"A touchup," the makeup woman said. "Nothing."

Malone said, "I'll give you a minute to finish here, and then Marty should be in to meet you, and we'll go over the general areas we're covering, before we start."

"Okay."

Malone went away. The makeup woman, Barbara, continued to daub at Casey's face. "I'm going to give you a little under the eyes," she said. "So you don't look so tired."

"Ms. Singleton?"

Casey recognized the voice at once, a voice she'd heard for years. The makeup woman jumped back, and Casey saw Marty Reardon standing in front of her. Reardon was in shirtsleeves and a tie. He had Kleenex around his collar. He held out his hand. "Marty Reardon. Nice to meet you."

"Hi," she said.

"Thanks for your help with this," Reardon said. "We'll try to make it as painless as possible."

"Okay…"

"You know of course we're on tape," Reardon said. "So if you have a bobble or something, don't worry; we'll just cut it. If at any time you want to restate an answer, go ahead and do that. You can say exactly what you want to say."

"Okay."

"Primarily we'll be talking about the Transpacific flight. But I'm going to have to touch on some other matters as well. Somewhere along the line, I'll ask about the China sale. And there'll probably be some questions about the union response, if we have time. But I don't really want to get into those other issues. I want to stay with Transpacific. You're a member of the investigation team?"

"Yes."

"All right, fine. I have a tendency to jump around in my questions. Don't let that bother you. We're really here to understand the situation as best we can."

"Okay."

"I'll see you later, then," Reardon said. He smiled, and turned away.

The makeup woman moved back in front of her again. "Look up," she said. Casey stared at the ceiling. "He's very nice," the makeup woman said. "A sweet man, underneath it all. Dotes on his children."

She heard Malone call out, "How much more time, guys?"

Someone said, "Five minutes."

"Sound?"

"We're ready. Just give us the bodies."

The makeup woman began to powder Casey's neck. Casey winced, feeling twinges of pain. "You know," the woman said, "I have a number you can call."

"For what?"

"It's a very good organization, very good people. Psychologists mostly. And extremely discreet. They can help you."

"With what?"

"Look left, please. He must have hit you pretty hard."

Casey said, "I fell."

"Sure, I understand. I'll leave my card, in case you change your mind," the makeup woman said, using the powder puff. "Hmm. I better get some base on that, to take the blue out." She turned back to her box, got a piece of sponge with makeup on it. She began to daub it onto Casey's neck. "I can't tell you how much I see, in my line of work, and the woman always denies it. But domestic violence has to be stopped."

Casey said, "I live alone."

"I know, I know," the makeup woman said. "Men count on your silence. My own husband, Jeez, he wouldn't go into counseling. I finally left with the kids."

Casey said, "You don't understand."

"I understand that when this violence is going on, you think there's nothing you can do. That's part of the depression, the hopelessness," the makeup woman said. "But sooner or later, we all face the truth."

Malone came over. "Did Marty tell you? We're mostly doing the accident, and he'll probably start with that. But he may mention the China sale, and the unions. Just take your time. And don't worry if he jumps around from one thing to another. He does that."

"Look right," the makeup woman said, doing the other side of her neck. Casey turned to the right. A man came over and said, "Ma'am? Can I give you this?" and he thrust a plastic box into her hands, with a dangling wire.

"What is it?" Casey said.

"Look right, please," the makeup woman said. "It's the radio mike. I'll help you with it in a minute."

Her cell phone rang, in her purse on the floor beside her chair.

'Turn that off!" someone shouted.

Casey reached for it, flipped it open. "It's mine."

"Oh, sorry."

She brought the phone to her ear. John Marder said, "Did you get the folder from Eileen?"

"Yes."

"Did you look at it?"

"Not yet," she said.

"Just lift your chin a little," the makeup woman said.

On the telephone, Marder said, "The folder documents everything we talked about Parts report on the reverser cowl, everything. It's all there."

"Uh-huh… Okay…"

"Just wanted to make sure you're all set."

"I'm all set," she said.

"Good, we're counting on you."

She clicked the phone off, turning the power switch off.

"Chin up," the makeup woman said. 'That's a girl."

When makeup was finished, Casey stood, and the woman brushed her shoulders with a little brush, and put hair spray in her hair. Then she took Casey into the bathroom, and showed her how to thread the mike wire up under her blouse, through her bra, and clip it to her lapel. The wire ran back down inside her skirt, then back up to the radio box. The woman hooked the box to the waistband of Casey's skirt, and turned the power on.

"Remember," she said. "From now on, you're live. They can hear whatever you say."

"Okay," Casey said. She adjusted her clothes. She felt the box pinching at her waist, the wire against the skin of her chest She felt cramped and uncomfortable.

The makeup woman led her back into the War Room, holding her by the elbow. Casey felt like a gladiator being taken into the arena.

Inside the War Room, the lights were glaring. The room was very hot. She was led to her seat at the table, told to watch she didn't trip over the camera cables, and helped to sit down. There were two cameras behind her. There were two cameras facing her. The cameraman behind her asked her to please move her chair an inch to the right. She did. A man came over and adjusted her microphone clip, because he said there was clothing noise.

On the opposite side, Reardon was attaching his own microphone without assistance, chatting with the cameraman. Then he slipped easily into his chair. He looked relaxed, and casual. He faced her, smiled at her.

"Nothing to worry about," he said. "Piece of cake."

Malone said, "Let's go, guys, they're in the chairs. It's hot in here."

"A camera ready."

"B camera ready."

"Sound ready."

"Let's have the lights," Malone said.

Casey had thought the lights were already on, but suddenly, new harsh lights blazed down at her, from all directions. She felt as if she were in the middle of a glaring furnace.

"Camera check," Malone said.

"Fine here."

"We're fine."

"All right," Malone said. "Roll tape."

The interview began.

WAR ROOM

2:33 p.m.

Marty Reardon met her eyes, smiled, and gestured to the room. "So. This is where it all happens."

Casey nodded.

"This is where the Norton specialists meet to analyze aircraft accidents."

"Yes."

"And you're part of that team."

"Yes."

"You're vice-president of Quality Assurance at Norton Aircraft."

"Yes."

"Been with the company five years."

"Yes."

"They call this room the War Room, don't they?"

"Some do, yes."

"Why is that?"

She paused. She couldn't think of any way to describe the arguments in this room, the flares of temper, the outbursts that accompanied every attempt to clarify an aircraft incident, without saying something he could take out of context.

She said, "It's just a nickname."

"The War Room," Reardon said. "Maps, charts, battle plans, pressure. Tension under siege. Your company, Norton Aircraft, is under siege at the moment, isn't it?"