Thursday. T. J. Mackey stood in front of the County Records Building. He crossed the street to the triangle lawn between Main and Elm. He looked toward the railroad tracks above the triple underpass. Then he jogged across Elm and Stood on the sloped lawn in front of the colonnade. He walked up toward the stockade fence that set off the parking lot. He stood facing Elm. He walked back toward the sign for Stemmons Freeway. Cars, everywhere, dashing. He looked at the sky and wiped his mouth.

Later he sat in a dark Ford on the downtown fringe, unwrapping a sandwich. This was an area of old packing houses with train tracks partly paved over and sides of buildings showing brick and mortar exposed by the demolition of adjacent structures. Every usable space was set aside for parking-alleyways, dusty lots, old loading zones. There was a clinging midday silence, a remoteness that Mackey found odd, a block and a half from the crowds and traffic.

He watched Oswald approach uncertainly.

He was sure Oswald wanted to be the lone gunman. This is how it is with solitaries, with men who plan eternally toward some total moment. Easy enough to make him believe it. But he would also have to make sure Oswald didn't fire until the limousine was moving away from him toward the triple underpass. T-Jay wanted a crossfire. If Oswald misses, his second shooter is in prime position; he has the car almost head-on. T-Jay did not trust Oswald to make the shot. This was the kid who missed General Walker at a hundred and twenty feet-a stationary man in a well-lighted room. And the Mannlicher is an old, crude and unreliable weapon. If he fires and misses while the car is still on Houston Street, coming at him, with no clear shot for the second gunman, then we all walk away with nothing. As a shooter, Oswald was redundant, strictly backup. His role was to provide artifacts of historical interest, a traceable weapon, all the cuttings and hoardings of his Cuban career.

T-Jay saw him spot the car, tilting his chin slightly. He walked over and got in, carrying a sandwich and a half-pint carton of milk.

"How's the new baby?"

"Fine. Doing real well."

"He's going to be coming at you for one street length, swinging out of Main and coming at you down Houston," T-Jay said. "You don't take him then. This is not the time. It's an easy shot, the easiest we could possibly expect, but they'll be looking right at you. There's a pilot car, there's about fifteen cops on motorcycles, there's a Secret Service car with eight men, four of them hanging off the running boards. They're all clustered around the President's limousine and they're all looking your way. Once the shot is off, they'll know exactly where it came from. That building will be flooded with police. I strongly recommend. I can't be too emphatic. Wait. You wait for them to turn down Elm and head toward the underpass and the freeway. It's not a hard shot. You aim at the mass, the center portion of his body or whatever part of his body is visible through the scope. Wait. You wait for him to veer away from you down Elm. Then you wait for him to clear the oak tree. He has to clear that tree. I estimate the first shot at less than two hundred feet. After that, depends on how fast the driver reacts. I figure the sound will ricochet toward the underpass. They won't be certain of the source. You're behind them now, which makes it harder for them to pick you out of the landscape. You gain extra seconds. Maybe ten extra seconds to get downstairs. It could make the difference. Wait. Be sure to wait. Don't even show yourself in that window until the car reaches the oak tree. Then wait for it to clear the tree."

The plan had one thing going for it that Win Everett's levels and refinements could not have supplied. Luck. T-Jay watched Oswald peel the lettuce off the bread and eat it separately.

"Once you're on the street, get out of the area fast. Jefferson Boulevard, not far from your rooming house. Go to West Jefferson, north side of the street, number 231. It's a movie house with a Spanish-type facade. It'll be open. They open the doors at twelve-forty-five. You go in, take a seat, watch the movie. We'll have you in Galveston by nightfall and out of the country by dawn."

Mackey crumpled the sandwich paper and threw it out the window. He took four cartridges out of his pocket. He jiggled them in his fist and let them drop into Oswald's lunch bag.

"I don't see any way you'll need more than four rounds."

"There won't be time."

"Trust your hands."

"I've worked the bolt a thousand times."

"What's the baby's name?"

"My wife named her Audrey, after Audrey Hepburn in War and Peace. Tolstoy. But her middle name is Rachel. We call her Rachel."

"You're going to love this operation," T-Jay said.

He watched Oswald walk out of the alleyway onto Griffin Street and then head southwest, back to work.

The main thing is Kennedy dead.

The next thing is Oswald dead.

Once Oswald's leftist sympathies are exposed, the authorities will conclude, will want to conclude, that Castro agents recruited him, used him, killed him.

Guy Banister would alert the FBI to the Hidell alias.

David Ferrie would spend a lonely night in Galveston.

Marina and Lee were in the backyard of the Paine house, pushing kids on the swings in turn, Sylvia and Chris and Junie and a neighbor's little girl and boy. It was dark but the kids didn't want to go inside. Two swings, two parents to push them.

"But you still haven't said what you're doing here on a Thursday."

"I miss my girls," he said.

"Without even calling."

"If you come to Dallas to live."

"No."

"Then I won't have to call. Everything will change. I can't live in that room too much longer."

"The children are better off here."

"Do you know the size of that room?"

"Ruth is still happy to have us stay."

"Papa thinks you don't love him."

They took two kids off the swings, put two more on. Marina was still angry at Lee for not telling her that he was using a false name. She found out when Ruth called the rooming house and asked for Lee Oswald. She wanted this foolish business to end. All these comedies. First one thing, then another.

The kids screamed, "Higher."

"I'll buy you a washing machine," he said.

"We might be better with a car."

"I'm saving the best I can. First we need to get an apartment."

"No."

"If you come to Dallas to live."

"No."

"The girls want to be with their daddy."

"Who will I talk to all day? Here I can talk to Ruth. Ruth is a big help to me."

"A balcony like Minsk," he said.

At dinner Ruth asked that the three of them hold hands around the table. She explained this was how Quakers say grace. Each person is supposed to recite a silent prayer, although it was clear to Marina that Lee's silence was not the prayerful kind.

When Marina was cleaning up in the kitchen, Ruth came in and said in a slightly puzzled way that someone had left the light on in the garage. They said it was probably Lee looking for a sweater among his belongings. Most of the things they owned were in boxes in Ruth's garage.

In the bedroom Marina took off her clothes. Lee sat in a chair, dressed except for his shoes and socks. Getting ready for bed, the same as anyone, here in this American place.

"Everything will change."

"No."

"But first we have to live together."

"I don't see any reason to hurry."

"If you come to Dallas to live."

"The children play outside here. Ruth is here."

"I have a little saved."

"I don't want my baby sucking nervous milk."

"Our own furniture for a change."

She stood naked on the far side of the bed. She reached around to the chair for her nightdress. He was watching her. She thought he was going to say something. She put the nightdress over her head and rolled back the bedcovers. Ordinary in every way, simple moments adding up, with rain falling on the lawn.