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Amongst these charges the newlyweds were like a pair of giant children, forever kneeling or bending, pacifying, supplicating their easily upset charges. They both had big hands and big feet and young faces and Emma's speech, although shy and indistinct, did not feel timid but rather sensuous and sleepy. She seemed to speak with the drowsiness of a happy lover.

It is true that Charles talked a great deal but he did not do it to exclude his wife and looked, continually, to her for agreement, so that the whole business enterprise was flavoured with their great tenderness together. And although Leah was interested in the problems facing the best pet shop in the world, what really pleased her was the couple's affection.

She was impressed too that they wished to do everything properly from the beginning, had made appointments to speak to people at the zoo, made notes and constructed cages that were really too big for the little shop. It was a mistake, perhaps. But they were happy not to have a prison like those overcrowded holes in Campbell Street. The big cages did create problems because they had to bunk one species in with another. The pretty blue bonnets had showed themselves to be pugnacious in the extreme. Feathers had flown. Blood had run.

And Emma had been wonderful, Charles said. The girl blushed and lowered her eyes. Leah could imagine those strong-wristed hands offering succour to wounded rosellas or rescuing a terrified guinea-pig from the well-meaning attentions of a buck rabbit.

She could not think of anyone who would suit Charles better. She seemed earthy, practical, loving and unpretentious. They both prepared the pets' meals together, working side by side at the kitchen table, carving dark hunks of horsemeat, breaking eggs, crumbling Madeira cake. They already had their own moth trap and would soon start breeding flies for their pupae. They did not seem to notice that their flat had a funny smell, but even this smell, unpleasant at first, soon came to be associated, in Leah's mind, with happiness.

It was 1938. Hitler was in Austria. Bukharin and Rykov were already on trial in Moscow. Bondi Beach was not yet strung with barbed wire, but the cafes were already filling with Jews from Europe. Leah Goldstein stood on platforms beside her husband while he spoke against fighting the Nazis.

She would appear, standing erect in that severe grey suit of hers, her flinty face unsmiling, like the popular image of a severe communist, but it was from this time that her letters began to fill with the sweet fecund odours of the little pet shop where she would go, more and more often, to drink tea with Emma, to watch her belly swell, to breathe deep of air rich with straw, rape-seed, molasses and fur.

She was as happy there as in a letter. She did not speak. The two women sat behind the counter. Emma knitted.

23

Phoebe came to borrow a pound and was shocked by Emma's kissing. It was not Emma who started it. It was Phoebe who was a great one for kissing everything that crossed her path. It was not the act of kissing that was shocking. It was the quality of the kiss itself. You could feel in those kisses the juices of Emma's contentment and Phoebe – who had thought her daughter-in-law's big straight toes quite disgusting -was much disturbed. It was embarrassing, like walking into the middle of someone else's love-making, and Phoebe, who had come to flaunt her newest young man as well as get a pound, left the shop feeling old and out of temper.

She was not alone in being affected by those kisses. Leah wrote me a page about them. Emma was a plant grown in an austere climate suddenly transplanted into a fertile tropical latitude. She stretched herself luxuriously and felt her toes uncurl in the warm red soil. She was all abloom with kisses.

The extraordinary thing is she had not even loved Charles when she'd decided to marry him. She had thought only that he was a decent manly man and she had been comforted not only by his hearing aid but by his funny looks. He was like that dog-leg bridge the shire had built out over Parwan – stumpy and awkward but no one ever questioned its reliability. When he promised to honour and obey, you could rely on him. Anyone could see he was not a flash Harry or a lounge lizard or a drunkard. He would look after her.

She had expected so little, and now she was almost drunk from the richness of her life. It is true that she did not like Sydney, but then she had never liked Melbourne. Cities were too noisy and confusing to suit her. She was a homebody anyway. She was happiest amongst the pets, or upstairs in the little flat which she was modestly redecorating with what money they had left after the Education Department took its tithe. She stripped the peeling wallpaper, killed the earwigs, and ladled on new kalsomine.

Instinctively she reproduced elements of her mother's house. She bought a ha'penny brass hook on which to hang the hot water bottle, just behind the stove, in which place it had been awkward and inconvenient in Bacchus Marsh, and it was just as awkward and inconvenient in George Street, Sydney. She begged a calendar from the butcher's and hung it behind the door so that one had, as in Bacchus Marsh, to shut the door in order to know what day it was. And she found a framed picture of the King of England in Bathurst Street. It was very dusty and its frame was chipped but it was only tuppence and she brought it home and hung it (with difficulty – the picture rail was precarious) above the kitchen table. And she had just completed this last improvement when Charles, suckled on hatred of all things royal and British, walked in the door (his mind more occupied with the Snake Exhibition in his shop window) and stood, gawping, at the King of England.

It would never have occurred to Charles that the King of England had no more importance to Emma than a brass hook or a butcher's calendar. The colour rose from beneath his collar and washed upwards like spilt ink on blotting paper. And it is no good trying to decide whether his reaction owes more to Herbert Badgery or Leah Goldstein or his own reading on the subject inSmith's Weekly and the Bulletin, but react he did, as instantly and instinctively as if he'd been punched in the nose; he struck straight back and his wife, big-bellied, weary-legged, did not recognize the monster who took possession of the man she loved. She felt a fear grip her guts and the baby kicked back against it, panicking inside her. She saw the tendons on his neck go tight as fencing wire one notch before it snaps. He put his wide-brimmed hat down – too slowly – on the table and leaned across – his arms seemed horribly strong and far too long (he could reach the picture rail without the aid of either chair or ladder) and pulled at the bearded King of England who, refusing to abandon his position, finally brought the whole picture rail springing after him. The rail bounced on the table, knocked Emma's teacup, broke its handle, and while the handleless cup rolled smoothly across the table on its way to destruction, Charles carried the picture of the King to the kitchen sink, opened the window behind it, and dropped it into the moss-covered concrete lane below.

Charles had the family temper: the fast flare-up, the instant die-away, nothing left but ashes, contrition, embarrassment. So when he turned and saw her crumpling face, the monster left him. Now he knelt beside his shaking wife and tried to explain. He kissed her eyes. He was sorry. He nuzzled her neck. She was his little lamb. She was a precious, a pet, a possum, a mouse.

But she, it turned out, was as ready to deny the King of England as he was to criticize his own childish temper. She no longer cared that the monarch had been an important man in her father's house. She despised him. Would never say his name again. She felt safer than ever in her husband's arms and her extraordinary kisses, those tropical blooms, were dark and heavy with fear-born adrenalin, cups of it, enough to make them both quite drunk.