So what happened to little girls with nobody to take care of them? How did they eat? Would it all be like that trip on the train? The train trip had seemed to go on forever, but this was even worse.

She was afraid now, deep down scared, and she knew she would stay horribly, crawlingly scared until dark, into the dark when it would get even worse, until she tossed and turned herself asleep.

Toto sighed and shivered, waiting out the terror with her.

The dust moved in the sunlight, and the sunlight moved across the wall, and no one came, and no one came. Time and loneliness and fear crept forward at the same slow pace.

Then the front door swung open with a sound of sleighbells on a leather strap, like Christmas. Dorothy looked up. A woman in black stood in the doorway, carrying a basket.

"Are you the little girl who's waiting for her aunty?" the woman asked. Dorothy nodded. The woman smiled and came toward her. There was something terribly wrong.

The woman's arms were too long. The bottom of her rib cage seemed to stick out in the wrong place, and she walked by throwing her hips from side to side and letting her tiny legs follow. As she moved, everything was wrenched and jolted. Dorothy backed away from her, along the bench.

"I brought some chicken with me," said the woman, smiling, eyes bright. Her face was young and pretty. "My name's Etta, what's yours?" Toto sat up from the floor, ears forward, but he did not growl.

Dorothy told her in such a low voice that Etta had to ask her again. "And the dog's name?"

"Same," said Dorothy. Etta sat down on the bench some distance away and began to unfold a red-checked cloth from the basket. Some of the fear seemed to go. "He's got the same name as mine."

Etta plucked out apples and cold dumplings and some chicken and passed them on a plate.

"The same name. How's that?"

"My mama got the two of us on the same day. So I'm called Dorothy and he's called Toto. That's short for Dorothy." Dorothy had the drumstick.

"Would Toto like some chicken?" Etta asked.

Dorothy nodded yes, with her mouth full. She stared at the woman's pretty face as she held out a strand of chicken for Toto. Dorothy was confused by the woman's height and manner. Dorothy was not entirely sure if she was a child or an adult.

"Are you middle-aged?" Dorothy asked. She did not understand the term. She thought it meant people who were between childhood and adulthood.

"Me?" Etta chuckled. "Why no, I'm twenty years old!"

"Why aren't you bigger?"

"I'm deformed," Etta answered.

Dorothy mulled the word over. "So am I," she decided.

"Oh no, you're not, you're tall and straight and real pretty."

"Am I?"

Etta nodded.

"So are you," Dorothy decided. The long arms and the twisted trunk had resolved themselves into something neutral.

Etta went pink. "Don't talk nonsense," she said.

"You're real pretty. Are you married?"

Etta smiled a secret kind of smile. "I might be someday."

"Everybody should be married," said Dorothy. It appealed to her sense of order.

"Why's that?" Etta asked.

Dorothy shrugged. She didn't know. She just had a picture of people in houses. "Where do you live if you're not married?"

"With my Uncle William."

"Could you marry him?"

Etta chuckled. "I wouldn't want to. There is someone I could marry, though, if you promise not to tell anyone."

Dorothy nodded yes.

"Mr. Reynolds," whispered Etta, and her face went pink again, and she grinned and grinned.

Dorothy grinned as well, and good spirits suddenly overcame her. "Mr. Reynolds," Dorothy said, and kicked both feet.

"People tell me I shouldn't marry him. But do you know, I think I might just do it anyway."

Dorothy was pleased and looked at her white shoes and white stockings. "Now," said Etta. "What we're going to do is wait here till your aunty comes. And if she can't come here today, then we'll go and spend the night at my house and then go to your aunty's in the morning. Would you like that?"

Dorothy nodded yes. "Is it nice here?" she asked.

"Nice enough," said Etta. She told Dorothy about the trees of Manhattan. When the town was planned, every street had a row of trees planted down each side. The avenues had two rows of trees planted on each side, in case the road was ever widened. So, Manhattan was called the City of Trees. Dorothy liked that. It was as if it were a place where everyone lived in trees instead of houses. Nimbly, Etta packed up the remains of their dinner.

Then they went to the window. Dorothy saw Manhattan.

There was a white two-story house on the corner of the road, with a porch and a door that had been left open. Dorothy could hear a child calling inside. There was a smell of baking. It looked like home.

And there were the trees, as tall as the upper floor. Beyond the trees, there was a honey-colored building. The Blood Hotel, Etta called it. There were hills: Blue Mont with smoke coming out of its top like a chimney; College Hill, where Etta lived.

"Are there any Indians?" Dorothy asked.

Not anymore, Etta told her. But near Manhattan, there had been an Indian city.

"It was called Blue Earth," said Etta. "They had over a hundred houses. Each house was sixty feet long. They grew pumpkins and squash and potatoes and fished in the river, and once a year they left to hunt buffalo. They were the Kansa Indians, which is why one river is called the Kansas, and the other is called Big Blue. Because they met right here where the Kansas lived."

Dorothy saw it, a river as blue as the sea in her picture books at home. The Kansas River was called yellow, and Dorothy saw the two currents, yellow and blue mixing like colors in her paint box.

"Is it green there?" she asked. She meant where the blue and yellow mixed.

"It's green everywhere here," Etta answered. They went back to sit on the bench. Etta told Dorothy about Indian names, Wichita and Topeka. Topeka meant "A Good Place to Find Potatoes." That made Dorothy laugh.

"But any place is what you make it," said Etta. "You've got to make it home. You've got to do that for yourself. Do you understand what I'm saying?"