An hour later she was in her veil and habit, sitting in the passenger seat of a black van that was headed south out of the school district and down past the monster concrete expressway into the lost streets, a squander of burnt-out buildings and unclaimed souls. Grace Fahey was at the wheel, a young nun in secular dress. All the nuns at the convent wore plain blouses and skirts except for Sister Edgar, who had permission from the motherhouse to fit herself out in the old things with the arcane names, the wimple, cincture and guimpe. She knew there were stories about her past, how she used to twirl the big-beaded rosary and crack students across the mouth with the iron crucifix. Things were simpler then. Clothing was layered, life was not. But Edgar stopped hitting kids years ago, even before she grew too old to teach, when the neighborhood changed and the faces of her students became darker. All the righteous fury went out of her soul. How could she strike a child who was not like her?
"The old jalop needs a tune-up," Gracie said. "Hear that noise?"
"Ask Ismael to take a look."
"Ku-ku-ku-ku."
"He's the expert."
"I can do it myself. I just need the right tools."
"I don't hear anything," Edgar said.
"Ku-ku-ku-ku? You don't hear that?"
"Maybe I'm going deaf."
"I'll go deaf before you do, Sister."
"Look, another angel on the wall."
The two women looked across a landscape of vacant lots filled with years of stratified deposits-the age of house garbage, the age of construction debris and vandalized car bodies, the age of moldering mobster parts. Weeds and trees grew amid the dumped objects. There were dog packs, sightings of hawks and owls. City workers came periodically to excavate the site and they stood warily by the great earth machines, the pumpkin-mudded backhoes and dozers, like infantrymen huddled near advancing tanks. But soon they left, they always left with holes half dug, pieces of equipment discarded, styrofoam cups, pepperoni pizzas. The nuns looked across all this. There were networks of vermin, craters chocked with plumbing fixtures and sheetrock. There were hillocks of slashed tires laced with thriving vine. Gunfire sang at sunset off the low walls of demolished buildings. The nuns sat in the van and looked. At the far end was a lone standing structure, a derelict tenement with an exposed wall where another building had once abutted. This wall was where Ismael Munoz and his crew of graffiti writers spray-painted a memorial angel every time a child died in the neighborhood. Angels in blue and pink covered roughly half the high slab. The child's name and age were printed under each angel, sometimes with cause of death or personal comments by the family, and as the van drew closer Edgar could see entries for TB, AIDS, beatings, drive-by shootings, measles, asthma, abandonment at birth-left in dumpster, forgot in car, left in Glad Bag stormy night.
This area was called the Wall, partly for the graffiti facade and partly the general sense of exclusion-it was a tuck of land adrift from the social order.
"I wish they'd stop already with the angels," Gracie said. "It's in totally bad taste. A fourteenth-century church, that's where you go for angels. This wall publicizes all the things we're working to change. Ismael should look for positive things to emphasize. The townhouses, the community gardens that people plant. Walk around the corner you see ordinary people going to work, going to school. Stores and churches."
"Titanic Power Baptist Church."
"What's the difference-it's a church. The area's full of churches. Decent working people. Ismael wants to do a wall, these are the people he should celebrate. Be positive."
Edgar laughed inside her skull. It was the drama of the angels that made her feel she belonged here. It was the terrible death these angels represented. It was the danger the writers faced to produce their graffiti. There were no fire escapes or windows on the memorial wall and the writers had to rappel from the roof with belayed ropes or sway on makeshift scaffolds when they did an angel in the lower ranks. Ismael spoke of a companion wall for dead graffitists, flashing his wasted smile.
"And he does pink for girls and blue for boys. That really sets my teeth on edge," Gracie said.
They stopped at the friary to pick up groceries they would distribute to the needy. The friary was an old brick building wedged between boarded tenements. Three monks in gray cloaks and rope belts worked in an anteroom, getting the day's shipment ready. Grace, Edgar and Brother Mike carried the plastic bags out to the van. Mike was an ex-fireman with a Brillo beard and wispy pony tail. He looked like two different guys front and back. When the nuns first appeared he'd offered to serve as guide, a protecting presence, but Edgar firmly declined. She believed her habit and veil were safety enough. Beyond these South Bronx streets people may look at her and think she is a quaint-ness of ages past. But inside the strew of rubble she was a natural sight, she and the robed monks. What figures could be so timely, costumed for rats and plague?
Edgar liked seeing the monks in the street. They visited the home-bound, ran a shelter for the homeless, they collected food for the hungry. And they were men in a place where few men remained. Teenage boys in clusters, armed drug dealers-these were the men of the immediate streets. She didn't know where the others had gone, the fathers, living with second or third families, hidden in rooming houses or sleeping under highways in refrigerator boxes, buried in the potter's field on Hart Island.
"I'm counting plant species," Brother Mike said. "I've got a book I take out to the lots."
Gracie said, "You stay on the fringes, right?"
"They know me in the lots."
"Who knows you? The dogs know you? There are rabid dogs, Mike."
"I'm a Franciscan, okay? Birds light on my index finger."
"Stay on the fringes," she told him.
"There's a girl I keep seeing, maybe twelve years old, runs away when I try to talk to her. I get the feeling she's living in the ruins. Ask around."
"Will do," Gracie said.
When the van was loaded they drove back to the Wall to do their business with Ismael and to pick up a few of his crew who would help them distribute the food. Ismael had teams of car spotters who ranged across the boroughs, concentrating on the bleak streets under bridges and viaducts. The nuns represented his North Bronx operation. They gave him lists that detailed the locations of abandoned cars along the Bronx River, a major dump site for stolen, joyridden, semistripped, gas-siphoned and pariah-dog vehicles. Ismael sent his crew to salvage the car bodies and whatever parts might still be intact. They used a small flatbed truck with an undependable winch and a motif of souls-in-hell graffiti on the cab, deck and mud flaps. The car hulks came here to the lots for inspection and price setting by Ismael and were then delivered to a scrap-metal operation in remotest Brooklyn. Sometimes there were forty or fifty cannibalized cars dumped in the lots, museum quality, a junkworld sculpture park-cars bashed and bullet-cratered, hoodless, doorless and rust-ulcered, charred cars, upside-down cars, cars with dead bodies wrapped in shower curtains, rats ascratch in the glove compartments.
The money he paid the nuns for their locational work went to the friary for groceries.
When the van approached the building Edgar felt along her mid-section for the latex gloves she kept tucked in her belt.
Gracie parked the van, the only operating vehicle in human sight. She attached the vinyl-coated steel collar to the steering wheel and fitted the rod into the lock housing. At the same time Edgar force-fitted the gloves onto her hands and felt the ambivalence, the conflict. Safe, yes, scientifically shielded from organic menace. But also sinfully complicit with some process she only half understood, the force in the world, the array of systems that displaces religious faith with paranoia. It was in the milky-slick feel of these synthetic gloves, fear and distrust and unreason. And she felt masculinized as well, condomed ten times over-safe, yes, and maybe a little confused. But latex was necessary here. Protection against the spurt of blood or pus and the viral entities hidden within, submicroscopic parasites in their soviet socialist protein coats.