She had her toadies, minor officials in Government offices who ran about putting through little jobs on her behalf, in return for which she gave them luncheon. But she derived from the eighteenth century. She was all right.
And now Clarissa escorted her Prime Minister down the room, prancing, sparkling, with the stateliness of her grey hair. She wore ear-rings, and a silver-green mermaid's dress. Lolloping on the waves and braiding her tresses she seemed, having that gift still; to be; to exist; to sum it all up in the moment as she passed; turned, caught her scarf in some other woman's dress, unhitched it, laughed, all with the most perfect ease and air of a creature floating in its element. But age had brushed her; even as a mermaid might behold in her glass the setting sun on some very clear evening over the waves. There was a breath of tenderness; her severity, her prudery, her woodenness were all warmed through now, and she had about her as she said good-bye to the thick gold- laced man who was doing his best, and good luck to him, to look important, an inexpressible dignity; an exquisite cordiality; as if she wished the whole world well, and must now, being on the very verge and rim of things, take her leave. So she made him think.
(But he was not in love.)
Indeed, Clarissa felt, the Prime Minister had been good to come.
And, walking down the room with him, with Sally there and Peter there and Richard very pleased, with all those people rather inclined, perhaps, to envy, she had felt that intoxication of the moment, that dilatation of the nerves of the heart itself till it seemed to quiver, steeped, upright;-yes, but after all it was what other people felt, that; for, though she loved it and felt it tingle and sting, still these semblances, these triumphs (dear old Peter, for example, thinking her so brilliant), had a hollowness; at arm's length they were, not in the heart; and it might be that she was growing old but they satisfied her no longer as they used; and suddenly, as she saw the Prime Minister go down the stairs, the gilt rim of the Sir Joshua picture of the little girl with a muff brought back Kilman with a rush; Kilman her enemy. That was satisfying; that was real. Ah, how she hated her-hot, hypocritical, corrupt; with all that power; Elizabeth's seducer; the woman who had crept in to steal and defile (Richard would say, What nonsense!). She hated her: she loved her. It was enemies one wanted, not friends-not Mrs. Durrant and Clara, Sir William and Lady Bradshaw, Miss Truelock and Eleanor Gibson (whom she saw coming upstairs). They must find her if they wanted her. She was for the party!
There was her old friend Sir Harry.
"Dear Sir Harry!" she said, going up to the fine old fellow who had produced more bad pictures than any other two Academicians in the whole of St. John's Wood (they were always of cattle, standing in sunset pools absorbing moisture, or signifying, for he had a certain range of gesture, by the raising of one foreleg and the toss of the antlers, "the Approach of the Stranger"-all his activities, dining out, racing, were founded on cattle standing absorbing moisture in sunset pools).
"What are you laughing at?" she asked him. For Willie Titcomb and Sir Harry and Herbert Ainsty were all laughing. But no. Sir Harry could not tell Clarissa Dalloway (much though he liked her; of her type he thought her perfect, and threatened to paint her) his stories of the music hall stage. He chaffed her about her party.
He missed his brandy. These circles, he said, were above him. But he liked her; respected her, in spite of her damnable, difficult upper-class refinement, which made it impossible to ask Clarissa Dalloway to sit on his knee. And up came that wandering will-o'- the-wisp, that vagulous phosphorescence, old Mrs. Hilbery, stretching her hands to the blaze of his laughter (about the Duke and the Lady), which, as she heard it across the room, seemed to reassure her on a point which sometimes bothered her if she woke early in the morning and did not like to call her maid for a cup of tea; how it is certain we must die.
"They won't tell us their stories," said Clarissa.
"Dear Clarissa!" exclaimed Mrs. Hilbery. She looked to-night, she said, so like her mother as she first saw her walking in a garden in a grey hat.
And really Clarissa's eyes filled with tears. Her mother, walking in a garden! But alas, she must go.
For there was Professor Brierly, who lectured on Milton, talking to little Jim Hutton (who was unable even for a party like this to compass both tie and waistcoat or make his hair lie flat), and even at this distance they were quarrelling, she could see. For Professor Brierly was a very queer fish. With all those degrees, honours, lectureships between him and the scribblers he suspected instantly an atmosphere not favourable to his queer compound; his prodigious learning and timidity; his wintry charm without cordiality; his innocence blent with snobbery; he quivered if made conscious by a lady's unkempt hair, a youth's boots, of an underworld, very creditable doubtless, of rebels, of ardent young people; of would-be geniuses, and intimated with a little toss of the head, with a sniff-Humph!-the value of moderation; of some slight training in the classics in order to appreciate Milton.
Professor Brierly (Clarissa could see) wasn't hitting it off with little Jim Hutton (who wore red socks, his black being at the laundry) about Milton. She interrupted.
She said she loved Bach. So did Hutton. That was the bond between them, and Hutton (a very bad poet) always felt that Mrs. Dalloway was far the best of the great ladies who took an interest in art.
It was odd how strict she was. About music she was purely impersonal. She was rather a prig. But how charming to look at!
She made her house so nice if it weren't for her Professors.
Clarissa had half a mind to snatch him off and set him down at the piano in the back room. For he played divinely.
"But the noise!" she said. "The noise!"
"The sign of a successful party." Nodding urbanely, the Professor stepped delicately off.
"He knows everything in the whole world about Milton," said Clarissa.
"Does he indeed?" said Hutton, who would imitate the Professor throughout Hampstead; the Professor on Milton; the Professor on moderation; the Professor stepping delicately off.
But she must speak to that couple, said Clarissa, Lord Gayton and Nancy Blow.
Not that THEY added perceptibly to the noise of the party. They were not talking (perceptibly) as they stood side by side by the yellow curtains. They would soon be off elsewhere, together; and never had very much to say in any circumstances. They looked; that was all. That was enough. They looked so clean, so sound, she with an apricot bloom of powder and paint, but he scrubbed, rinsed, with the eyes of a bird, so that no ball could pass him or stroke surprise him. He struck, he leapt, accurately, on the spot.
Ponies' mouths quivered at the end of his reins. He had his honours, ancestral monuments, banners hanging in the church at home. He had his duties; his tenants; a mother and sisters; had been all day at Lords, and that was what they were talking about- cricket, cousins, the movies-when Mrs. Dalloway came up. Lord Gayton liked her most awfully. So did Miss Blow. She had such charming manners.
"It is angelic-it is delicious of you to have come!" she said.
She loved Lords; she loved youth, and Nancy, dressed at enormous expense by the greatest artists in Paris, stood there looking as if her body had merely put forth, of its own accord, a green frill.
"I had meant to have dancing," said Clarissa.
For the young people could not talk. And why should they? Shout, embrace, swing, be up at dawn; carry sugar to ponies; kiss and caress the snouts of adorable chows; and then all tingling and streaming, plunge and swim. But the enormous resources of the English language, the power it bestows, after all, of communicating feelings (at their age, she and Peter would have been arguing all the evening), was not for them. They would solidify young. They would be good beyond measure to the people on the estate, but alone, perhaps, rather dull.