The other two — the least one and the other big one — stood stunned. The nurse snapped her fingers, and they sprang into motion. Instant movement, sliding across the floor. The little one beside the other like an image in a reducing mirror. They were almost to Pete when it suddenly struck them what the other boy should of known, that Pete wasn’t wired under control like the rest of us, that he wasn’t about to mind just because they gave him an order or gave his arm a jerk. If they were to take him they’d have to take him like you take a wild bear or bull, and with one of their number out cold against the baseboards, the other two black boys didn’t care for the odds.

This thought got them both at once and they froze, the big one and his tiny image, in exactly the same position, left foot forward, right hand out, halfway between Pete and the Big Nurse. That iron ball swinging in front of them and that snowwhite anger behind them, they shook and smoked and I could hear gears grinding. I could see them twitch with confusion, like machines throttled full ahead and with the brake on.

Pete stood there in the middle of the floor, swinging that ball back and forth at his side, all leaned over to its weight. Everybody was watching him now. He looked from the big black boy to the little one, and when he saw they weren’t about to come any closer he turned to the patients.

“You see — it’s a lotta baloney,” he told them, “it’s all a lotta baloney.”

The Big Nurse had slid from her chair and was working toward her wicker bag leaning at the door. “Yes, yes, Mr. Bancini,” she crooned, “now if you’ll just be calm—”

“That’s all it is, nothin’ but a lotta baloney.” His voice lost its copper strength and became strained and urgent like he didn’t have much time to finish what he had to say. “Ya see, I can’t help it, I can’t — don’t ya see. I was born dead. Not you. You wasn’t born dead. Ahhhh, it’s been hard…”

He started to cry. He couldn’t make the words come out right anymore; he opened and closed his mouth to talk but he couldn’t sort the words into sentences any more. He shook his head to clear it and blinked at the Acutes:

“Ahhhh, I… tell… ya… I tell you.”

He began slumping over again, and his iron ball shrank back to a hand. He held it cupped out in front of him like he was offering something to the patients.

“I can’t help it. I was born a miscarriage. I had so many insults I died. I was born dead. I can’t help it. I’m tired. I’m give out trying. You got chances. I had so many insults I was born dead. You got it easy. I was born dead an’ life was hard. I’m tired. I’m tired out talking and standing up. I been dead fifty-five years.”

The Big Nurse got him clear across the room, right through his greens. She jumped back without getting the needle pulled out after the shot and it hung there from his pants like a little tail of glass and steel, old Pete slumping farther and farther forward, not from the shot but from the effort; the last couple of minutes had worn him out finally and completely, once and for all — you could just look at him and tell he was finished.

So there wasn’t really any need for the shot; his head had already commenced to wag back and forth and his eyes were murky. By the time the nurse eased back in to get the needle he was bent so far forward he was crying directly on the floor without wetting his face, tears spotting a wide area as he swung his head back and forth, spatting, spatting, in an even pattern on the day-room floor, like he was sowing them. “Ahhhhh,” he said. He didn’t flinch when she jerked the needle out.

He had come to life for maybe a minute to try to tell us something, something none of us cared to listen to or tried to understand, and the effort had drained him dry. That shot in his hip was as wasted as if she’d squirted it in a dead man — no heart to pump it, no vein to carry it up to his head, no brain up there for it to mortify with its poison. She’d just as well shot it in a dried-out old cadaver.

“I’m… tired…”

“Now. I think if you two boys are brave enough, Mr. Bancini will go to bed like a good fellow.”

“… aw-ful tired.”

“And Aide Williams is coming around, Doctor Spivey. See to him, won’t you. Here. His watch is broken and he’s cut his arm.”

Pete never tried anything like that again, and he never will. Now, when he starts acting up during a meeting and they try to hush him, he always hushes. He’ll still get up from time to time and wag his head and let us know how tired he is, but it’s not a complaint or excuse or warning any more — he’s finished with that; it’s like an old clock that won’t tell time but won’t stop neither, with the hands bent out of shape and the face bare of numbers and the alarm bell rusted silent, an old, worthless clock that just keeps ticking and cuckooing without meaning nothing.

The group is still tearing into poor Harding when two o’clock rolls around.

At two o’clock the doctor begins to squirm around in his chair. The meetings are uncomfortable for the doctor unless he’s talking about his theory; he’d rather spend his time down in his office, drawing on graphs. He squirms around and finally clears his tbroat, and the nurse looks at her watch and tells us to bring the tables back in from the tub room and we’ll resume this discussion again at one tomorrow. The Acutes click out of their trance, look for an instant in Harding’s direction. Their faces burn with a shame like they have just woke up to the fact they been played for suckers again. Some of them go to the tub room across the hall to get the tables, some wander over to the magazine racks and show a lot of interest in the old McCall’s magazines, but what they’re all really doing is avoiding Harding. They’ve been maneuvered again into grilling one of their friends like he was a criminal and they were all prosecutors and judge and jury. For forty-five minutes they been chopping a man to pieces, almost as if they enjoyed it, shooting questions at him: What’s he think is the matter with him that he can’t please the little lady; why’s he insist she has never had anything to do with another man; how’s he expect to get well if he doesn’t answer honestly? — questions and insinuations till now they feel bad about it and they don’t want to be made more uncomfortable by being near him.

McMurphy’s eyes follow all of this. He doesn’t get out of his chair. He looks puzzled again. He sits in his chair for a while, watching the Acutes, scuffing that deck of cards up and down the red stubble on his chin, then finally stands up from his arm chair, yawns and stretches and scratches his belly button with a corner of a card, then puts the deck in his pocket and walks over to where Harding is off by himself, sweated to his chair.

McMurphy looks down at Harding a minute, then laps his big hand over the back of a nearby wooden chair, swings it around so the back is facing Harding, and straddles it like he’d straddle a tiny horse. Harding hasn’t noticed a thing. McMurphy slaps his pockets till he finds his cigarettes, and takes one out and lights it; he holds it out in front of him and frowns at the tip, licks his thumb and finger, and arranges the fire to suit him.

Each man seems unaware of the other. I can’t even tell if Harding’s noticed McMurphy at all. Harding’s got his thin shoulders folded nearly together around himself, like green wings, and he’s sitting very straight near the edge of his chair, with his hands trapped between his knees. He’s staring straight ahead, humming to himself, trying to look calm — but he’s chewing at his cheeks, and this gives him a funny skull grin, not calm at all.

McMurphy puts his cigarette back between his teeth and folds his hands over the wooden chair back and leans his chin on them, squinting one eye against the smoke. He looks at Harding with his other eye a while, then starts talking with that cigarette wagging up and down in his lips.