Will waited until they were out of earshot, then turned to Shanta. "I take it that I've just been seeing a Mutual Adoption Club in action."

"Fortunately," said Shanta, "in very mild action. Tom Krishna and Mary Sarojini get on remarkably well with their mother. There's no personal problem there-only the problem of destiny, the enormous and terrible problem of Dugald's being dead."

"Will Susila marry again?" he asked.

"I hope so. For everybody's sake. Meanwhile, it's good for the children to spend a certain amount of time with one or other of their deputy fathers. Specially good for Tom Krishna. Tom Krishna's just reaching the age when little boys discover their maleness. He still cries like a baby; but the next moment he's bragging and showing off and bringing lizards into the house- just to prove he's two hundred percent a he-man. That's why I sent him to Vijaya. Vijaya's everything Tom Krishna likes to imagine he is. Three yards high, two yards wide, terrifically strong, immensely competent. When he tells Tom Krishna how he ought to behave, Tom Krishna listens-listens as he would never listen to me or his mother saying the same things. And Vijaya does say the same things as we would say. Because, on top of being two hundred percent male, he's almost fifty percent sensitive-feminine. So, you see, Tom Krishna is really getting the works. And now," she concluded, looking down at the sleeping child in her arms, "I must put this young man to bed and get ready for lunch."

13

Washed and brushed, the twins were already in their high chairs. Mary Sarojini hung over them like a proud but anxious mother. At the stove Vijaya was ladling rice and vegetables out of an earthenware pot. Cautiously and with an expression on his face of focused concentration, Tom Krishna carried each bowl, as it was filled, to the table.

"There!" said Vijaya when the last brimming bowl had been sent on its way. He wiped his hands, walked over to the table and took his seat. "Better tell our guest about grace," he said to Shanta.

Turning to Will, "In Pala," she explained, "we don't say grace before meals. We say it with meals. Or rather we don't say grace; we chew it."

"Chew it?"

"Grace is the first mouthful of each course-chewed and chewed until there's nothing left of it. And all the time you're chewing you pay attention to the flavor of the food, to its consistency and temperature, to the pressures on your teeth and the feel of the muscles in your jaws."

"And meanwhile, I suppose, you give thanks to the Enlightened One, or Shiva, or whoever it may be?"

Shanta shook her head emphatically. "That would distract your attention, and attention is the whole point. Attention to the experience of something given, something you haven't invented, not the memory of a form of words addressed to somebody in your imagination." She looked round the table. "Shall we begin?"

"Hurrah!" the twins shouted in unison, and picked up their spoons.

For a long minute there was a silence, broken only by the twins who had not yet learned to eat without smacking their lips.

"May we swallow now?" asked one of the little boys at last.

Shanta nodded. Everyone swallowed. There was a clinking of spoons and a burst of talk from full mouths.

"Well," Shanta enquired, "what did your grace taste like?"

"It tasted," said Will, "like a long succession of different things. Or rather a succession of variations on the fundamental theme of rice and turmeric and red peppers and zucchini and something leafy that I don't recognize. It's interesting how it doesn't remain the same. I'd never really noticed that before."

"And while you were paying attention to these things, you were momentarily delivered from daydreams, from memories, from anticipations, from silly notions-from all the symptoms of you.'"

"Isn't tasting me?"

Shanta looked down the length of the table to her husband. "What would you say, Vijaya?"

"I'd say it was halfway between me and not-me. Tasting is not-me doing something for the whole organism. And at the same time tasting is me being conscious of what's happening. And that's the point of our chewing-grace-to make the me more conscious of what the not-me is up to."

"Very nice," was Will's comment. "But what's the point of the point?"

It was Shanta who answered. "The point of the point," she said, "is that when you've learned to pay closer attention to more of the not-you in the environment (that's the food) and more of the not-you in your own organism (that's your taste sensations), you may suddenly find yourself paying attention to the not-you on the further side of consciousness, or perhaps it would be better," Shanta went on, "to put it the other way round. The not-you on the further side of consciousness will find it easier to make itself known to a you that has learned to be more aware of its not-you on the side of physiology." She was interrupted by a crash, followed by a howl from one of the twins. "After which," she continued as she wiped up the mess on the floor, "one has to consider the problem of me and not-me in relation to people less than forty-two inches high. A prize of sixty-four thousand crores of rupees will be given to anyone who comes up with a foolproof solution." She wiped the child's eyes, had him blow his nose, then gave him a kiss and went to the stove for another bowl of rice.

"What are your chores for this afternoon?" Vijaya asked when lunch was over.

"We're on scarecrow duty," Tom Krishna answered impor tantly.

"In the field just below the schoolhouse," Mary Sarojini added.

"Then I'll take you there in the car," said Vijaya. Turning to Will Farnaby, "Would you like to come along?" he asked.

Will nodded. "And if it's permissible," he said, "I'd like to see the school, while I'm about it-sit in, maybe, at some of the classes."

Shanta waved good-bye to them from the veranda and a few minutes later they came in sight of the parked jeep.

"The school's on the other side of the village," explained Vijaya as he started the motor. "We have to take the bypass. It goes down and then up again."

Down through terraced fields of rice and maize and sweet potatoes, then on the level, along a contour line, with a muddy little fishpond on the left and an orchard of breadfruit trees on the right, and finally up again through more fields, some green, some golden-and there was the schoolhouse, white and spacious under its towering shade trees.

"And down there," said Mary Sarojini, "are our scarecrows."

Will looked in the direction she was pointing. In the nearest of the terraced fields below them the yellow rice was almost ready to harvest. Two small boys in pink loincloths and a little girl in a blue skirt were taking turns at pulling the strings that set in motion two life-sized marionettes attached to poles at either end of the narrow field. The puppets were of wood, beautifully carved and clothed, not in rags, but in the most splendid draperies. Will looked at them in astonishment.

"Solomon in all his glory," he exclaimed, "was not arrayed like one of these."

But then Solomon, he went on to reflect, was only a king; these gorgeous scarecrows were beings of a higher order. One was a Future Buddha, the other a delightfully gay, East Indian version of God the Father as one sees him in the Sistine Chapel, swooping down over the newly created Adam. With each tug of the string the Future Buddha wagged his head, uncrossed his legs from the lotus posture, danced a brief fandango in the air, then crossed them again and sat motionless for a moment until another jerk of the string once more disturbed his meditations. God the Father, meanwhile, waved his outstretched arm, wagged his forefinger in portentous warning, opened and shut his horsehair-fringed mouth and rolled a pair of eyes which, being made of glass, flashed comminatory fire at any bird that dared to approach the rice. And all the time a brisk wind was fluttering his draperies, which were bright yellow, with a bold design-in brown, white and black-of tigers and monkeys, while the Future Buddha's magnificent robes of red and orange rayon bellied and flapped around him with an Aeolian jingling of dozens of little silver bells.