When they'd eaten he took the boy out on the gravelbar below the bridge and he pushed away the thin shore ice with a stick and they knelt there while he washed the boy's face and his hair. The water was so cold the boy was crying. They moved down the gravel to find fresh water and he washed his hair again as well as he could and finally stopped because the boy was moaning with the cold of it. He dried him with the blanket, kneeling there in the glow of the light with the shadow of the bridge's understructure broken across the palisade of treetrunks beyond the creek. This is my child, he said. I wash a dead man's brains out of his hair. That is my job. Then he wrapped him in the blanket and carried him to the fire.

The boy sat tottering. The man watched him that he not topple into the flames. He kicked holes in the sand for the boy's hips and shoulders where he would sleep and he sat holding him while he tousled his hair before the fire to dry it. All of this like some ancient anointing. So be it. Evoke the forms. Where you've nothing else construct ceremonies out of the air and breathe upon them.

He woke in the night with the cold and rose and broke up more wood for the fire. The shapes of the small tree-limbs burning incandescent orange in the coals. He blew the flames to life and piled on the wood and sat with his legs crossed, leaning against the stone pier of the bridge. Heavy limestone blocks laid up without mortar. Overhead the ironwork brown with rust, the hammered rivets, the wooden sleepers and crossplanks. The sand where he sat was warm to the touch but the night beyond the fire was sharp with the cold. He got up and dragged fresh wood in under the bridge. He stood listening. The boy didnt stir. He sat beside him and stroked his pale and tangled hair. Golden chalice, good to house a god. Please dont tell me how the story ends. When he looked out again at the darkness beyond the bridge it was snowing.

All the wood they had to burn was small wood and the fire was good for no more than an hour or perhaps a bit more. He dragged the rest of the brush in under the bridge and broke it up, standing on the limbs and cracking them to length. He thought the noise would wake the boy but it didnt. The wet wood hissed in the flames, the snow continued to fall. In the morning they would see if there were tracks in the road or not. This was the first human being other than the boy that he'd spoken to in more than a year. My brother at last. The reptilian calculations in those cold and shifting eyes. The gray and rotting teeth. Claggy with human flesh. Who has made of the world a lie every word. When he woke again the snow had stopped and the grainy dawn was shaping out the naked woodlands beyond the bridge, the trees black against the snow. He was lying curled up with his hands between his knees and he sat up and got the fire going and he set a can of beets in the embers. The boy lay huddled on the ground watching him.

The new snow lay in skifts all through the woods, along the limbs and cupped in the leaves, all of it already gray with ash. They hiked out to where they'd left the cart and he put the knapsack in and pushed it out to the road. No tracks. They stood listening in the utter silence. Then they set out along the road through the gray slush, the boy at his side with his hands in his pockets.

They trudged all day, the boy in silence. By afternoon the slush had melted off the road and by evening it was dry. They didnt stop. How many miles? Ten, twelve. They used to play quoits in the road with four big steel washers they'd found in a hardware store but these were gone with everything else. That night they camped in a ravine and built a fire against a small stone bluff and ate their last tin of food. He'd put it by because it was the boy's favorite, pork and beans. They watched it bubble slowly in the coals and he retrieved the tin with the pliers and they ate in silence. He rinsed the empty tin with water and gave it to the child to drink and that was that. I should have been more careful, he said.

The boy didnt answer.

You have to talk to me.

Okay.

You wanted to know what the bad guys looked like. Now you know. It may happen again. My job is to take care of you. I was appointed to do that by God. I will kill anyone who touches you. Do you understand?

Yes.

He sat there cowled in the blanket. After a while he looked up. Are we still the good guys? he said.

Yes. We're still the good guys.

And we always will be.

Yes. We always will be.

Okay.

In the morning they came up out of the ravine and took to the road again. He'd carved the boy a flute from a piece of roadside cane and he took it from his coat and gave it to him. The boy took it wordlessly. After a while he fell back and after a while the man could hear him playing. A formless music for the age to come. Or perhaps the last music on earth called up from out of the ashes of its ruin. The man turned and looked back at him. He was lost in concentration. The man thought he seemed some sad and solitary changeling child announcing the arrival of a traveling spectacle in shire and village who does not know that behind him the players have all been carried off by wolves.

He sat crosslegged in the leaves at the crest of a ridge and glassed the valley below them with the binoculars. The still poured shape of a river. The dark brick stacks of a mill. Slate roofs. An old wooden watertower bound with iron hoops. No smoke, no movement of life. He lowered the glasses and sat watching.

What do you see? the boy said.

Nothing.

He handed the binoculars across. The boy slung the strap over his neck and put them to his eyes and adjusted the wheel. Everything about them so still.

I see smoke, he said.

Where.

Past those buildings.

What buildings?

The boy handed the glasses back and he refocused them. The palest wisp. Yes, he said. I see it.

What should we do, Papa?

I think we should take a look. We just have to be careful. If it's a commune they'll have barricades. But it may just be refugees.

Like us.

Yes. Like us.

What if it's the bad guys?

We'll have to take a risk. We need to find something to eat.

They left the cart in the woods and crossed a railroad track and came down a steep bank through dead black ivy. He carried the pistol in his hand. Stay close, he said. He did. They moved through the streets like sappers. One block at a time. A faint smell of woodsmoke on the air. They waited in a store and watched the street but nothing moved. They went through the trash and rubble. Cabinet drawers pulled out into the floor, paper and bloated cardboard boxes. They found nothing. All the stores were rifled years ago, the glass mostly gone from the windows. Inside it was all but too dark to see. They climbed the ribbed steel stairs of an escalator, the boy holding on to his hand. A few dusty suits hanging on a rack. They looked for shoes but there were none. They shuffled through the trash but there was nothing there of any use to them. When they came back he slipped the suitcoats from their hangers and shook them out and folded them across his arm. Let's go, he said.

He thought there had to be something overlooked but there wasnt. They kicked through the trash in the aisles of a foodmarket. Old packaging and papers and the eternal ash. He scoured the shelves looking for vitamins. He opened the door of a walk-in cooler but the sour rank smell of the dead washed out of the darkness and he quickly closed it again. They stood in the street. He looked at the gray sky. Faint plume of their breath. The boy was exhausted. He took him by the hand. We have to look some more, he said. We have to keep looking.