The Falcone mausoleum was made of black granite and topped with a statue of an angel with a falcon tethered to its right arm. The falcon was taking off, its wings spread wide enough to provide welcome shade for several sweaty bystanders. Falcone’s father and sister had not been buried here, but brass plaques on two of the doors bore their names.
Falcone’s mother and his wife and kids sat beside the coffin. The only other person in the front row was Louie Russo, sporting those gigantic sunglasses. The rest of Falcone’s blood family sat in the second row, along with Jackie Ping-Pong and Johnny Fontane, who was listed in the bulletin as an honorary pallbearer. Fontane cried like a woman.
The other forty-nine honorary pallbearers-politicians, police captains, judges, businessmen, athletes, and entertainers; no one from the Chicago Outfit or any other organization-were all shown seats near the front as well.
Certainly there were people watching Michael Corleone, but, especially in the context of this circus, not many. He was not a famous man, certainly not in comparison with Fontane, the heavyweight champion of the world, the lieutenant governor of California, or even philanthropist and former ambassador to Canada M. Corbett Shea (row six, next to Mae West). Michael Corleone was not the target of the photographers’ flashes, and only a few of the men from law enforcement knew more about him than the public did, which was not much. He’d been a war hero, but a lot of men had been war heroes. His name had been in the papers during the troubles in New York in the spring, but the pictures of him were blurry, shot at a distance, and the public’s memory is shorter than a senile dog’s. In his world, Michael Corleone was known by all, but many of those men knew him only by reputation and couldn’t have easily connected the name to the face. He knew several of the people here well, but he did not approach them. Somber nods sufficed. Fontane didn’t appear even to notice him. Michael watched the proceedings in silence. Afterward, he stood patiently in line to offer his condolences to Falcone’s widow and mother, the only words he said in public all day, then disappeared into the frosty backseat of the humble black Dodge that had brought him.
Inside, for the first time, Michael Corleone wept for his dead father.
Don Molinari’s funeral procession rolled through the fog, a line of more than a hundred cars in long, snarling traffic, winding southbound and out of San Francisco. Frederico Corleone rode in the fourth car behind the hearse, in a two-tone Cadillac-black and white-that Tony Molinari used to like to drive himself. Fredo had come alone. He’d told Michael that bringing along Capra and Figaro, after all the protection the Molinaris had provided Fredo over the years, would look like disrespect-or worse, like the Corleones had something to fear in San Francisco-and was shocked when his brother had agreed. The driver was a Molinari soldato whose name Fredo was trying to remember. Also up front was Tony’s little brother Dino’s wife. Her two girls rode in back beside Fredo.
It was the longest ride to a graveyard that Fredo could remember ever taking, made longer by the crying kids and his clumsy attempts to console them. He’d had the foresight to bring two handkerchiefs, soft silk monogrammed ones that floated from kid to kid until one of them blew her nose so hard she got a nosebleed and had to use both of them to help stop it.
“Where is this place?” Fredo asked, reaching for the prayer card that had the name of the cemetery on it: THE ITALIAN CEMETERY.
“Colma,” said the driver. “They’re all in Colma.”
“Who’s all in Colma? Where the h-” He stopped himself. “Where’s Colma?”
“Cemeteries. They’re illegal in San Francisco. Gotta go to Colma, which we’re almost to now. Back in the gold rush days, you buried your people wherever they fell. The garden, backyard, some alley, whatever. There were some cemeteries, mostly for the rich ones. But those got moved to Colma, the bodies. They had to do it. My nonna, she still talks about how during the earthquakes all over the city, dead bodies would heave to the surface and come shooting-”
“Enough,” said Dino’s wife. “Talk,” she said in Italian, “when the chickens piss.” Meaning Shut your damn mouth. Her children didn’t seem to understand Italian.
The driver didn’t say another word.
Fredo supposed that the driver’s story wasn’t the kind of thing to tell the kids, but they’d both stopped crying and looked pretty interested.
Outside, the houses and neighborhoods just stopped, superseded in every direction by undulating plains covered with gravestones, vaults, statues, crosses, and palm trees, a vast, unyielding city of the dead, and for some reason he thought of what his brother Sonny had said when he’d effectively banished Fredo from the family: Las Vegas is a city of the future. No, Sonny. This, Colma, is a city of the future. The city of the future. City of the dead. Dead, like Sonny. Fredo felt a nervous laugh, the crazy kind, rising in him, and he stifled it.
