Also present in the crowd that day, caught in photographs, is Antonio Veciana, the founder of Alpha 66. Eight and a half years later he will be shot and wounded in Miami. This will happen after publication of the House select committee's report on assassinations-a report that includes Veciana's allegation that Lee Oswald met with a member of U.S. intelligence in Dallas some time before November 22. No arrests in the case.
Brenda Jean Sensibaugh, the stripper to whom Jack Ruby wired money, is found hanging by her toreador pants in a holding cell in Oklahoma City, June 1965, after an arrest on charges of soliciting for the purpose of prostitution. Ruled a suicide.
Two days later, Bobby Renaldo Dupard is shot to death during a holdup at Ray's Hardware in West Dallas, where he was employed as assistant manager. Branch immediately connects the name of the store with one of those useless clinging facts that keep him awake at night. This is where Jack Ruby, in 1960, bought the gun he used to kill Oswald.
Jack Leon Ruby dies of cancer in January 1967 while awaiting retrial for the murder of Oswald. In his time in prison he attempts suicide by ramming the cell wall with his head and by trying to jam his finger in a light socket while standing in a puddle of water.
He tells Chief Justice Earl Warren at the commission hearings that he has been used for a purpose, that he wants to tell the truth and then leave this world. But first they have to take him to Washington. He will tell the truth to President Johnson.
He lives in a cell in an isolated area of the county jail, a small square room with a toilet bowl and a mattress on the floor. A guard reads the Bible to him. Jack believes this man has a listening device in his clothes. They safely store away all his incriminating remarks and then erase all the remarks that prove his crime was unpremeditated, a spasm of personal conscience.
When he is feeling totally morose, a nothing person, he rereads the telegrams he received in the first days after the shooting. HOORAY FOR YOU JACK. YOU ARE A HERO MR. RUBY. WE LOVE YOUR GUTS AND COURAGE. YOU KILLED THE SNAKE. YOU DESERVE A MEDAL NOT A JAIL CELL. I KISS YOUR FEET BORN IN HUNGARY LOVE. Then he remembers the guilty verdict, the death penalty, the reversal on flimsy technicalities. He knows that Dallas wants him dead and gone just like Oswald. He knows that people regard all the shootings of that weekend as flashes of a single incandescent homicide and this is the crime they are saying Jack has committed. He is worried that he has been miscast. He runs across the room and butts his head.
He wears white jail coveralls and scribbles notes when his lawyers come to the interview room, where the walls are bugged. He insists on taking a lie-detector test because the sincerity and authenticity of the truth are precious qualities to Americans. "It seems as you get further into something," he scribbles on a pad, "even though you know what you did, it operates against you somehow, brainwashes you, that you are weak in what you want to tell the truth about." Authorities arrange a polygraph exam in July 1964. Results are inconclusive.
He begins to hear voices. He hears one of his brothers screaming as people set him on fire outside the county jail.
He believes all his brothers and sisters will be killed because of what he did.
He believes people are distorting his words even as he speaks them. There is a process that takes place between the saying of a word and when they pretend to hear it correctly but actually change it to mean what they want.
He believes the Jews of America are being put in kill machines and slaughtered in enormous numbers.
He is miscast, or cast as someone else, as Oswald. They are part of the same crime now. They are in it together and forever and together.
The lawyers leave, the doctors come waltzing in. The cancer is spreading. He can smell it on the hands of his examiners. Jack Ruby reads his telegrams.
Does anyone understand the full measure of his despair, the long slow torment of a life in chaos, going back to Fanny Rubenstein toothless on Roosevelt Road, screaming in the night, going back in time to the earliest incomprehension he can remember, a truant, a ward of the state, living in foster homes, going back to the first blow, the shock of what it means to be nothing, to know you are nothing, to be fed the message of your nothingness every day for all your days, down and down the years?
You have lost me, Chief Justice Warren.
He begins to merge with Oswald. He can't tell the difference between them. All he knows for sure is that there is a missing element here, a word that they have canceled completely. Jack Ruby has stopped being the man who killed the President's assassin. He is the man who killed the President.
This is why Jews are being stuffed in machines. It is all because of him. It is the power and momentum of mass feelings.
Oswald is inside him now. How can he fight the knowledge of what he is? The truth of the world is exhausting. He lowers his head and runs into the concrete wall.
And Nicholas Branch studies the psychiatric reports. He reads into the night. He sleeps in the armchair. There are times when he thinks he can't go on. He feels disheartened, almost immobilized by his sense of the dead. The dead are in the room. And photographs of the dead work a mournful power on his mind. An old man's mind. But he persists, he works on, he jots his notes. He knows he can't get out. The case will haunt him to the end. Of course they've known it all along. That's why they built this room for him, the room of growing old, the room of history and dreams.
Sunday night. Beryl Parmenter sat watching TV in her little house in Georgetown. They were showing reruns of the shooting.
Over and over. The screen is full of broad-shouldered men in hats, all around Oswald, who is bare-headed, his features whited out by glare except for his left eye, shining darkly. Jack Ruby comes into the frame, bulky and hunched. His hand is bright static around the gun. The picture jumps. The surprise and pain in Oswald's face remove him from the company around him. He is alone, already far away, the only one not wondering what has happened. A cold moment of stillness after the shot. Then everything flies apart.
She didn't want these people in her house.
The camera doesn't catch all of it. There seem to be missing frames, lost levels of information. Brief and simple as the shooting is, it is too much to take in, too mingled in jumped-up energies. Each new showing reveals a detail. This time she sees that Ruby carries dark-rimmed glasses folded in his breast pocket. Oswald dies unchanged.
Why do they keep running it, over and over? Will it make Oswald go away forever if they show it a thousand times? She knew exactly what Ruby was thinking. He wanted to erase that little man. He wanted him out of here. He didn't want to see him or hear him or think about him. Just like the rest of us, Jack. We want him out of here too. And now he's gone but it isn't helping at all.
Beryl had admired President Kennedy. She'd even felt a small personal involvement in his rise, a sort of landed interest, inasmuch as the Kennedys had lived for a time in a brick house on N Street, practically around the corner, when Jack was a senator. She wanted to feel a satisfaction in the death of Oswald, some measure of recompense. But this footage only deepened and prolonged the horror. It was horror on horror.
She didn't want these people here. But she felt morally bound to watch. They kept on showing it and she kept watching. She had the sound turned down because the voices of reporters made her cry.
She'd been crying all weekend, crying and watching. She couldn't shake the feeling she'd been found out. These men were in her house with their hats and guns. Pictures from the other world. They'd located her, forced her to look, and it was not at all like the news items she clipped and mailed to friends. She felt this violence spilling in, over and over, men in dark hats, in gray hats with dark bands, in tan Stetsons, in white caps with shiny visors and badges pinned to the crowns. The little hatless man said "Oh" or "No."