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The silences between the wails grew longer, the wail itself fainter. The alarm became a series of cheeps, pips, and then finally died. And then the brightness of the awakened yard was as startling as the alarm had been.

Bobby went back to the bar. The boy still looked at him with eyes of terror. He had; put on all the bar lights.

'Peter;' the colonel was saying.

At last the quarters went quiet.

'Dog or cat jump on car, sir.'

'Were you sleeping?'

'Sleeping, sir!

'You are very foolish.'

Women wailed.

'I'm going to have you tied up. Timothy! Carolus!' The barboy jerked his head. But he didn't move.

The wailing continued, drowning the colonel's questions, the soft responses.

'Carolus!'

Now Carolus moved. His mouth, half open, had grown thick and immobile. His movement was awkward, his limbs heavy. He opened the back door of the bar and stood for a little with his back to Bobby, his hand behind him on the doorknob. Across the dark wide passageway half a panelled door was ajar, and Bobby had a glimpse of the bright yard: the unshaded bulbs on the cylindrical metal legs of the water-tower, the glare of the whitewashed quarters, the bush at the back that glittered in black shadow and looked artificial.

'Carolus!'

He pulled the door shut, and Bobby was alone in the bar. With all the lights on it seemed a bigger room.

Outside, the women wailed in relay, no two drawing breath at the same time. It was impossible to pick out what the male voices were saying. The wailing became simple sound, part of the background.

In a framed signed photograph behind the bar, the photograph enlarged, imprecise, a man in a boat held up a big fish and smiled in strong sunlight: the weather and the mood, and all the implied order, of a particular day. There was a calendar, with an African landscape, from a Belgian brewery, the names of towns in Belgium and Africa printed in the same red type. The paint on the half-empty shelves was old and scratched, cream below brown; in one corner half a dozen nearly empty liqueur bottles had old, dry, stained labels.

The wailing outside grew weaker, was no longer background. Bobby heard the colonel's voice. The wailing grew loud again, subsided again, and then there was almost silence.

Bobby left the bar and went quickly down the verandah to the enclosed passageway. The door that gave on to the yard was ajar. He didn't look. He was aware of brightness, movement. He also knew he had been observed.

Upstairs, as he was opening his door, he heard Linda open hers. She was in a short cotton nightdress; her shiny shins looked as sharp as her elbows.

She whispered, 'Peter? I knew it, I knew it.'

Again he felt that she was involving him in a neutral marital intimacy. And though he half wanted the company, he was perverse. He set his face, as though he had been especially affronted by what had happened downstairs, turned away from Linda and without a word pushed his door open.

It was unexpectedly bright with the glare from the yard. He closed the door, deciding at the last moment to give a little slam. He kicked something across the floor. He didn't need to turn on the light to see that it was the key of his car.

It was only when he was undressed that he became disquieted. Intruders: there might have been a crisis, and he might have been without his car, trapped. He decided then to pack, to be ready at any time for a swift getaway. He arranged, around a chair, everything he would need: packed suitcase, trousers, the yellow native shirt, shoes and socks. He went to bed in his vest and underpants. It was pointless, even a little deranged; it was the behaviour of the compound. But when the lights in the yard went off, and he felt himself alone in the darkness, he was glad he had done what he had done.

There was a knock on the door, but so gentle he couldn't be sure. He waited. The knock came again. He sat up; he didn't put the light on. The door opened, the ceiling light was turned on. It wasn't Linda. It was Carolus, with a tea-tray. The world was normal again; the hotel was the hotel.

'You close door,' Bobby said. Carolus closed the door.

'You bring tea, Carolus? You very good boy. You bring tea here.'

Carolus set the tray on the bedside table. Just as his limbs had lost their lightness, and he moved clumsily, so his face had altered.

His eyes had gone red, his lips thick, creased and dry, with a white bloom; his whole face appeared inflamed with apprehension and mistrust.

'You sit here. You talk. with me. I teach you.'

Carolus was taking out a piece of paper from the tight pocket of his red tunic.

'I teach you French? I teach you hundate?'

The paper was a chit for the tea. It was made out in soft pencil, in the colonel's firm handwriting.

Anger swept through Bobby; and his anger grew at the sight of Carolus's heavy face.

He ordered: 'Pencil.' Carolus had one waiting.

'Now get out!' Bobby said, handing back the pencil and the chit.

Carolus didn't move. His expression didn't alter.

'Go!'

'You give me.'

'Give you? Give you nothing. Give you whip.'

It wasn't even true; it was someone else's words; he was violating himself. Sitting up in bed, looking at the inflamed African face coming nearer to his, he saw it invaded by such blank and mindless rage that his own anger vanished in terror, terror at something he sensed to be beyond his control, beyond his reason.

He said, 'I give you. I promise you. I give you.'

He took up a shilling from the change he had put out on the bedside table.

'You give me five.'

'I give you, I give you.'

Even when he had the money, Carolus looked at it suspiciously, and then he looked from his palm to Bobby's face. And as soon as Carolus began to walk to the door Bobby understood that Carolus was only 'fresh from the bush'; and Bobby knew that he had misread the boy's face, had seen things in it that were not there.

He said, 'Boy.'

Carolus stopped. He started to turn to face Bobby. 'You take off light, boy.'

Carolus obeyed. And when he left the room he shut the door quietly behind him.

Bobby turned on the bedside lamp. He poured a cup of tea. It was weak and full of leaves; it had been brewed in water that was barely hot. It was awful.

7

HE WAS IN A CAR with a woman whose identity he couldn't be sure of. They were quarrelling. Everything she said was accurate; everything was wounding; and though to everything there was a reply, he couldn't explain himself. He had to shout above her shouts; he was screaming; and as they sped along the empty road, dangerously, the wheel jumping in his hands, she wounded him and wounded him, more and more deeply; and there was rage and ache in his head, which seemed about to explode. He was no longer in the car. He was standing beside a table in a room full of people and chatter; and his exploding head made him collapse and stretch out right there, before them, on the floor.

When he awoke there was only the· memory of the head. The woman and her arguments had vanished; but the wound remained. It was dark, but there was a quality about the darkness which suggested that it would soon be light. He reasoned: it was his early night, the events of the evening, and anyway he had packed for a quick getaway. Just the trousers and the native shirt, and he would be off. But petrol: he didn't have enough, his tank wasn't filled: again and again he panicked as in his dream. And then it was daylight: a faint chattering from the quarters, a glimpse of trees at the back, which he hadn't seen the previous evening, and the radio downstairs, the African announcer stumbling over the violent words of the news bulletin from the capital.

It was the light, the openness, the lake, that surprised him when he went down to the dining-room. The sky was high and blue; beyond the ornamental palms on the boulevard the lake stretched to the horizon. The previous evening the wire-netting on the dining-room windows had appeared to enclose the room; now it offered no barrier to the light and was scarcely visible. So sodden and heavy and gloomily tropical the previous evening; but now the air was fresh. The hotel, the boulevard, the park, the lake: something of the resort atmosphere survived. And this morning there was activity on the boulevard. Above the hotel's concrete wall an army lorry could be seen moving slowly from left to right.