10. “The Feeling of Power”-The miniaturization of computers played a small role as a side issue in this story. It appeared in the February 1958 issue of If, and is also one of my favorites. In this story I dealt with pocket computers, which were not to make their appearance in the marketplace until ten to fifteen years after the story appeared. Moreover, it was one of the stories in which I foresaw accurately a social implication of technological advance rather than the technological advance itself.
The story deals with the possible loss of ability to do simple arithmetic through the perpetual use of computers.I wrote it as a satire that combined humor with passages of bitter irony, but I wrote more truly than I knew. These days I have a pocket computer and I begrudge the time and effort it would take me to subtract 182 from 854. I use the darned computer. “The Feeling of Power” is one of the most frequently anthologized of my stories.
In a way, this story shows the negative side of computers, and in this period I also wrote stories that showed the possible vengeful reactions of computers or robots that are mistreated. For computers, there is “Someday,” which appeared in the August 1956 issue of Infinity Science Fiction, and for robots (in automobile form) see “Sally,” which appeared in the May-June 1953 issue of Fantastic.
11. “Feminine Intuition”-My robots are almost always masculine, though not necessarily in an actual sense of gender. After all, I give them masculine names and refer to them as “he.” At the suggestion of a female editor, Judy-Lynn del Rey, I wrote “Feminine Intuition,” which appeared in the October 1969 issue of The Magazine of Fantasy and Science Fiction. It showed, for one thing, that I could do a feminine robot, too. She was still metal, but she had a narrower waistline than my usual robots and had a feminine voice, too. Later on, in my book Robots and Empire, there was a Chapter in which a humanoid female robot made her appearance. She played a villainous role, which might surprise those who know of my frequently displayed admiration of the female half of humanity.
12. “The Bicentennial Man”-This story, which first appeared in 1976 in a paperback anthology of original science fiction, stellar #2, edited by Judy-Lynn del Rey, was my most thoughtful exposition of the development of robots. It followed them in an entirely different direction from that in “The Last Question.” What it dealt with was the desire of a robot to become a man and the way in which he carried out that desire, step by step. Again, I carried the plot all the way to its logical conclusion. I had no intention of writing this story when I started it. It wrote itself, and turned and twisted in the typewriter. It ended as the third favorite of mine among all my stories. Ahead of it come only “The Last Question,” mentioned above, and “The Ugly Little Boy,” which is not a robot story.
13. The Caves of Steel -Meanwhile, at the suggestion of Horace L. Gold, editor of Galaxy, I had written a robot novel. I had resisted doing so at first for I felt that my robot ideas only fit the short story length. Gold, however, suggested I write a murder mystery dealing with a robot detective. I followed it partway. My detective was a thoroughly human Elijah Baley (perhaps the most attractive character I ever invented, in my opinion) but he had a robot sidekick, R. Daneel Olivaw. The book, I felt, was the perfect fusion of mystery and science fiction. It appeared as a three-part serial in the October, November, and December 1953 issues of Galaxy and Doubleday published it as a novel in 1954.
What surprised me about the book was the reaction of the readers. While they approved of Lije Baley, their obvious interest was entirely with Daneel, whom I had viewed as a mere subsidiary character. The approval was particularly intense in the case of the women who wrote to me. (Thirteen years after I had invented Daneel, the television series Star Trek came out, with Mr. Spock resembling Daneel quite closely in character-something which did not bother me-and I noticed that women viewers were particularly interested in him, too. I won't pretend to analyze this.)
14. The Naked Sun - thepopularity of Lije and Daneel led me to write a sequel, “The Naked Sun,” which appeared as a three-part serial in the October, November, and December 1956 issues of Astounding and was published as a novel by Doubleday in 1957. Naturally, the repetition of the success made a third novel seem the logical thing to do. I even started writing it in 1958, but things got in the way and, what with one thing and another, it didn't get written till 1983.
15. The Robots of Dawn - This ,the third novel of the Lije Baley/R. Daneel series, was published by Doubleday in 1983. In it, I introduced a second robot, R. Giskard Reventlov, and this time I was not surprised when he turned out to be as popular as Daneel.
16. Robots and Empire - Whenit was necessary to allow Lije Baley to die (of old age), I felt I would have no problem in doing a fourth book in the series provided I allowed Daneel to live. The fourth book, Robots and Empire, was published by Doubleday in 1985. Lije's death brought some reaction, but nothing at all compared to the storm of regretful letters I received when the exigencies of the plot made it necessary for R. Giskard to die.
So it turns out that my robot stories have been almost as successful as my Foundation books, and if you want to know the truth (in a whisper, of course, and please keep this confidential), I like my robot stories better.
Here, in Renegade, Cordell Scot ten has written an excellent example of why I like the robot stories. A simple question arising from the Laws-”What is good for humans?”-is developed into a complex and intriguing story.
Chapter 1. The Ceremyons
Gently soaring-basking under the sun-the two blackbodies circled far above the shimmering atmospheric irregularity that was nearing completion on the planet's surface. As high as a small mountain, the iridescent transparency, viewed from outside, covered a smooth hemispherical excavation in the planet's surface two kilometers in diameter, except for an open pie cut, a not-yet-covered sector ten degrees wide. Looking into the open sector, structures-built on ground not excavated, paradoxically -covered the entire inner area. The most striking of these structures was a tall, stepped pyramid centered under the dome.
The blackbodies floated a wingspread apart, five times the armspread of an Avery robot. Those beings-the Avery robots-were even then streaming out of the incomplete sector, evacuating the dome. The blackbodies had learned the name “Avery robot,” but the name lacked meaning beyond its intonation.
“The construction was slowed by your absence yesterday, Sarco,” one blackbody said to the other, “and I thank you for that. You needed the day off. Unfortunately, the effort was only slowed. It would have benefited by a complete interruption.”
“You are a rascal,” the other said, his red eyes gleaming like bumming embers set deep in a black demonic body. “I'll bet you arranged for an Avery to cut me loose during tether last night. At least they've learned not to blow us up.”
The blackbodies appeared identical in form: a large white hook protruding from above deep-set, luminous red eyes; a lacy silver frond languidly waving at the other end; but bodies otherwise devoid of visible detail except as flying winged silhouettes. Wrinkles in the skin, if any, and other possible lines of demarcation were lost in the soft blackness.
“You were cut loose?” the first said.
“Don't play the innocent, Synapo. Someone cut my tether last night, and by the time I drifted into sunrise, I was over Barneup. It took me all day to get back. Have you ever tried to grow a new hook while underway?”