When I enquired where she came from and she told me I said it was a grand place, home of many fine and famous poets. How could I, even on the telephone, have missed that burr, that brogue? I asked which hotel she would be staying at, and saw from the way she faltered and frowned that she had nowhere to stay. Good. Perhaps there would be a room available here, I said smoothly, lifting my eyebrows at her. She looked about dubiously at the marble floors, the chandeliers, blinking. But yes, I said, she must stay here, I was sure there would be a vacancy, I would go and arrange it, right away. As I hauled myself to my feet I saw with obscure satisfaction how she had to check herself from reaching out a hand to help me. At the desk she waited silently at my elbow; in her stillness she was still vibrating. Yes, I announced, turning to her, all airy blandness, there was a suite available, would she like that? Mutely she looked at me. I smiled. "Something more modest, then?" Her forehead reddened. The sleek young man behind the desk was stony-faced. I set a registration card before her and offered her a pen, which she declined, and instead brought out a fountain pen of her own from the pocket of her blouse. She bent to write, with a schoolgirl's frowning haste. I tried to read the address she was putting down, but could not make it out. Her handwriting startled me in its violent uncontrol; the spiked letters in slanting lines were like so many rows of smashed-up type. Deftly I snatched the key the clerk was offering her, and picked up her bag, too, before she could reach for it. She reddened again. I drank her blushes like sips of the most refined and precious cordial. For certain, I would have fun with this one! She turned toward the lift and I followed her. Wide shoulders, long haunches, and much, much too tall. Side by side we ascended, eyes cast upward. She smelled sharply of sweat as well as something dull and faintly medicinal; I sensed a past of institutions – schools, and more than schools; sanatoriums, perhaps? Perhaps her lungs were bad. I was not sure if people have bad lungs, any more. How widely one's musings range on these peculiar, these extraordinary, these fantastical, occasions.

The room I had got for her was small and looked out on a flat roof and a row of odd, blackened metal chimneys like the smokestacks of an ocean liner. I placed her bag on the bed. She stood with her back to the window in a defensive, folded-in stance, shoulders hunched forward around a chest made concave and her palms pressed together in front of her stomach. I said she must be tired, after the journey, and she said yes, it had been hard to sleep on the train. Then there was silence again. She had made no mention of the letter she had written to me or of its contents. I said that she should rest, and men we would go out together and take lunch. "Lunch?" she said, as if it were a word in a foreign language, her mouth slack and slightly askew, seeming to frame something further that she would not say. I flared my nostrils and snuffed up a draught of the room's deadened air, seeking to savour again the civet smell of her sweat. Old friend libido stirred anew. She, and the room, and the bag on the bed, and those ship's funnels outside, all seemed suddenly part of some thrilling, absurd adventure I had suddenly found myself embarked upon, and a thousand years or so dropped from me as lightly as a fall of scurf. "Lunch," I said, "yes!" brooking no objection, and nodded, and turned, and reversed my walking stick and hooked it on the door handle and opened the door, a gamesome gesture, and if I had been wearing a hat I would have tipped it, too. I shall soon be free, I told myself, not knowing what it might mean, and not caring.

Outside the door I paused; my hands were trembling.

I took her to the Esmerelda, thinking to impress her, but she paid no heed whatever to the mournful rococo splendours of the place, the red plush walls and sparkling crystal, the napkins of rich damask, the heavy antique cutlery. She hardly ate, only stabbed with her fork at the food on her plate without looking at it, pushing it this way and that. She had changed into a dull-coloured dress without sleeves that gave her, disconcertingly, the stark look of a recent and very young widow. She sat before me, straight-backed, her tall, narrow neck extended in a birdlike, swanlike, fashion, and although we were level eye to eye I had the curious feeling that she was somehow set above me, looking down. She had done something to her hair, had tied it back, or perhaps had just brushed it in some different way, exposing her broad, flat cheeks and the too-large flanges of her ears; the effect, I am not sure how, was of a not quite concentrated state of desperation. I had no appetite, but a great thirst, as always. I drank first a bottle of red wine thick as blood and afterwards repeated jolts of grappa, each one driven home with a thimbleful of tarry coffee that made my nerve-ends twitch and fizz. She sipped a glass of water. The smoke of my many cigarettes formed a rank cocoon around us and set her coughing. We were seated at a window looking on to a narrow, deserted street, with a crumbling church opposite. So many times in my long and infamous career have I sat like this across from some girl in a restaurant, cigaretted, sinisterly smiling, an arm negligently thrown over the back of my chair, holding myself up before her awed and admiring gaze like a gobletful of the rarest fine old vintage. Now here I was, doing it again, even in my senescence. I was telling her about the first winter when I lived in New York, sequestered in that basement room on Perry Street where in the summer I had feared I would die of the heat and now thought I would never be warm again. Magda showed me how to roll up newspapers to make fuel for the stove. I was working all day and half the night, no let-up, giddy with excitement and fatigue. "I knew what the thing would be called before I had put down a word," I said. "The Alias as Salient Fact: The Nominative Case in the Quest for Identity. I could already see the dust jacket, with the title in big bold lettering above my name in more modest twenty-four point." I chuckled, and drank my grappa, and felt with masochistic satisfaction the sulphurous, oily liquor lifting another layer of membrane from my tongue; surprising, the semblance of assuagement such tiny pains, willingly suffered, can bring to one's sense of self-loathing… Ah, but how cold it was in that room. I would sit wrapped in a blanket with only my face and my writing hand free, my brain buzzing from the barbiturates I ate by the hour. The wind coming in from the river keened in the window frame and tiny balls of soot rolled across the page where I was writing. I had tried to work in the public library, for the warmth, but had been driven out by the presence around me of so many other mendicants who were too much like myself, haggard and sighing, picking their noses and surreptitiously eating sandwiches out of brown-paper bags. Then the thing was published, and at once, as in a fairy-tale, like Cinderella in her pumpkin carriage, I arrived. "Such things were possible," I said, "in those days. One book could do it. Of course, everyone read it" – I waved a hand lazily – "and everyone thought I was speaking directly to him. Or her." I caught her eye and smiled disparagingly. Do you know those smiles, that make the flesh of your face seem to crackle like cellophane from the effort?

She watched me, motionless, her knife and fork suspended; her suddenly going still like this brought a small shock to the air between us, as when the refrigerator, that has been throbbing to itself unnoticed, all at once falls silent, with a lurch. "You convinced them," she said. I shrugged. "It was the times," I said. "Identity was the general obsession, then; identity, and authenticity, all that; the existential predicament, ha ha." Yes, yes, I convinced them. Most of them. Shiftiness: which one of them was it said that moral shiftiness was the most striking characteristic of every line that I wrote? I did not know the word, and had to look it up. "After that everything changed," I said.Yes, everything. Magda and I left that freezing basement and moved to an apartment in a big old town-house up in the West Seventies, a rackety place where mysterious smart people lived, theatre types, and studiedly mournful girls who wrote poetry, and a famous black trumpet player. Success was large and loud and ludicrous. Such euphoria! And the parties, the endless string of parties, where I rubbed shoulders with living legends, all those Edmunds and Lionels and Marys, and was rubbed up against in return. In their brilliant and never quite sober company I learned a new language, one of nuance and nod, of the ambiguous smile, the insider's wink. The comrades, of course, whom I saw now as so unpolished, so gauche – bon mot! – I quickly put behind me. I imagined them, the jeaned and crew-cutted young militants and their attendant, solemn handmaidens in their plaid skirts and white ankle-socks, standing in a huddle on the empty sidewalk, bereft and sullen, blinking in the dust from my departing heels.