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Swiss Villa, like the Mount Shasta, California compound, was also used as a training and operations camp for the Shadow Government's paramilitary projects referred to by Senator Tnouye (D. HI). I learned that this not-so-secret military buildup, sanctioned by corrupt members of our government, consisted of special forces trained robotic soldiers, numerous black unmarked helicopters, and the highest technological advancements in TOP SECRET weaponry and "Star Wars" electro magnetic mind-control equipment. These paramilitary compounds were intended for global policing of the New World Order through the Multi-Jurisdictional Police Force.

"A Most Dangerous Game" was often played at Swiss Villa and involved CIA agents, politicians, and others who would attend the resort just for the sport of hunting humans. Kelly and I both were hunted at Swiss Villa. The tortures and rape after being caught were extensive and sufficiently traumatized our minds for ensuing programming, as well as for creating memory compartmentalization for the high level operations we witnessed behind the villa's patrolled fences. It was at Swiss Villa that I was taught "THE Most Dangerous Game" was one where a slave tried to escape and reveal what he or she had learned. If the hunters could not catch and stop the slave, then the black helicopters patrolling the area would. And if all else failed, the "Eye in the Sky" would locate him or her, and a torturous death was supposedly imminent.

According to my abusers, my deprograminer and primary advocate Mark Phillips and I have embarked on "THE Most Dangerous Game" through efforts such as releasing this book and turning a spotlight on the Shadow Government to reveal its members' identities and their crimes against humanity, Mark Phillips and I are determined to beat them at their own «game» by arming the "95 %" with the truth that perpetrators "don't want them to know!"

CHAPTER 8

CIA'S WAR ON DRUGS OPERATION: ELIMINATING COMPETITION

I no longer had any mind of my own. I was absolutely void of free will and was now totally robotic. So was Kelly, We wore our Charm School smile at all times, and did exactly what we were told to do. The only characteristic noticeably out of place was Kelly's age-inappropriate programmed vocabulary and mannerisms. Outsiders attributed this to her traveling within the country music industry. My public image was a programmed personality that always smiled, looked and talked like the proverbial «air-head» blonde that kept outsiders away by socializing only within my controlled environment. This lifestyle appeared quite normal for my role as Houston's much younger «wife» in the country music industry.

When we were not traveling, I began each day at 4:00 A.M. with a minimum of 2 hours aerobic exercise. Afterward, I tended farm animals and did other chores, then cooked Houston a large country breakfast which neither Kelly or I were permitted to share. Houston would then order me to work to exhaustion on his 100-acre farm while he watched. These chores included hauling, stacking, and feeding out hundreds of bales of hay to our livestock each year; maintaining miles of electric fencing; cutting acres of grass with a push mower an average of twice weekly; busting concrete with a sledge hammer and mixing and pouring new cement; digging by hand and maintaining a two acre vegetable garden for canning; cutting, hauling, and slacking firewood for Houston, his neighbors, and friends; shoveling pick-up truck loads of creek gravel to fill in enormous potholes in the gravel road leading to 11 rural residences including Jack Greene's; and anything else Houston could think of that would wear me down. Houston's exhaustive, slave-driving work orders made my father's seem benevolent in comparison. The «best» of days were rough.

I ate "like a bird (Byrd)," following Byrd's orders of 300 calories per day-with no sugar or caffeine. My metabolism was low. I was trained to compute calories like a machine, eating more like a rabbit than a «bird», I had to count every calorie, from a simple taste of what I had to cook for Houston to semen. Houston ensured thai Kelly and I never got more than two consecutive hours of deep per night. He accomplished this through automatic mental "alarm clocks" that woke us up at two- hour intervals-Kelly with asthma, and me with panic. These tactics contributed to Kelly's and my total inability to resist mind control. Traveling in the country music industry was no easier than existing on Houston's farm in Tennessee. It certainly lacked the glamour that outsiders usually associate with entertainment industries. CIA covert drug operations had permeated the industry. Entertainers were used to buy, sell, and distribute cocaine brought into this country by the U.S. government for the purpose of funding the Pentagon's and CIA's Black Budgets. Nashville's local government, from my perspective, was totally corrupted by these criminal covert operations. Cover-up, murder, drugs, and white slavery prevailed. Entertainers usually made n big only when they participated in CIA operations and/or were slaves themselves. I know of numerous entertainers in need of rescue and deprogramming from their mind-controlled existence, because it was discovered that voices could be harmonically tuned through mind control to captivate audiences. To quote my father, "Spies, like singers and actors, are made, not born". These entertainers have endured much of the same programming as I to permit them to carry out government operations in the course of their travels.

Norwegian Caribbean Lines (NCL) cruise ships depart regularly from Miami, Florida and travel throughout the Caribbean and Mexico. NCL provides pleasure cruises to the public complete with «entertainment» like that of Alex Houston while carrying out CIA operations. Sue Carper, former director of entertainment procurement for all NCL cruise ships, would ensure that government covert activities staging were properly orchestrated. She rotated entertainers like Houston from ship to ship in order to avoid the scrutiny of clean U.S. Customs and Immigrations inspectors. I routinely took cruises with Houston, muling cocaine and/or heroin out of Haiti, the Bahamas, Mexico, the Virgin Islands, and Puerto Rico to fund covert operations. While I was robotically carrying out transactions as ordered, I was also prostituted to South and Central American drug lords and politicians, as well as filmed pornographically. Houston made sure I was in the right place at the right time and switched me into the proper mode for each activity I was forced to carry out. In the early 1980s, this included passing messages to and from Senator Byrd, Baby Doc Duvalier, my Cuban contact, Puerto Rican drug lord Jose Busto, and others.

In keeping with NCL's Caribbean operations, Byrd adjusted his use of programming themes to include the mirror-reversal, interdimensional, Air-Water mind-control theme used on me by NASA and the Jesuits. I often saw dolphins playing in the ocean while being transported from port to port via the Cruise ships, but the popular "whales and dolphins" mind-control theme was avoided in favor of a theme more suitable to my experience-that of the Sea-Bird-Robert C. (Sea) Byrd. He told me, "Atlantis[30] has long been the epicenter of alien activity. The path is so well warn that there are holes in the fabric of time and space whereby airplanes and ships, even people, timelessly seemingly disappear, transformed into another dimension alien to this world. Likewise, we (aliens) came in, entering through the mirror reflection of the hole in the fabric of space, the deep blue sea. Some of us entered Earth's plane as whales and dolphins. And when we emerged from the sea, some of us came flying out. Or is that in? At any rate, we are here. Watch for the flying fish when you are out to see/sea. When you see one, you will know it is kin to me. A flying fish by any other name is a C. Byrd. A sea bird. Robert C. Byrd."

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NCL cruise ships routinely pass through the so-called "Bermuda Triangle," and Byrd did not miss this opportunity to tap into old programming base installed by Senator L. Bennet Johnston.