."
I had observed. It was not bad. But I think I preferred the tenth, that with the girl's back against the side of the door, the palms of her hands on the jamb, her head up, lips slightly parted, eyes to the right, smoldering at just the right temperature.
"How many ways are there," I asked, sitting cross-legged in the center of the compartment, on the stone couch, "to enter a room?"
"It depends on the city," said Elizabeth. "In Ar we are the best; we have most ways to enter a room. One hundred and four."
I whistled.
"What about," I asked, "just walking straight through?"
She looked at me. "Ah," said she, "one hundred and five!"
A good deal of the training of the slave girl, surprisingly, to my naive mind, was in relatively domestic matters. For example, the Pleasure Slave, if she is trained by a good house, must also be the master of those duties commonly assigned to Tower Slaves. Accordingly, they must know how to cut and sew cloth, to wash garments and clean various types of materials and surfaces, and to cook an extensive variety of foods, from the rough fare of Warriors to concoctions which are exotic almost to the point of being inedible.
Elizabeth would regularly bring her efforts back to the compartment, and the nights were not infrequent when I longed for the simple fare at the table of Cernus, or perhaps a bowl of Ho-Tu's gruel. One dish I recall was composed of the tongues of eels and was sprinkled with flavored aphrodisiacs, the latter however being wasted on me as I spent, to Elizabeth's consternation, the night lying on my side in great pain.
Elizabeth was, however, to my satisfaction, taught a large number of things which, to my mind, were more appropriate to the training of slave girls, including a large number of dances, dozens of songs, and an unbelievable variety of kisses and caresses. The sheer mechanics of her repertoire, theoretically outfitting her to give exquisite pleasure to anyone from an Ubar to a peasant, are much too complex and lengthy to recount here. I do not think, however, that I have forgotten any of it. One thing that I thought was nice was that Elizabeth had asked Sura about the dance she had begun to perform but could not finish, when we had first come to the house of Cernus, the dance which is accompanied by the Tuchuk slave song. Sura, who seemed to know everything, taught the rest of it, song and all, to her, and to the other girls. For good measure she also taught them the independent dance, sometimes called the Dance of the Tuchuk Slave Girl, which I had once seen performed at a banquet in Turia.