Chapter Eight. A Gift of Instruments
Bathed and scented, with a clean wig concealing my hog's bristles and a blue silk coat upon my back, I descended my stairs. As I did so, the sound of the viola ceased and I became aware – as so often in the wake of pleasant music – of the degree to which my mind is lightened by it, as if it gave to the dark mass of my brain a momentary sheen such as I had perceived upon the viscera of the King's toad.
A moment later, Sir Joshua recommenced his playing. This time, it was a song I had heard long ago at Cambridge, entitled I Lay Me Down in a Wood of Elm, a most sweet tune but with the scansion a little strained, there not being a great abundance of words that rhyme with "elm". I stood in my hallway and listened as an exquisitely high and beautiful voice began to sing. It was Celia's voice, which I had never until this moment heard, but which I now knew to be a soprano of astonishing purity. A cold shiver of delight ran through me. More than her white skin, more than her languid, silky hair, more than her small mouth or her firm breasts, it was surely this voice of hers which had so charmed and seduced the King. Compared to it, her person was nothing, pretty enough, womanly enough, but giving no hint that concealed within it lay a matchless sound. I sat down on a tapestry-covered stool and fell to considering the probability that every one of us conceals some secret talent, though what mine may be I was not yet able to determine. Pearce's, despite his harsh criticisms of the world and most things within it, was a talent for kindness. Violet's, I was tempted to suggest, was anger, for I knew of no other person in whom rage was more delicious or becoming. And the King's? Well, he was a person of a thousand talents, but whether there was yet one more that he kept secret from us all, only time will reveal.
The song continued. "Celia, Celia," I wanted to ask, "why did no one tell me how exquisitely you sing?" And a vision of myself, suddenly skilled upon my oboe, playing enraptured while my wife sang, momentarily rilled my mind. How different, how ordered and knowable life would be, if it could be arranged around a simple duet! As it was, I knew that the moment I entered the Music Room Celia would stop singing. I could play no part whatsoever in her music and by tonight she would be gone to her parents' house and Bidnold would be utterly silent, except for the occasional trilling of my Indian Nightingale. I took out of my pocket an emerald-coloured handkerchief and blew my nose, still intermittently blocked with mucus. I felt myself once again excluded from something to which I desired to contribute – however negligible my contribution might be. There is, I said to myself, as I stowed away my handkerchief, a degree of sadness in this observation.
I stood up. As soon as Celia knew of my return, she would press me for news of her situation and the moment was approaching when I would have to say what I had planned, thus smothering in her heart the small ember of hope which Pearce had led me to recognise as so fearful a thing. But as I walked towards the Music Room, I knew that I had faltered: I could not utter the words I had decided upon. For I knew beyond question that if I said them Celia's indifference towards me would turn again to loathing. As Cleopatra whipped the bearers of bad tidings, so Celia would flay me with her scorn and hatred. I, who was nothing to her, would become less than nothing. She would leave my house for ever and the whole magnificent story that the King had set in train would have reached an ending, long before its proper course had been run. And besides… ah, dangerous consideration!… I did not want to relinquish Celia's voice. So there you have it. At whatever cost to Celia's sanity and mine, I had become determined to keep her with me under my roof, at least for the two months decreed by the King.
So it was then that I entered the room and the music ceased abruptly, as I predicted it would, and Celia turned upon me a gaze full of astonishment and hope and Sir Joshua put down his instrument and held out his hand most cordially to me. I bowed to them both. "I am returned, as you can see," I said superfluously, and then began to compliment them upon their musical talents. Celia was not, of course, in the least interested in my opinion of her singing, but urged me to tell her at once what message I had brought from London. I remained calm in the face of her anxiety and impatience. I offered her my arm.
"If," I said, "you would do me the honour of taking a turn with me in the garden, I will inform you of all that has passed."
Celia cast a look of anguish at her father, but he nodded and so without more ado she laid her white hand on my sleeve and we walked to the hall, where I imperiously summoned Farthingale to go running for a cloak for her mistress.
The day was cold and the sun already a little low in the sky. The shadows cast by Celia and me were long, thus elongating me a great deal, so that had you but glimpsed us on the flat stones, you would have mistaken us for a very elegant couple.
After some moments, during which I rehearsed in my mind what I was about to say, I conveyed to Celia the following fiction, which I had invented on the spot, but by which I found myself to be agreeably impressed. "The King," I said, "would give no promise whatsoever with regard to you. He asks, simply, that you remain here – here at Bidnold and nowhere else – until what he termed 'an awareness of the changeful nature of all things' has grown upon you."
Celia stared at me, utterly disbelieving. "'The changeful nature of all things'? And why would he have me learn that, pray?"
"I cannot say, Celia," I replied. "All His Majesty would say was that he wished you to learn it, but believed it would take time, it being the case that the more youthful a person is, the harder it may be for such understanding to take root."
"And yet," retorted Celia, "has he not, in his cruel repudiation of me, made certain that I have had such an awareness harshly thrust upon me?"
"Indeed," I ventured, "but he is a great deal wiser than you or I, Celia, wise enough to know that, though there is always some learning in times of misfortune or loss, it is only through quiet reflection after the event has passed that we can put such learning to good use."
"But how long is such 'quiet reflection' to last? Am I to grow old in 'quiet reflection' and see my beauty vanish and all that once pleased him come to decay?"
"No. I'm sure he does not intend that."
"Then will it be weeks, months…?"
"He would not tell me, Celia."
"Why? Why would he not tell you?"
"Because he cannot say. He has put the matter into your hands and into mine."
"Into yours?"
"Yes. For I am to be the one to tell him – in his own words – When she has fitted her mind with wisdom and put from her all illusion."
"So!" and at this moment Celia pulled her hand roughly from my arm, "You are to be Judge! The King sends his Fool to decide on a matter of learning! May he forgive me, Merivel, but this does not strike me as just."
"No. Undoubtedly not. And yet I perceive a kind of justice in it. For I am not, as some other protector might be, enamoured of my role, in that I do not consider myself to be worthy of it. Thus, it is in my interest that you embark upon this journey of learning as quickly as possible, Celia, so that I may return to my life of foolishness, you to your house in Kew and the King to your bed."
"But how am I to come by this wisdom? By what means am I to 'embark'?"
"I do not know. Unless through your one peerless gift -through your singing."
"Through my singing?"
"Yes."
"How so?"
"I do not know. I can only guess that this must be your route. In my mediocre way, I am arriving at some misunderstanding of myself and the world through my efforts at painting and I venture to suggest that if you sing, say, of love or betrayal, or I know not what, you will learn not only something of these things, but also of the infinite ways by which men and women deceive themselves and the ruses they employ to make themselves master of another's destiny. And so your journey will already have begun…"