The Italian Cemetery stretched for miles along both sides of the road. The procession entered a path on the south side, past a monument that had dozens of green metal hands sticking out, grasping a long black chain.
Fredo shook his head in wonder. This is the greatest racket I ever saw. Of course there’s a cemetery here just for Italians. Before any of this was here, back when you could still plant the dead under your rosebushes, Fredo would bet that this whole place had been bought up quietly by Italians. Land that looks like the Sicilian countryside, where poor farmers struggled to grow grapes and olives until someone came up with the idea for a better crop. You get the papers to run sob stories from doctors talking about health risks, you get an ordinance passed, presto! you’re getting paid twice to bury a hundred years’ worth of people who’d already been buried. Get paid once to dig and move, again for the grave site in Colma. Give jobs to a hundred Italian stonecutters who now owe you a favor. Same goes for anyone, really, who needs work and can handle a shovel. Then, for good measure, you buy up the land in San Francisco where the cemeteries were, prime real estate that comes cheap because it used to be full of corpses. But this is America. No history, no memory. You develop the land, and people line up to buy it. On the back end, you get a piece of everything it takes to keep hauling stiffs down here-plots, stones, caskets, flowers, limos. All this plus the traditional benefit of being a silent partner in the graveyard business (if that cemetery in Brooklyn that Amerigo Bonasera ran ever got dug up, it’d be kind of like Cracker Jack, a surprise under every box).
Colma. Even sounds Italian.
A chill went through him. His solar plexus contracted. He closed his eyes. He could see it: the marshes of New Jersey stretched before him like ten Colmas. The Corleones had the political clout in New York to get the ordinance passed. The turf battle in Jersey with the Straccis, that could be worked out. He could practically hear Pop’s voice: Every man has but one destiny.
“You all right?” asked Dino’s wife.
Fredo opened his eyes. Against the tide of his own elation, Fredo summoned what he hoped was a sorrowful nod. She and the kids piled out of the car. Fredo drained the rest of the whiskey in his flask and hurried to take his place beside the other pallbearers.
After the service, everyone drove all the way back to the city and through it, to Fisherman’s Wharf, where Molinari’s, the best restaurant in the city, had been closed to the public since the employees had heard the news of their boss’s death. The moment Fredo stepped out of the car, though, one whiff and it was clear that the staff had not spent the week at home curled on their davenports, weeping. The sea breeze throbbed with the aromas of drawn butter and soft-shell crab and bluefish and broiled lobster, tubs of boiling marinara sauce, newly built oak-fired grills crowded with filet mignon that the best meat cutters on the West Coast had competed to donate. Children, dozens of them, sprinted from cars to the back of the restaurant, where a prep chef waited not with scraps, as they must have ordinarily received, but gleaming steel buckets crammed with fresh sardines for the kids to drag out to the end of the pier and whip into the air fish by fish, detonating an explosion of beating wings, a roiling blur of gulls and pelicans. As Fredo lingered outside, watching, the birds swarmed over the unsupervised children like a shrieking biblical plague. This would have terrified Fredo as a child. His sister, Connie? Forget it. She’d still be screaming. Mike would have sat on one of the pilings, watching the squandering of good sardines in silent condemnation, his hands clamped over his ears. Sonny? Chucking rocks, not sardines, unless he’d somehow found a gun, which he would have. Hagen would have been dying to shoot the birds, too, but he’d never have risked Pop’s disapproval and would have watched the whole thing through the car window. But these kids just jumped around on the pier laughing, their faces lit up as though they’d been handed the keys to Coney Island. Even when some of the gulls started dive-bombing the buckets, the kids just found it hilarious. It wouldn’t be long before some adult ruined things, told them to simmer down and show some respect for poor Uncle Tony. Sure enough, a moment later, someone’s stout and scowling zia came bustling toward them. Fredo couldn’t bear to watch and turned to face the black ribbons on the restaurant door. It was at any rate time for him to do what he’d come here to do. He’d have rather gone back to his hotel room and thought about how to present his Colma East plan to Mike. If he were honest with himself, which he was not quite drunk enough to be, he might have allowed himself to think of other places the day and the night might take him, but he would not let himself think of that. Instead, he took a deep breath and went inside.