Chapter Three

Opposite Isaac on the train sat a small child and her father, a shabby gent in a bowler hat and second-hand jacket. Isaac made a monster face at her whenever she caught his eye.

Her father was whispering to her, entertaining her with prestidigitation. He gave her a pebble to hold, then spat on it quickly. It became a frog. The girl squealed with delight at the slimy thing and glanced shyly up at Isaac. He opened his eyes and mouth wide, mumming astonishment as he left his seat. She was still watching him as he opened the door of the train and stepped out onto Sly Station. He made his way down and onto the streets, wound through the traffic for Brock Marsh.

There were few cabs or animals in the narrow twisting streets of the Scientific Quarter, the oldest part of the ancient city. There were pedestrians of all races, as well as bakeries and laundries and guildhalls, all the sundry services any community needed. There were pubs and shops and even a militia tower; a small, stubby one at the apex of Brock Marsh where the Canker and the Tar converged. The posters plastered on the crumbling walls advertised the same dancehalls, warned of the same coming doom, demanded allegiance to the same political parties as elsewhere in the city. But for all that apparent normality, there was a tension to the area, a fraught expectancy.

Badgers-familiars by tradition, believed to have a certain immunity to the more dangerous harmonics of hidden sciences-scampered past with lists in their teeth, their pear-shaped bodies disappearing into special flaps in shop doorways. Above the thick glass storefronts were attic rooms. Old warehouses on the waterfront had been converted. Forgotten cellars lurked in temples to minor deities. In these and all the other architectural crevices, the Brock Marsh dwellers pursued their trades: physicists; chimerists; biophilosophers and teratologists; chymists; necrochymists; mathematicians; karcists and metallurgists and vodyanoi shaman; and those, like Isaac, whose research did not fit neatly into any of the innumerable categories of theory.

Strange vapours wafted over the roofs. The converging rivers on either side ran sluggishly, and the water steamed here and there as its currents mixed nameless chymicals into potent compounds. The slop from failed experiments, from factories and laboratories and alchymists’ dens, mixed randomly into bastard elixirs. In Brock Marsh, the water had unpredictable qualities. Young mudlarks searching the river quag for scrap had been known to step into some discoloured patch of mud and start speaking long-dead languages, or find locusts in their hair, or fade slowly to translucency and disappear.

Isaac turned down a quiet stretch of the river’s edge onto the decaying flagstones and tenacious weeds of Umber Promenade. Across the Canker, the Ribs jutted over the roofs of Bonetown like a clutch of vast tusks curling hundreds of feet into the air. The river sped up a little as it bore south. Half a mile away he could see Strack Island breaking its flow where it met the Tar and curled away grandly to the east. The ancient stones and towers of Parliament rose hugely from the very edges of Strack Island. There was no gradual incline or urban scrub before the blunt layers of obsidian shot out of the water like a frozen fountain.

The clouds were dissipating, leaving behind a washed-out sky. Isaac could see the red roof of his workshop rising above the surrounding houses; and before it, the weed-choked forecourt of his local, The Dying Child. The ancient tables in the outside yard were colourful with fungus. No one, in Isaac’s memory, had ever sat at one of them.

He entered. Light seemed to give up the struggle halfway through the thick, soiled windows, leaving the interior in shadows. The walls were unadorned except by dirt. The pub was empty of all but the most dedicated drinkers, shambolic figures huddled over bottles. Several were junkies, several were Remade. Some were both: The Dying Child turned no one away. A group of emaciated young men lay draped across a table twitching in perfect time, strung out on shazbah or dreamshit or very-tea. One woman held her glass in a metal claw that spat steam and dripped oil onto the floorboards. A man in the corner lapped quietly from a bowl of beer, licking the fox’s muzzle that had been grafted to his face.

Isaac quietly greeted the old man by the door, Joshua, whose Remaking had been very small and very cruel. A failed burglar, he had refused to testify against his gang, and the magister had ordered his silence made permanent: he had had his mouth taken away, sealed with a seamless stretch of flesh. Rather than live on tubes of soup pushed through his nose, Joshua had sliced himself a new mouth, but the pain had made him tremble, and it was a ragged, torn, unfinished-looking thing, a flaccid wound.

Joshua nodded at Isaac and, with his fingers, carefully held his mouth closed over a straw, sucked greedily at his cider.

Isaac headed for the back of the room. The bar, in one corner, was very low, about three feet from the ground. Behind it, in a trough of dirty water, wallowed Silchristchek the landlord.

Sil lived and worked and slept in the tub, hauling himself from one end to the other with his huge, webbed hands and frog’s legs, his body wobbling like a bloated testicle, seemingly boneless. He was ancient and fat and grumpy, even for a vodyanoi. He was a bag of old blood with limbs, without a separate head, his big curmudgeonly face poking out from the fat at the front of his body.

Twice a month he scooped the water out from around him and had his regulars pour fresh buckets over him, farting and sighing with pleasure. The vodyanoi could spend at least a day in the dry without ill-effects, but Sil could not be bothered. He oozed surly indolence, and chose to do so in his filthy water. Isaac could not help feeling that Sil debased himself as a kind of aggressive show. He seemed to relish being more-disgusting-than-thou.

In the early days, Isaac had drunk here out of a youthful delight in plumbing the depths of squalor. Mature now, he frequented more salubrious inns for pleasure, returning to Sil’s hovel only because it was so close to his work, and, increasingly, unexpectedly, for research purposes. Sil had taken to providing him with experimental samples he needed.

Stinking piss-coloured water slopped over the edges of the tub as Sil wriggled his way towards Isaac.

“What you having, ‘Zaac?” he barked.

“Kingpin.”

Isaac flipped a deuce into Sil’s hand. Sil brought down a bottle from one of the shelves behind him. Isaac sipped the cheap beer and slid onto a stool, grimacing as he sat in some dubious liquid.

Sil sat back in his tub. Without looking at Isaac, he began a monosyllabic, idiot conversation about the weather, about the beer. He went through the motions. Isaac said just enough to keep the discourse alive.

On the counter were several crude figures, rendered in water that seeped into the grain of the old wood before his eyes. Two were rapidly dissolving, losing their integrity and becoming puddles as Isaac watched. Sil idly scooped up another handful from his tub and kneaded it. The water responded like clay, holding the shape Sil gave it. Scraps of the dirt and discoloration of the tub eddied inside it. Sil pinched the figure’s face and made a nose, squeezed the legs to the size of small sausages. He perched the little homunculus in front of Isaac.

“That what you’re after?” he asked.

Isaac swallowed the rest of his beer.

“Cheers, Sil. Appreciate it.”

Very carefully, he blew on the little figure until it fell backwards into his cupped hands. It splashed a little, but he could feel its surface tension hold. Sil watched with a cynical smile as Isaac scurried to get the figurine out of the pub and to his laboratory.