That's one of the things they do. They force you to kill, within yourself.

Useless, as it turned out. I wonder who told them. It could have been a neighbor, watching our car pull out from the driveway in the morning, acting on a hunch, tipping them off for a gold star on someone's list. It could even have been the man who got us the passports; why not get paid twice? Like them, even, to plant the passport forgers themselves, a net for the unwary. The Eyes of God run over all the earth.

Because they were ready for us, and waiting. The moment of betrayal is the worst, the moment when you know beyond any doubt that you've been betrayed: that some other human being has wished you that much evil.

It was like being in an elevator cut loose at the top. Falling, falling, and not knowing when you will hit.

I try to conjure, to raise my own spirits, from wherever they are. I need to remember what they look like. I try to hold them still behind my eyes, their faces, like pictures in an album. But they won't stay still for me, they move, there's a smile and it's gone, their features curl and bend as if the paper's burning, blackness eats them. A glimpse, a pale shimmer on the air; a glow, aurora, dance of electrons, then a face again, faces. But they fade, though I stretch out my arms towards them, they slip away from me, ghosts at daybreak. Back to wherever they are. Stay with me, I want to say. But they won't.

It's my fault. I am forgetting too much.

Tonight I will say my prayers.

No longer kneeling at the foot of the bed, knees on the hard wood of the gym floor, Aunt Elizabeth standing by the double doors, arms folded, cattle prod hung on her belt, while Aunt Lydia strides along the rows of kneeling nightgowned women, hitting our backs or feet or bums or arms lightly, just a flick, a tap, with her wooden pointer if we slouch or slacken. She wanted our heads bowed just right, our toes together and pointed, our elbows at the proper angle. Part of her interest in this was aesthetic: she liked the look of the thing. She wanted us to look like something Anglo-Saxon, carved on a tomb; or Christmas card angels, regimented in our robes of purity. But she knew too the spiritual value of bodily rigidity, of muscle strain: a little pain cleans out the mind, she'd say.

What we prayed for was emptiness, so we would be worthy to be filled: with grace, with love, with self-denial, semen and babies.

Oh God, King of the universe, thank you for not creating me a man.

Oh God, obliterate me. Make me fruitful. Mortify my flesh, that I may be multiplied. Let me be fulfilled…

Some of them would get carried away with this. The ecstasy of abasement. Some of them would moan and cry.

There is no point in making a spectacle of yourself, Janine, said Aunt Lydia.

I pray where I am, sitting by the window, looking out through the curtain at the empty garden. I don't even close my eyes. Out there or inside my head, it's an equal darkness. Or light.

My God. Who Art in the Kingdom of. Heaven, which is within.

I wish you would tell me Your Name, the real one I mean. But You will do as well as anything.

I wish I knew what You were up to. But whatever it is, help me to get through it, please. Though maybe it's not Your doing; I don't believe for an instant that what's going on out there is what You meant.

I have enough daily bread, so I won't waste time on that. It isn't the main problem. The problem is getting it down without choking on it.

Now we come to forgiveness. Don't worry about forgiving me right now. There are more important things. For instance: keep the others safe, if they are safe. Don't let them suffer too much. If they have to die, let it be fast. You might even provide a Heaven for them. We need You for that. Hell we can make for ourselves.

I suppose I should say I forgive whoever did this, and whatever they're doing now. I'll try, but it isn't easy.

Temptation comes next. At the Center, temptation was anything much more than eating and sleeping. Knowing was a temptation. What you don't know won't tempt you, Aunt Lydia used to say.

Maybe I don't really want to know what's going on. Maybe I'd rather not know. Maybe I couldn't bear to know. The Fall was a fall from innocence to knowledge.

I think about the chandelier too much, though it's gone now. But you could use a hook, in the closet. I've considered the possibilities. All you'd have to do, after attaching yourself, would be to lean your weight forward and not fight.

Deliver us from evil.

Then there's Kingdom, power, and glory. It takes a lot to believe in those right now. But I'll try it anyway. In Hope, as they say on the gravestones.

You must feel pretty ripped off. I guess it's not the first time.

If I were You I'd be fed up. I'd really be sick of it. I guess that's the difference between us.

I feel very unreal, talking to You like this. I feel as if I'm talking to a wall. I wish You'd answer. I feel so alone.

All alone by the telephone. Except I can't use the telephone. And if I could, who could I call?

Oh God. It's no joke. Oh God oh God. How can I keep on living?

XII Jezebels

31

Every night when I go to bed I think, In the morning I will wake up in my own house and things will be back the way they were. It hasn't happened this morning, either.

I put on my clothes, summer clothes, it's still summer; it seems to have stopped at summer. July, its breathless days and sauna nights, hard to sleep. I make a point of keeping track. I should scratch marks on the wall, one for each day of the week, and run a line through them when I have seven. But what would be the use, this isn't a jail sentence; there's no time here that can be done and finished with. Anyway, all I have to do is ask, to find out what day it is. Yesterday was July the fourth, which used to be Independence Day, before they abolished it. September first will be Labor Day, they still have that. Though it didn't used to have anything to do with mothers.

But I tell time by the moon. Lunar, not solar.

I bend over to do up my red shoes; lighter weight these days, with discreet slits cut in them, though nothing so daring as sandals. It's an effort to stoop; despite the exercises, I can feel my body gradually seizing up, refusing. Being a woman this way is how I used to imagine it would be to be very old. I feel I even walk like that: crouched over, my spine constricting to a question mark, my bones leached of calcium and porous as limestone. When I was younger, imagining age, I would think, Maybe you appreciate things more when you don't have much time left. I forgot to include the loss of energy. Some days I do appreciate things more, eggs, flowers, but then I decide I'm only having an attack of sentimentality, my brain going pastel Technicolor, like the beautiful-sunset greeting cards they used to make so many of in California. High-gloss hearts. The danger is gray out.

I'd like to have Luke here, in this bedroom while I'm getting dressed, so I could have a fight with him. Absurd, but that's what I want. An argument, about who should put the dishes in the dishwasher, whose turn it is to sort the laundry, clean the toilet; something daily and unimportant in the big scheme of things. We could even have a fight about that, about unimportant, important. What a luxury it would be. Not that we did it much. These days I script whole fights, in my head, and the reconciliations afterwards too.

I sit in my chair, the wreath on the ceiling floating above my head, like a frozen halo, a zero. A hole in space where a star exploded. A ring, on water, where a stone's been thrown. All things white and circular. I wait for the day to unroll, for the earth to turn, according to the round face of the implacable clock. The geometrical days, which go around and around, smoothly and oiled. Sweat already on my upper lip, I wait, for the arrival of the inevitable egg, which will be lukewarm like the room and will have a green film on the yolk and will taste faintly of sulphur.