Yes, I should have gone to Axel's funeral, and seen him into the ground, if only to have an end of him. Even when in my heart I came at last to accept that he must truly have died, in some ancillary ventricle there still lodged a stubborn clot of doubt. I recalled the empty windows of what had been the Vander home; was there a connection between his disappearance and the family's abrupt decampment? Why had Hendriks's deputy been so evasive when I questioned him that morning at the Gazet? What did he know that he was not prepared to tell me? To this day I find myself wondering, with a mingled sense of unease and peculiar excitement, if after all Axel might not be dead, but living somewhere still, in hiding, for whatever reason, and going, like me, under another name, mine, perhaps, that would be a joke. Maybe back then he committed a crime none of us knew about that was so shameful that he cannot bring himself even now to step out of the shadows and confess to it. If so, it would have to have been something far more serious than that handful of Gazet articles, for even in senility Axel would be able to charm the world into excusing him for that peccadillo. Or is it my usurpation of his identity that has somehow prevented him, all this time, out of who knows what scruple or fear of looking a fool, from laying claim to the name, to the life, even, that is rightfully his? The possibility affords me, I admit, a certain base satisfaction. It is not entirely ungratifying to think of Axel, with all his wit, his quickness, his assurance, his good looks, languishing in obscurity these fifty years, gnawed by frustration and failure, while I strutted the world's stage, making, in all senses of the saying, a name for myself.
Oh, but I know, it is impossible. I would have heard from him, sooner or later; Axel would not have worked a vanishing act like that without coming forward to boast about it, if only to me. All the same, on occasion down the years I have experienced an eerie, crawling sensation across the back of my neck, as if I were being spied on, and quietly laughed at; as if I were being toyed with. Certainly someone did look after me that day of the deportations, although I do not insist it was Axel. It may have been Max Schaudeine, for instance, manipulating the strings from up in the flies. I am thinking of the message that came to me that snowy morning only a month or so after the announcement of Axel's death, scrawled on a scrap of paper and pushed under our front door. My mother brought it to me. We stood in the bluish snow-light by the window in my room, I in my ragged old night-shirt and she with a shawl pulled over her shoulders. Her long hair was unpinned, and I remember thinking distractedly how grey she had become without my noticing. She waited, in that silent, apprehensive way that she did everything nowadays, while I unfolded the sheet of cheap, ruled paper, torn from a school copybook, and read the terse instructions written there. The handwriting I did not recognise; it might have been that of a schoolchild, the big, square capitals pencilled hard into the paper, the grains of graphite glinting in the furrows. I was to take the noon train to Brussels tiiat day, sitting in a certain compartment, in a certain carriage, and board the very next return train, and take the same numbered seat as on the outward journey. There was no signature. I could not think who might have sent it, nor could I say what it might portend, but, the times being so, I knew straight away that I would comply with its command. My mother was searching my face more anxiously than ever, looking for a response; I did not doubt that she had read the note before bringing it to me. It was all right, I said casually, it was from a friend, I had been expecting it. I still wonder why I lied to her. She nodded, sadly, knowing it was a lie, and shuffled off into the shadows.
I pause; I falter. My mother I rarely think of, or my father, in waking hours. It seems absurd for a man of my age even to have had parents; I am so very much older now than they were when I lost them that it might be not my parents at all that I am remembering, but my children, rather, grown to sad adulthood – the children, I hasten to say, that I never had, so far as I know. However, if mother and father are largely absent from my daytime thoughts, they do make frequent, unwilling appearances in my dreams, or at any rate at the periphery of them. There they hover, pressing close together, hesitant, uncertain, afraid, it seems, like the Vander cousins, of being seized upon and ejected, amid ridicule and general, spiteful hilarity. They are dressed in black, and my father the rag merchant wears a flowing black neck-tie, an improbably bohemian flourish. I notice they are holding hands, and my father's expression is sheepish. They are like a pair of humble guests who have turned up without costumes at a riotous and strenuously orgiastic fancy-dress party, in the steaming midst of which my sleeping self is trapped, a comatose Tiberius, unable to welcome them, invite them in, offer them hospitality, unable even to see that they are allowed to leave discreetly and 'with dignity. My mother has that notch in the clear space between her eyebrows that always signified her deepest, inexpressible woes. She is shy of me, and will not look at me, and keeps her eyes downcast, which makes her demeanour seem all the more desperately beseeching. My father wears his usual expression of wary amusement. He was a humorous, even a witty, man, but he made his sallies so tentatively, with such diffidence, that people rarely appreciated them, or appreciated them too late, so that in my memories of him he is always turning away with a wistful, disappointed half-smile. My parents. Did I know them at all? When they were there I think I hardly noticed them, except when they got in my light, restricting my view of the radiant future. I used piously to hope they would not have suffered, at the end, them, and the others, but since then I have learned about hope.
I took the train to Brussels, as instructed. The compartment had only one other occupant, a skinny, furtive-eyed, clerkly-looking young man in a double-breasted pin-striped suit a size or more too big for him. In looks he was unremarkable save for his nose, huge, pale, high-bridged, and pitted all over, like the stone head of a ceremonial axe. From it, the rest of his features receded, despairing of the contest. He held on his knees a small scuffed cardboard suitcase, such as conjurors keep their effects in, the lid of which he would now and then lift a little way and peer inside.
Papers? An urgent dispatch? Bars of gold bullion? Assassin's pistol? We exchanged the barest of politenesses and settled down to watch in the window the snowbound countryside opening endlessly around us its broad, slow fan. Our glances would float toward each other like amoebas, meet, and immediately flick away again. When we entered the gloom of a station and his ghostly reflection appeared in the window beside him, it would seem from the direction of his gaze that he was fixed on me intently, as if he were worried I would leap at him if he were to let fall his guard for an instant. I wondered if he might be connected with the warning note, even if perhaps he might be the one who had written it. Should I address him in some way, ask him some question, challenge him? On we rolled, through the frozen countryside, the wheels beneath us weaving their maddeningly irregular cross-rhythms, and we shifted our haunches on the dusty plush, and cleared our throats and sighed, and said nothing. Once, in the middle of nowhere, the train ground to a slow stop and stood breathing for a tormentingly long time. We peered out bleakly at the deserted snowscape. Two soldiers came to the door of the compartment and looked in at us and moved on. The Nose ran a finger around the inside of his shirt collar and gave a little puff of relief, and looked at me and ventured a queasy smile. Still I did not speak: he could be the most enthusiastic collaborationist and yet be wary of the attentions of the military. Outside, someone shouted, and with a series of clangs and wrenchings we were off again.