There is a strange story about his college days that illustrates something else about him: he had friends for cocktails in his well-appointed rooms one afternoon when suddenly his pet ferret rushed out and bit an elegant teacup queer on the ankle and everybody hightailed it out the door, screaming. Old Bull leaped up and grabbed his shotgun and said, "He smells that old rat again," and shot a hole in the wall big enough for fifty rats. On the wall hung a picture of an ugly old Cape Cod house. His friends said, "Why do you have that ugly thing hanging there?" and Bull said, "I like it because it's ugly." All his life was in that line. Once I knocked on his door in the 60th Street slums of New York and he opened it wearing a derby hat, a vest with nothing underneath, and long striped sharpster pants; in his hands he had a cookpot, birdseed in the pot, and was trying to mash the seed to roll in cigarettes. He also experimented in boiling codeine cough syrup down to a black mash – that didn't work too well. He spent long hours with Shakespeare – the "Immortal Bard," he called him – on his lap. In New Orleans he had begun to spend long hours with the Mayan Codices on his lap, and, although he went on talking, the book lay open all the time. I said once, "What's going to happen to us when we die?" and he said, "When you die you're just dead, that's all." He had a set of chains in his room that he said he used with his psychoanalyst; they were experimenting with narcoanalysis and found that Old Bull had seven separate personalities, each growing worse and worse on the way down, till finally he was a raving idiot and had to be restrained with chains. The top personality was an English lord, the bottom the idiot. Halfway he was an old Negro who stood in line, waiting with everyone else, and said, "Some's bastards, some's ain't, that's the score."

Bull had a sentimental streak about the old days m America, especially 1910, when you could get morphine in a drugstore without prescription and Chinese smoked opium in their evening windows and the country was wild and brawling and free, with abundance and any kind of freedom for everyone. His chief hate was Washington bureaucracy; second to that, liberals; then cops. He spent all his time talking and teaching others. Jane sat at his feet; so did I; so did Dean; and so had Carlo Marx. We'd all learned from him. He was a gray, nondescript-looking fellow you wouldn't notice on the street, unless you looked closer and saw his mad, bony skull with its strange youthfulness – a Kansas minister with exotic, phenomenal fires and mysteries. He had studied medicine in Vienna; had studied anthropology, read everything; and now he was settling to his life's work, which was the study of things them-selves.-in the streets of life and the night. He sat in his chair; Jane brought drinks, martinis. The shades by his chair were always drawn, day and night; it was his corner of the house. On his lap were the Mayan Codices and an air gun which he occasionally raised to pop benzedrine tubes across the room. I kept rushing around, putting up new ones. We all took shots and meanwhile we talked. Bull was curious to know the reason for this trip. He peered at us and snuffed down his nose, thfump, like a sound in a dry tank.

"Now, Dean, I want you to sit quiet a minute and tell me what you're doing crossing the country like this."

Dean could only blush and say, "Ah well, you know how it is."

"Sal, what are you going to the Coast for?" "Only for a few days. I'm coming back to school." "What's the score with this Ed Dunkel? What kind of character is he?" At that moment Ed was making up to Galatea in the bedroom; it didn't take him long. We didn't know what to tell Bull about Ed Dunkel. Seeing that we didn't know anything about ourselves, he whipped out three sticks of tea and said to go ahead, supper'd be ready soon.

"Ain't nothing better in the world to give you an appetite. I once ate a horrible lunchcart hamburg on tea and it seemed like the most delicious thing in the world. I just got back from Houston last week, went to see Dale about our black-eyed peas. I was sleeping in a motel one morning when all of a sudden I was blasted out of bed. This damn fool had just shot his wife in the room next to mine. Everybody stood around confused, and the guy just got in his car and drove off, left the shotgun on the floor for the sheriff. They finally caught him in Houma, drunk as a lord. Man ain't safe going around this country any more without a gun." He pulled back his coat and showed us his revolver. Then he opened the drawer and showed us the rest of his arsenal. In New York he once had a sub-machine-gun under his bed. "I got something better than that now – a German Scheintoth gas gun; look at this beauty, only got one shell. I could knock out a hundred men with this gun and have plenty of time to make a getaway. Only thing wrong, I only got one shell."

"I hope I'm not around when you try it," said Jane from the kitchen. "How do you know it's a gas shell?" Bull snuffed; he never paid any attention to her sallies but he heard them. His relation with his wife was one of the strangest: they talked till late at night; Bull liked to hold the floor, he went right on in his dreary monotonous voice, she tried to break in, she never could; at dawn he got tired and then Jane talked and he listened, snuffing and going thfump down his nose. She loved that man madly, but in a delirious way of some kind; there was never any mooching and mincing around, just talk and a very deep companionship that none of us would ever be able to fathom. Something curiously unsympathetic and cold between them was really a form of humor by which they communicated their own set of subtle vibrations. Love is all; Jane was never more than ten feet away from Bull and never missed a word he said, and he spoke in a very low voice, too.

Dean and I were yelling about a big night in New Orleans and wanted Bull to show us around. He threw a damper on this. "New Orleans is a very dull town. It's against the law to go to the colored section. The bars are insufferably dreary."

I said, "There must be some ideal bars in town."

"The ideal bar doesn't exist in America. An ideal bar is something that's gone beyond our ken. In nineteen ten a bar was a place where men went to meet during or after work, and all there was was a long counter, brass rails, spittoons, player piano for music, a few mirrors, and barrels of whisky at ten cents a shot together with barrels of beer at five cents a mug. Now all you get is chromium, drunken women, fags, hostile bartenders, anxious owners who hover around the door, worried about their leather seats and the law; just a lot of screaming at the wrong time and deadly silence when a stranger walks in."

We argued about bars. "All right," he said, "I'll take you to New Orleans tonight and show you what I mean." And he deliberately took us to the dullest bars. We left Jane with the children; supper was over; she was reading the want ads of the New Orleans Times-Picayune. I asked her if she was looking for a job; she only said it was the most interesting part of the paper. Bull rode into town with us and went right on talking. "Take it easy, Dean, we'll get there, I hope; hup, there's the ferry, you don't have to drive us clear into the river." He held on. Dean had gotten worse, he confided in me. "He seems to me to be headed for his ideal fate, which is compulsive psychosis dashed with a jigger of psychopathic irresponsibility and violence." He looked at Dean out of the corner of his eye. "If you go to California with this madman you'll never make it. Why don't you stay in New Orleans with me? We'll play the horses over to Graetna and relax in my yard. I've got a nice set of knives and I'm building a target. Some pretty juicy dolls downtown, too, if that's in your line these days." He snuffed. We were on the ferry and Dean had leaped out to lean over the rail. I followed, but Bull sat on in the car, snuffing, thfump. There was a mystic wraith of fog over the brown waters that night, together with dark driftwoods; and across the way New Orleans glowed orange-bright, with a few dark ships at her hem, ghostly fogbound Cereno ships with Spanish balconies and ornamental poops, till you got up close and saw they were just old freighters from Sweden and Panama. The ferry fires glowed in the night; the same Negroes plied the shovel and sang. Old Big Slim Hazard had once worked on the Algiers ferry as a deckhand; this made me think of Mississippi Gene too; and as the river poured down from mid-America by starlight I knew, I knew like mad that everything I had ever known and would ever know was One. Strange to say, too, that night we crossed the ferry with Bull Lee a girl committed suicide off the deck; either just before or just after us; we saw it in the paper the next day.