We inspected the world’s largest stalagmite in a cave where three southeastern states have a family reunion; admission by age; adults one dollar, pubescents sixty cents. A granite obelisk commemorating the Battle of Blue Licks, with old bones and Indian pottery in the museum nearby, Lo a dime, very reasonable. The present log cabin boldly simulating the past log cabin where Lincoln was born. A boulder, with a plaque, in memory of the author of “Trees” (by now we are in Poplar Cove, N.C., reached by what my kind, tolerant, usually so restrained tour book angrily calls “a very narrow road, poorly maintained,” to which, though no Kilmerite, I subscribe). From a hired motor-boat operated by an elderly, but still repulsively handsome White Russian, a baron they said (Lo’s palms were damp, the little fool), who had known in California good old Maximovich and Valeria, we could distinguish the inaccessible “millionaires’ colony” on an island, somewhere off the Georgia coast. We inspected further: a collection of European hotel picture post cards in a museum devoted to hobbies at a Mississippi resort, where with a hot wave of pride I discovered a colored photo of my father’s Mirana, its striped awnings, its flag flying above the retouched palm trees. “So what?” said Lo, squinting at the bronzed owner of an expensive car who had followed us into the Hobby House. Relics of the cotton era. A forest in Arkansas and, on her brown shoulder, a raised purple-pink swelling (the work of some gnat) which I eased of its beautiful transparent poison between my long thumbnails and then sucked till I was gorged on her spicy blood. Bourbon Street (in a town named New Orleans) whose sidewalks, said the tour book, “may [I liked the “may”] feature entertainment by pickaninnies who will [I liked the “will” even better] tap-dance for pennies” (what fun), while “its numerous small and intimate night clubs are thronged with visitors” (naughty). Collections of frontier lore. Ante-bellum homes with iron-trellis balconies and hand-worked stairs, the kind down which movie ladies with sun-kissed shoulders run in rich Technicolor, holding up the fronts of their flounced skirts with both little hands in that special way, and the devoted Negress shaking her head on the upper landing. The Menninger Foundation, a psychiatric clinic, just for the heck of it. A patch of beautifully eroded clay; and yucca blossoms, so pure, so waxy, but lousy with creeping white flies. Independence, Missouri, the starting point of the Old Oregon Trail; and Abiliene, Kansas, the home of the Wild Bill Something Rodeo. Distant mountains. Near mountains. More mountains; bluish beauties never attainable, or ever turning into inhabited hill after hill; south-eastern ranges, altitudinal failures as alps go; heart and sky-piercing snow-veined gray colossi of stone, relentless peaks appearing from nowhere at a turn of the highway; timbered enormities, with a system of neatly overlapping dark firs, interrupted in places by pale puffs of aspen; pink and lilac formations, Pharaonic, phallic, “too prehistoric for words” (blas Lo); buttes of black lava; early spring mountains with young-elephant lanugo along their spines; end-of-the-summer mountains, all hunched up, their heavy Egyptian limbs folded under folds of tawny moth-eaten plush; oatmeal hills, flecked with green round oaks; a last rufous mountain with a rich rug of lucerne at its foot.

