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PART TWO

Chapter Fifteen. Robert

A month has passed. April has come. And it is as if, during this month, since my arrival at Whittlesea Hospital, I have been absent from myself. This morning, however, seeing my reflection in the parlour window I once again caught sight of him: the man you know all too well by this time; the person I asked you to picture wearing a scarlet suit; the Fool Merivel. And I could not prevent a sentimental tenderness towards Merivel from creeping over my skin, causing me to blush both with affection and with shame. It is this tenderness that has led me to continue the story, notwithstanding the dismaying fact that when I passed through the gates of the New Bedlam, I passed from one life into another and thus an ending of some kind has been reached. Under these things you may draw a line: my house at Bidnold, the colours of my park, Celia's face at my table. Neither you nor I will see them again. They have been consumed, not by actual flames, as were my dear parents, but by the fire of the King's displeasure. I must thus imagine them turned to ash, and so must you, for you will not be returned to them.

I have become Robert.

No one at Whittlesea (not even Pearce, whom I must address as John) calls me Merivel and many do not even know that this is my name. I am not even Sir Robert. I am Robert. And this is how you may picture me: I do not wear my wig except at Meetings (these are most strange yet moving things, which I will later describe), I go about my work wearing black woollen breeches and a black woollen shirt which causes a vexatious itching of my nipples. These garments are covered by a leather apron, very heavy, that comes down to my knees.

My boots are low-heeled and of sturdy hide and ever soiled with the mud of Whittlesea, which is like no other mud I have seen, being blackish and slimy and drying – when it does dry – to a sulphurous yellow crust. My belly, grown very fat upon Cattlebury's carbonados and syllabubs, is shrinking on the poor diet of herring, frumenty, spoon-meat and water favoured by Pearce and Ambrose and the other Quakers. Even as a child, I was a mighty eater and the thinness of the food on which I am here forced to live causes me a deal of misery. Two pigeons are roosting in the poplar trees outside the Bedlam gate and I would dearly love to see their plump breasts roasted and set before me on a plate. But such thoughts I set aside, as I must also set aside a yearning (almost perpetual) to saddle Danseuse and ride away from here. For where should I ride to? All paths, outside this place, lead back to the King. This, at least, I have been permitted to understand. And so I remain, having no glimpse of any future.

I am allotted tasks, almost all of them of a menial and repellent variety and having some foul smell to them. But I perform them. The days I dread are those when I must work at William Harvey. Open the door of William Harvey and you are opening the door of hell. Yesterday, in William Harvey, a woman bit off the tip of her tongue even as I lifted her to put fresh straw into her pen and her blood spurted into my eyes and it was like a flame licking me and I felt a contamination of madness. The house is well named. There is an abundance of blood in it. There is blood in puddles on the floor.

There are many rules we must all obey at Whittlesea. One of these forbids any of the Keeping Friends (for so the small staff of the Bedlam quaintly call themselves) to go alone for any reason whether by day or by night into William Harvey. So it was that when the tip of the bitten tongue fell at my feet and I was splattered with blood, one Friend came quickly to my side. It was Eleanor who came, the younger of two sisters – Eleanor and Hannah – who are women of very sweet and sober disposition. She picked up the tongue tip and put it into her handkerchief and with admirable fortitude Pearce presently sewed it on again. But I prefer not to dwell upon that. I will, instead, tell you a little about these sisters and about the other Friends who make up this small company and who have under their care one hundred mad souls.

The Whittlesea Hospital was founded two years ago by Ambrose and Edmund. Its first occupant was Ambrose's grandfather, an old seaman who lost an eye to Spanish pirates and who, when the King returned, believed himself to have died. He lives quite happily in George Fox. He has an eye of glass that he keeps in a wooden box. He daily remarks that he expected the grave to be darker and more silent and is most glad that there should be company within it.

Ambrose, as noted at my first meeting with him at the gate, is large, obstinate, gentle and very hardy, like a plant with a great growth of root and an indifference to frost or heat or hail or drought. If all the world were to die of some epidemic, I do believe Ambrose would die last of all. Without him there would be no Whittlesea Hospital. Without him, Pearce would still be at St Barts in London and the others, Hannah and Eleanor, Edmund and Daniel, would still be waiting for the revelation of what they call "the True Work shown to us through the Seed of Christ, which is in all people".

Edmund is a man of my age who has twice been imprisoned for entering Anglican churches and causing harm to the clergy by the throwing of cabbages to their heads. He has most bright and round eyes and a high voice and is very fond of order and cleanliness, and will, when it rains in great sweeps across the Fens, take off all his clothes except a ragged pair of drawers and run round and round the walls, the while soaping his face and his torso and even his private parts. If Hannah or Eleanor should glance up and see Edmund engaged in these ablutions, I have noticed that they smile at each other and then look away and continue with their work, but that the smiles stay upon their faces for some while. It is as if they find, in Edmund's ritual, some innocent pleasure.

Both are large women with wide hips planted on sturdy legs. They wear sabots. Hannah's eyes are grey, Eleanor's blue. I believe Hannah to be thirty and Eleanor three or four years younger. They love the Lord with a great abundant love and their charity towards His creatures is very bountiful. I do not believe I have ever met any women like them, for they seem to have no vanity at all, but neither do they pity themselves, nor will let anyone speak their minds for them. In the month that has passed, I have once or twice prayed to be ill, so that Hannah and Eleanor might nurse me. But most strangely, given the unhealthy Fenland air and the inadequacy of my meals, I have not been ill one day. I content myself by sitting near them at supper, for I find their stillness comforting.

The sixth member of the Whittlesea staff is Daniel. He is the youngest of them all and his face has that transparent quality of youth – as if only time will give it proper substance. He is no more than seventeen. Having seen nothing of the world, nothing that he sees causes him any fright or revulsion. He is accepting of all things. He does not flinch from what he sees and smells and hears inside William Harvey. And of the six Friends, he is the most accepting of me. There is no disapproval in him. While the others wish to convert me to Quakerism, Daniel does not. Rather, being told that I was once at Court, he asks me to tell him in secret what that world of the Court is and how men speak and how they dress and what things they devise as pastimes. So I find myself describing the game of croquet, and Daniel listens and repeats such explanations as "Red may now, having passed under the hoop, endeavour to roquet Black" with reverence, as if they were the Twenty-third Psalm. And the two of us are momentarily very happy until I remember that I no longer have any rightful place in the world where croquet is played and so would do best to forget its complicated rules. And so I break off and Daniel is, for a mere moment or two, cast down. "Why might we not," he asked me one day, "play a little croquet here, Robert?" I pretend to give this some thought before answering: "The sight of a croquet hoop would make John most unhappy, Daniel."