Arthur's bowling after the change of innings is faster and wilder than usual. He takes only a single wicket, thanks to an over-greedy swipe at one of his long-hops. When he is sent to field in the deep, he keeps turning to look for Jean, but she must have moved. He cannot spot Willie and Connie either. His throwing-in causes more alarm to the wicket-keeper than usual, and has him scuttling in all directions.
Afterwards, it is clear that Jean has left. He is now in a state of pure rage. He wants to take a cab straight to Jean's flat, lead her out on to the pavement, put her arm through his, and walk her past Buckingham Palace, Westminster Abbey and the Houses of Parliament. And with him still in his cricket clothes. And shouting, 'I am Arthur Conan Doyle and I am proud to love this woman, Jean Leckie.' He visualizes the scene. When he stops doing so, he thinks he is running mad.
Rage and madness subside, leaving him with a steady, inflexible anger. He takes a shower-bath and changes, all the while swearing internally at Willie Hornung. How dare that asthmatic short-sighted part-time spin bowler raise his bloody eyebrow. At him. At Jean. Hornung, the journalist, the writer of no-account stories about the Australian outback. Totally unheard of until he purloined – with permission – the idea of Holmes and Watson; turned them upside down and made them into a pair of criminals. Arthur let him do it. Even provided the name of his so-called hero, Raffles, as in The Doings of Raffles Haw. Allowed the damned book to be dedicated to him. 'To A.C.D., this form of flattery.'
Gave him more than his best idea, gave him his wife. Literally: walked her up the aisle and handed her over to him. Made them an allowance to get started on. All right, made Connie an allowance, but Willie Hornung didn't say it was a stain on his honour as a man to accept such help, didn't say he'd go out and work harder to keep his young wife, oh no, none of that. And he thinks that gives him the right to raise a priggish eyebrow.
Arthur takes a cab straight from Lord's to Kensington West. Number Nine, Pitt Street. His anger begins to subside as they cross the Harrow Road. In his head he can hear Jean telling him it was all her fault, she was the one who put her arm through his. He knows exactly the tone of self-reproach she will use, and how it will probably drive her into a wretched migraine. All that matters, he tells himself, is to minimize her suffering. His every instinct and his very manliness demand that he break down Hornung's door, drag him on to the pavement, and beat him about the brains with a cricket bat. Yet by the time the cab draws up he knows how he must behave.
He is quite calm as Willie Hornung admits him. 'I have come to see Constance,' he says. Hornung is at least sensible enough not to go in for any damn-fool bluster, or insist on being present himself. Arthur goes upstairs to Connie's sitting room. He explains to her, in straightforward terms, as he has never done – never needed to do – before. About what Touie's illness entails. About his sudden love, his utter love, for Jean. About how that love will remain platonic. Yet how a large side of his life, so long unoccupied, has now been filled. About the strain and depression they both suffer from intermittently. About how Connie only saw them together, obviously in love, because they let their guard down; and how it is a torment never to be able to show their love in front of others. How every smile, every laugh has to be measured and rationed, every companion tested. How Arthur does not think he can survive if his family, who are as dear to him as the world itself, does not understand his plight and support him.
He is playing at Lord's again tomorrow, and he asks, no, he entreats Connie to come, and this time meet Jean properly. It is the only way. What happened today must be set aside, put behind them at once, else it will fester. She will come tomorrow, and have lunch with Jean and know her better. Won't she?
Connie agrees. Willie, as he lets him out, says, 'Arthur, I'm prepared to back your dealings with any woman at sight and without question.' In the cab, Arthur feels as if something terrible has just been averted. He is quite weary, and a little light-headed. He knows he can count on Connie, as he can on all his family. And he is a little ashamed of what he caught himself thinking about Willie Hornung. This damn temper of his is not getting any better. He puts it down to being half Irish. The Scottish half of him has the devil of a job keeping the upper hand.
No, Willie is a fine fellow, who will back him without question. Willie has a good, sharp brain, and is a very decent wicketkeeper. He may dislike golf, but at least gives the best reason Arthur has yet heard for such a prejudice: 'I consider it unsportsmanlike to hit a sitting ball.' That was good. And the one about the sprinter's error. And the one Arthur has spread most widely, which is Willie's assessment of his brother-in-law's consulting detective: 'Though he might be more humble, there is no police like Holmes.' No police like Holmes! Arthur throws himself back against the seat at the memory of the line.
The next morning, as he is preparing to leave for Lord's, a telegram is delivered. Constance Hornung must excuse herself from their lunch engagement today because she has a toothache and is obliged to go to the dentist.
He sends a note to Jean, his apologies to Lord's – 'urgent family business' for once is no euphemism – and takes a cab to Pitt Street. They will be expecting him. They know he is not the man for intrigue or diplomatic silence. You look a fellow in the eye, you speak the truth, and you take the consequences: such is the Doyle creed. Women are allowed different rules, of course – or rather, women seem to have developed different rules for themselves regardless; but even so, he does not think much of emergency dental treatment as an excuse. Its very transparency gets Arthur's dander up. Perhaps she knows this; perhaps it is designed as the plainest rebuke, like that turned-away head of hers. Connie, to her credit, does not palter any more than he does.
He knows he must keep his temper. What matters is first of all Jean, and then the unity of the family. He wonders if Connie has changed Hornung's mind, or Hornung Connie's. 'I'm prepared to back your dealings with any woman at sight and without question.' Nothing equivocal there. But neither had there been about Connie's apparent understanding of his situation. In advance, he searches for reasons. Perhaps Connie has become a respectable married woman rather more quickly than he would have thought possible; perhaps she has always been jealous that Lottie is his favourite sister. As for Hornung: doubtless he is envious of his brother-in-law's fame; or maybe the success of Raffles has gone to his head. Something has sparked this sudden display of independence and rebellion. Well, Arthur will soon find out.
'Connie is upstairs, resting,' says Hornung as he opens the door. Plain enough. So it will be man to man, which is how Arthur prefers it.
Little Willie Hornung is the same height as Arthur, a fact he occasionally forgets. And Hornung in his own house is different from the Hornung of Arthur's furious re-creation; also different from the flattering, eager-to-please Willie who darted across the tennis court at West Norwood and brought bons mots to the table by way of ingratiation. In the front sitting room he indicates a leather armchair, waits for Arthur to be seated, and then remains standing himself. As he speaks, he begins to prance around the room. Nerves, doubtless, but it has the effect of a prosecuting counsel showing off to a non-existent jury.
'Arthur, this is not going to be easy. Connie has told me what you said to her last night, and we have discussed the matter.'