15

He recalled that, as a youngster, he once read a fairy tale, the author and tide of which he had since forgotten. The story went like this: there was this kingdom, where everyone wore a bright mirror on the chest, and the smallest wicked thought would reflect in the mirror. Everything was revealed, and everyone could see it, so no one dared to be even slightly wicked, because there would be nowhere to hide, and the person would be driven from the kingdom. It therefore became a kingdom of pure people. The protagonist entered this kingdom of ultimate purity, maybe he stumbled upon it-he didn't remember too clearly. Anyway, the protagonist also had a mirror on his chest, but in it was a flesh-and- blood heart. An outcry went up among the masses-he was terrified when he read this. He could not remember what happened to the protagonist, but the story left him feeling shocked and uneasy. At the time, he was still a child and did not have any really wicked thoughts, but he couldn't help feeling scared, although of what, he had no idea. As he became an adult, such feelings gradually paled into oblivion; he already had hopes of becoming a new person and, moreover, of living a peaceful life in which he would be able to sleep soundly, without nightmares.

The first to talk to him about women was his schoolmate Luo, a precocious boy who was a few years older. While Luo was a senior in middle school, several of his poems had been published in a magazine, earning him the title of poet among his classmates. He greatly admired Luo. However, after failing the university entrance exams, Luo worked off his frustration by going alone to the school basketball court. There, he would strip to the waist and, sweating all over in the hot summer sun, jump and shoot baskets. Luo didn't seem to be upset about failing and said he was off to fish in the Zhoushan Archipelago. This convinced him that Luo was a born poet.

Some years later, when he went home for the summer vacation, he saw Luo in a white apron selling bean curd at a vegetable market near his home. Luo gave a wan smile when he caught sight of him, and, taking off his apron, got the plump elderly woman who sold vegetables to take care of his bean-curd stall. As they went off together, Luo told him that he had been a fisherman for two years, but when he came back he couldn't find work. Finally, the subdistrict office assigned him to the cooperative vegetable stall to sell bean curd and to look after the accounts.

Luo would count as a genuine slum-dweller. His shanty, a structure of broken bricks and woven bamboo with a coat of mortar, was divided into an inner and an outer room. His mother slept in the inner room, and the outer room served as the main room and kitchen. On one side of the shanty, Luo had extended the roof and put together some sheets of pressed asbestos to build himself another room. In the far corner, where one couldn't stand up straight, stood a collapsible canvas bed and a small desk with a drawer; against the wall on the other side was a rattan bookcase. Everything was meticulously tidy and clean. Although Luo's mother was at work in the factory, Luo took him into this room the size of a chicken coop instead of the main room of the shanty, and got him to sit at the desk while he himself sat on the canvas bed.

"Do you still write poetry?" he asked.

Luo pulled out the drawer and took out a diary. It contained neatly written poems, each clearly dated.

"Are these all love poems?" he asked, leafing through the pages. He had not thought that this big fellow who was always a loner at school wrote lyrical poetry like this. He still remembered the old literature teacher reading out lines from Luo's poems in composition classes, and he said to Luo that these love poems were totally different from those early poems, which were filled with impassioned youthful determination.

"Those poems were like that so that they'd get published, but now even those poems wouldn't get published. These poems here were written for that little slut," Luo said, and started talking about women. "That little slut was just having a bit of fun with me. She had found herself a cadre who was more than ten years her senior and was waiting to get the marriage registered. She used to stay up all night knitting pullovers for that man. I got this book of poems back from her and I don't write anymore."

He thought it was best to get off the topic of women and started talking to Luo about literature. He said that the new life of the new era should have a new literature, but he wasn't sure what exactly this new literature of this new life would be like. However, he didn't think it could be about the good things happening to good people, like in the new folk songs of the Great Leap Forward that filled the pages of all the newspapers and magazines. He also talked about the fiction of Gladkov and Ehrenburg, and the plays of Mayakovski and Brecht. At the time, he wasn't aware of the purges of counterrevolutionaries by Stalin, Ehrenburg's Thaw, or the execution of Meyerhold.

"The literature you're talking about is too far away," Luo said. "I don't know where you will find any literature. I spend my time selling vegetables during the day, then, at night, after all the stalls close, I do the accounts. Sometimes I read a bit, but it's all about faraway happenings, and I just read to fritter away time, get rid of the boredom. And I don't know where this new life is. The bit of pride I had as a student vanished long ago; I just find myself some girls to have a bit of fun."

He found Luo's decadence sadder than Luo's talk about the little slut. He said he had never touched a woman and this time it was Luo who was surprised. "You're a real bookworm!" Luo said without envy of his apparently better circumstances. Luo was, after all, a few years older and said magnanimously, "I'll get you a girl so you can have a bit of fun. You definitely won't have any problems touching Little Five." Luo said this Little Five was a very easygoing girl, a randy little cunt. He again heard Luo talking disrespectfully about women.

"I'll get her to come. This slip of a girl can play the guitar. She's not like those girls at school, all of them with their airs," he said.

He, of course, wanted to know such a girl, and Luo went off to fetch her. He read through Luo's love poems, some of which were quite explicit. In his view, they surpassed Guo Moruo's "Goddess" in extolling sex, and he was deeply moved. He was even more convinced that Luo was indeed a genuine poet, but, at the same time, he knew that these poems definitely could not be published, and he felt sorry for Luo.

Before long, Luo was back. He turned to Luo and said, "Now, this is poetry!"

"Ha, I wrote them for myself to read." Luo gave a bitter laugh.

Little Five arrived wearing clogs. This young girl with intensely black eyes in a sleeveless round-neck floral top had big breasts. She was barely fifteen, but her body was already that of a young woman. She didn't come into the little room but leaned against the doorway. "He also writes poetry," Luo said, to introduce him to the girl.

In fact, Luo had never read any of his poetry, but this seemed to be an ideal introduction. The girl would have read these erotic poems, and such an introduction would have had an implicit meaning. The girl smiled, and her full lips took on a sultry look; he had never seen a girl with such sexy lips. He closed the book and started talking to Luo about something else. It was he, and not the girl, who felt awkward.

Luo took from behind the door a guitar that had lost most of its varnish and said to the girl, "Little Five, how about singing for us."

He had been saved from his embarrassment. Little Five took the guitar and asked, "What shall I sing?"

"Whatever you like. How about 'Kalinka'?"