Marjorie Chaffey tried to read the sign on the sidecar as it approached but she had left her distance glasses on the mantelpiece and so could not make it out.

The veranda was only two feet above the sandy soil, but it gave her the advantage over strangers and she remained there as she always did, looking down at the machine (shining black, glittering gold) which fell silent, not sharply or cleanly, but like a noisy meeting slowly brought to order.

The rider did up the buttons on his suit coat. He was, she saw, only a boy.

Charles tried to see her face, but the sun was in his eyes and the woman was in shadow. "G'day missus."

"G'day." The reply was as flat as a shutter on a window.

He squinted up at her. It would be a small exaggeration to say that he sought love in the stranger's shadowed face, but none at all to say that he wished approval and acceptance. He was a stranger moving amongst strangers, finely tuned to acceptance and rejection.

"Hot enough for you?" he asked.

"Hot enough."

He was sweating inside his heavy suit, but he wished to appear a man. He also wanted to say, I'm just a boy. I won't harm you. All I want is a feed and a place to sleep.

The woman on the veranda was as still as a goanna that knows itself watched and even the feathery touch of her broom as it shifted on the floor reminded him of a goanna's forked tongue as it smells the air.

"Boss home?" he asked her. He knew the black eye made him look unusual. He would have liked to explain the black eye to her. He was sure she was a nice woman and kind to her children. He could not explain the black eye. He was ashamed of it.

"What you after?" she asked.

"Oh," he blushed and made an arc in the sand with his boot, "bit of business."

"What sort of business would that be?"

A mouse ran across the veranda and she flicked it halfheartedly with her broom. The mouse ran up the handle of a rusting shovel, along the horizontal corrugations of the wall (Charles saw it, soft as a shadow across the silver) through the window and into the house. She removed the prop from the corrugated-iron shutter so that it dropped closed with a clang.

"Mice bad?" he asked.

"Bad everywhere," She said defensively.

"I come from Jeparit today," Charles said. "They were bad up there. By Jove they were. Eat your buttons."

"Eat your buttons everywhere." Charles did not hear her, nor did he notice the three safety pins on the front of her floral dress. "Eat your toenails in the night," she said.

Charles was fiddling with his hearing aid, a heavy metal box that pulled his suit coat out of shape. It came on with a roar. He grimaced.

"Sorry," he said, putting his head on one side as if he might, from this angle, penetrate the shadow. "I'm a bit hard of hearing."

"Ah," she said, suddenly sorry for him. "You didn't miss nothing. Just talking about the blankety mice."

"Got a cat?"

"Got two," she said, defensive again, "but it does no good."

Charles could smell, already, although he was not yet invited on to the veranda, the sour dank smell of mice. "I got something better than a cat, missus."

"Better talk to my husband if you're selling, but he won't buy nothing. If you've got mousetraps or that sort of thing you're better off to save your legs. He's up at the forge," she said, becoming angry, again, about the glass of water she would have to offer him.

Charles trudged around the back, past the hot silver walls, around the corner of the kitchen house. He had hoped that the man was not at home. He would rather, any day, deal with a woman for there was always a soft spot to be found in the hardest of them.

He was careful not to tread on the dead, sandy vegetable patch. He threaded his way through a rusting garden of ploughshares, tines and scarifiers and made his way, without hope, towards the dark mouth of the bright-walled shed. His hearing aid crackled and he missed the sounds of a man smithing and the cries of white cockatoos, three of them, as they passed overhead on their way to a stand of trees above a dry water-hole; their cries, coinciding with the slow powerful movement of their wings, were like big creaking doors in need of oil. Charles saw the birds but they only depressed him. He had swapped his nets for petrol.

The forge was set up at one end of the large earth-floored shed and he saw the red glowing piece of metal in the gloom before he saw the farmer himself. As he walked towards the shower of sparks he did not take in the unusual nature of the shed – the shelves packed with odd-shaped pieces of metal, the neat handwritten labels. He walked past a drill press and a lathe without wondering why a farmer would have such equipment. What he did notice was the tractor – an old T Model cleverly converted so that the heavy chain transmitted power to large metal wheels.

"Petrol," thought Snake Boy Badgery.

The farmer was one of those quick-eyed finely built men whom farming has made strong and wiry but who, in the end, are not suited to their work because they like the company of people too much. He was pleased to see the stranger standing in his shed. He did not immediately break off what he was doing – shaping a metal wheel cleat to replace the broken one on his tractor – but he finished it only roughly and when he had dunked it, sizzling, into a drum of year-old water, took off his apron and shook hands.

Charles was relieved to see the man's face, and not just because it grinned at him, but because it was, anyway, a friendly face, cocked, crooked, with pale eyebrows at extreme angles and deep wrinkles in the corner of pale blue eyes. This was Les Chaffey, a man with a dictionary on his shelf, a map of the world on his wall, a habit of poking at things with a fork or a screwdriver when they interested him.

Charles liked him immediately. He liked his waistcoat with the silver watch he had won at the rifle club. He liked the three different pens and the propelling pencil he carried in the pocket of his collarless shirt. But mostly he liked the way he cocked his head and listened carefully to what Charles had to say.

"Is that a fact?" he said when Charles, in an untidy rush of words, had told him about the snakes, i. e., that they were not poisonous and that they ate mice. "And that's your line of business, is it?"

Charles said that it was. His price was a gallon of petrol, a meal and a place to sleep. As he named the price he feared it was too high but, when Les Chaffey shook his hand to confirm the deal being done, he was sorry he had asked so little. Charles's eyes betrayed him by suddenly watering. He hid his emotions in the dark pockets of the shed.

As they walked back to the house a wind sprang up and the farmer tried not to think about his drifting paddocks, a hard thing to do when they are stinging you on the back of the neck. He took refuge in fancies about the young visitor's black eye, wondered if it had happened in a farm or a pub and whose daughter had been involved. There was something about the Snake Boy that made him confident a daughter had been involved. He got it wrong. What he was seeing was a need for affection that could have been best satisfied by a big woman with an apron and floury hands. But Les Chaffey saw the oily remains of pimples on his neck and big chin and thought he secreted an odour of sexual need as obvious and all-pervasive as the smell of the mice who covered, in their teeming breeding millions, the land from Jeparit to the South Australian border and this parallel brought him back to the very things he wished to forget – drought and mice, mice and overdrafts.

The shops in Jeparit, even the butcher's, smelt of mice, and in the grocer's you could see where they had eaten the paper around the lids of the Brockoff's biscuit tins and pushed the hinged lids open. At the railway sidings they ate the wheat bags from the bottom until the bags collapsed in on themselves, worthless, empty, a year's work inside the guts of mice. There were mice jokes and those who had children – both of his were at the Gordon Tech in Geelong – made little chariots from matchboxes and raced the diseased creatures in teams of four and six.