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During my first semester of college in 1976, I made plans to take a trip to Nashville with my Project Monarch friend from Catholic Central. (She remains an expendable victim to date, and therefore her identity must be protected from public release for her safety.) My father explained that I was to stay at the Fiddler's Inn in Nashville, see the World Famous Printer's Alley row of sleazy country music nightclubs, and attend the Grand Ole Opry on Friday night, as ticket arrangements had been made through a "friend," in spite of their scarcity during the Thanksgiving holiday.

I never thought to associate Fiddler's Inn with Senator Byrd's fiddle playing when my friend and I arrived in Music City, U.S.A. Nor did I find it odd when a country music «star» entertaining at the Black Poodle nightclub in Printer's Alley began directing my activities. My friend and I were provided with free passes to the Black Poodle to encourage us to return each night where entertainer and CIA operative Jack Greene and his Desperado band were playing. During breaks between sets, Greene and his band would sit with my friend and me to manipulate our suggestible minds. I was told it was "my destiny" to have met band member, Wayne Cox, who had been trained for

paramilitary mercenary operations under Louisiana's U.S. Senator J, Bennett Johnston, I soon learned that everyone associated with Greene was involved in his CIA "Freedom Train" operations. When I told Greene that my friend and I would not be returning on Friday night due to attending the Grand Ole Opry, he told us that he would be working the Opry that night. He made arrangements for us to come back stage and see him immediately following his segment. He explained that the «security» guard at the Opry, Nashville Metro Police Lt. Bob Ezell, was a good friend of his and would let us in.

At the Opry, my friend and I sat in the audience watching as Jack Greene introduced his "special guest," U.S. Senator Robert C. Byrd. At the sight of Byrd, I went into a pre-conditioned deep trance and robotically went through the motions of following Greene's instructions. Once backstage, Greene pointed out his dressing room, which he was sharing with Senator Byrd, and ordered me in. The personality that had been sitting in the audience had perceived Byrd as an entertainer and could not, or would not, think further. But as I walked into the dressing room and saw Byrd perched on the edge of the mirrored vanity in his boxer shorts, I switched into the child personality that had known him as a U.S. Senator on Mackinac Island since age 13, and responded sexually. Afterward, Byrd was claiming me as "his," excitedly telling me that he had "always wanted his own little witch". I soon learned the enormity of this statement.

Jack Greene's band member, Wayne Cox, later told me that playing music behind Senator Byrd at the Opry was not the only way he "backed him". He also backed him politically and in Freedom Train operations. Cox then made arrangements for my friend and me to stay the remainder of our trip at his trailer in Hendersonville, Tennessee. There was no choice but to comply. The following night, after Jack Greene completed his show at the Black Poodle, he drove my friend and me to a nearby participating after-hours club, the Demon's Den. There, Cox was to pick us up and take us to Hendersonville. Instead, we were slipped a drug and taken "on a tour" of Union Station, Nashville's then abandoned train station, where supposedly the only train still running through there was the Freedom Train.

Senator Byrd's attempted cultivation of superstition through my Catholic schooling should have maximized the impact of the occult ritual I was subjected to in the tower of the old stone and slate turn-of-the-century train depot. But the pain and horror was sufficiently effective in itself — even without my adhering to superstition-to produce the intended mind shattering results. Cox took my friend and me on a "flashlight tour" through the rubble of Union Station, until we came to a homeless man sleeping on the ground. Cox ordered me to "kiss the railroad bum good-bye," then shot him between the eyes while I was still only inches away[13]. He then used a machete to chop off the man's hands, which he put in a zip-lock bag. He then led us up the rickety stairs into the lower of the old depot. There Jack Greene, his band members, and others dressed in black robes were gathered around a black leather alter in a room lit by candles and draped in red velvet. In total shock, I was laid on the alter and subjected to rape and torture while the participants indulged in sex, blood, and cannibalism ritual.

The next day I woke up on Cox's couch, vaguely aware that I had suffered a "bad nightmare". When I stood up, I passed out from blood loss. I was bleeding profusely from the vagina. It was all I could do to prepare to drive back to Michigan, and my friend was certainly not in a stable frame of mind to help. I did not know what happened to me, nor was I able to question it. I had a new «obsession» on my mind. I had been programmed at the ritual to move to Nashville and marry Cox, as ordered by Senator Byrd.

Back in Michigan, I made the announcement to my parents that I was moving to Nashville to marry Cox, as it was «predestination». What they would not tell me was that my father had just literally SOLD me to Senator Byrd in exchange for lucrative military contracts that made him a millionaire overnight — a millionaire on a sixth grade education — a perverse, child exploiting criminal, immune from prosecution, working as a CIA operative for the U.S, government! That mind shattering occult ritual I endured in Nashville marked a new life of wealth and prestige for my father white thrusting me into a new phase of my torturous existence-and I had no choice in any of it!

CHAPTER 5

TINKERING WITH THE MIND

It was 1977. I was a 19-year-old mind-controlled programmed slave in the CIA/DIA Project Monarch Freedom Train operation, literally owned by U.S. Senate Majority Leader Robert C. Byrd, who was then a 20-year incumbent and on the Senate Appropriations Committee, As Byrd's "own little witch" (sex slave), I would also become involved in covert government operations. I now understand that this required more memory compartments/personalities than I had developed. Hence one more reason for the mind shattering occult ritual, and my «predestined» marriage to Cox. In typical Project Monarch structure, Byrd was my «owner» and in control of my life, while Cox became my primary «handler» and followed Byrd's orders to ensure that I was at key locations and events at appointed times and to maintain me under mind control. Cox reportedly was not paid cash for his role like my father was. Instead, he either followed orders or would be prosecuted for distributing drugs and being the occult serial killer that he was and is to date. Cox's primary role was to shatter my mind further through repealed occult trauma as well as father my daughter, Kelly, to be raised in the genetic mind-control studies of Project Monarch.

I moved to Nashville, as ordered, to marry Cox, who took me to the backwoods of his hometown swamp in Chatham, Louisiana for months at a time for occult traumatization. Cox had been brought up in witchcraft by his mother, and admittedly longed for her sexually and ritually. Together they subjected me to their beliefs, which included what equates to a weakened version of mind control used by witches for centuries, anchored in superstition rather than scientific fact. These superstitious beliefs seemingly conflicted with Cox's mercenary training to the point that his killing raged out of control. For example, Cox would murder a human through repeated stabbing with a knife, believing that the "departing spirit" and splattered blood gave him power to control my mind. In truth, it was my aversion and subsequent traumatization by the event that caused me to dissociate and trance, leaving my subconscious open to his suggestions and those of others. During the three years I was with Cox, he ritually impregnated and aborted me six times, consuming several of his own offspring and preserving the others shaped in ceramic for sale in his interstate occult body parts business. Cox's M.O. for murdering always included removing the hands with a machete, as the "Hands of Glory" he kiln-dried in the ceramic shop of his and his mother's house were in demand and thus distributed throughout the occult underground supply network. Cox's protected cocaine and body parts distribution routes included Texas, Arkansas, Mississippi, Tennessee, and Florida.

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13

Nashville Metropolitan Police Lieutenant Bob Ezell, who also acted in the capacity of Grand Ol' Opry security guard, covered up the murder.