Moreover, we inspected: Little Iceberg Lake, somewhere in Colorado, and the snow banks, and the cushionets of tiny alpine flowers, and more snow; down which Lo in red-peaked cap tried to slide, and squealed, and was snowballed by some youngsters, and retaliated in kind comme on dit. Skeletons of burned aspens, patches of spired blue flowers. The various items of a scenic drive. Hundreds of scenic drives, thousands of Bear Creeks, Soda Springs, Painted Canyons. Texas, a drought-struck plain. Crystal Chamber in the longest cave in the world, children under 12 free, Lo a young captive. A collection of a local lady’s homemade sculptures, closed on a miserable Monday morning, dust, wind, witherland. Conception Park, in a town on the Mexican border which I dared not cross. There and elsewhere, hundreds of gray hummingbirds in the dusk, probing the throats of dim flowers. Shakespeare, a ghost town in New Mexico, where bad man Russian Bill was colorfully hanged seventy years ago. Fish hatcheries. Cliff dwellings. The mummy of a child (Florentine Bea’s Indian contemporary). Our twentieth Hell’s Canyon. Our fiftieth Gateway to something or other fide that tour book, the cover of which had been lost by that time. A tick in my groin. Always the same three old men, in hats and suspenders, idling away the summer afternoon under the trees near the public fountain. A hazy blue view beyond railings on a mountain pass, and the backs of a family enjoying it (with Lo, in a hot, happy, wild, intense, hopeful, hopeless whisper”Look, the McCrystals, please, let’s talk to them, please”let’s talk to them, reader!”please! I’ll do anything you want, oh, please…”). Indian ceremonial dances, strictly commercial. ART: American Refrigerator Transit Company. Obvious Arizona, pueblo dwellings, aboriginal pictographs, a dinosaur track in a desert canyon, printed there thirty million years ago, when I was a child. A lanky, six-foot, pale boy with an active Adam’s apple, ogling Lo and her orange-brown bare midriff, which I kissed five minutes later, Jack. Winter in the desert, spring in the foothills, almonds in bloom. Reno, a dreary town in Nevada, with a nightlife said to be “cosmopolitan and mature.” A winery in California, with a church built in the shape of a wine barrel. Death Valley. Scotty’s Castle. Works of Art collected by one Rogers over a period of years. The ugly villas of handsome actresses. R. L. Stevenson’s footprint on an extinct volcano. Mission Dolores: good title for book. Surf-carved sandstone festoons. A man having a lavish epileptic fit on the ground in Russian Gulch State Park. Blue, blue Crater Lake. A fish hatchery in Idaho and the State Penitentiary. Somber Yellowstone Park and its colored hot springs, baby geysers, rainbows of bubbling mudsymbols of my passion. A herd of antelopes in a wildlife refuge. Our hundredth cavern, adults one dollar, Lolita fifty cents. A chateau built by a French marquess in N.D. The Corn Palace in S.D.; and the huge heads of presidents carved in towering granite. The Bearded Woman read our jingle and now she is no longer single. A zoo in Indiana where a large troop of monkeys lived on concrete replica of Christopher Columbus’ flagship. Billions of dead, or halfdead, fish-smelling May flies in every window of every eating place all along a dreary sandy shore. Fat gulls on big stones as seen from the ferry City of Cheboygan, whose brown woolly smoke arched and dipped over the green shadow it cast on the aquamarine lake. A motel whose ventilator pipe passed under the city sewer. Lincoln’s home, largely spurious, with parlor books and period furniture that most visitors reverently accepted as personal belongings.

We had rows, minor and major. The biggest ones we had took place: at Lacework Cabins, Virginia; on Park Avenue, Little Rock, near a school; on Milner Pass, 10,759 feet high, in Colorado; at the corner of Seventh Street and Central Avenue in Phoenix, Arizona; on Third Street, Los Angeles, because the tickets to some studio or other were sold out; at a motel called Poplar Shade in Utah, where six pubescent trees were scarcely taller than my Lolita, and where she asked, propos de rien, how long did I think we were going to live in stuffy cabins, doing filthy things together and never behaving like ordinary people? On N. Broadway, Burns, Oregon, corner of W. Washington, facing Safeway, a grocery. In some little town in the Sun Valley of Idaho, before a brick hotel, pale and flushed bricks nicely mixed, with, opposite, a poplar playing its liquid shadows all over the local Honor Roll. In a sage brush wilderness, between Pinedale and Farson. Somewhere in Nebraska, on Main Street, near the First National Bank, established 1889, with a view of a railway crossing in the vista of the street, and beyond that the white organ pipes of a multiple silo. And on McEwen St., corner of Wheaton Ave., in a Michigan town bearing his first name.