As the years went by these first hopes were eroded and the old brewery simply became a dwelling place that was remote and lacking in comfort. People hastened to leave as soon as they had the means and settled either in the narrow streets of the lower town, or, better still, in the town hall district, or, ultimately, in Paris. These different departures charted a kind of hierarchy of personal success, and engendered jealousy and rivalry which were occasionally dispelled by a different kind of departure: death. This would bring everyone together around the coffin of an elderly resident who was about to bid good-bye to the redbrick building. For a time this made all the other removals seem inconsequential and very much the same.

In the end only one visible trace remained of that first great dream: the strange structure some twenty yards long, an annex running alongside the wall of the brewery that faced the river. In their ignorance of architecture, the emigres hoped they could easily double the number of apartments by surrounding the whole building with a long lean-to that would only need a single wall. But the materials turned out to be too expensive; some of the occupants were poor payers, and in the spring the river rose and flooded the section already built. A kind of little dinghy, borne there by the current, appeared washed up against the door. The base of the building was plastered with mud. Now the émigrés understood why the original inhabitants of Villiers-la-Forêt had left unoccupied the broad stretch of waste land between the brewery and the river…

The lean-to house remained unoccupied until the arrival of the Princess Arbyelina in 1939. It was she who cleaned it and fitted it out, planted flowers under the windows and a service tree beside the front steps. And during the years that followed she was never confronted by the rising of the waters.

The old brewery was looked down on because of that very tribal aspect which, in the eyes of the first arrivals, should have ensured its renown. It acquired two ironic nicknames, used interchangeably by the émigrés, which, in time, even the French adopted: "the Golden Horde" and "the Caravanserai." Only a few pieces of machinery, overlaid with several layers of plaster and paint, still recalled the building's original function. The steel bar that ran across the refectory ceiling in the retirement home. The great gear wheel mounted between the windows in one corridor. And, above all, the enormous pulley embedded in the wall of the library. They had not risked removing it from its supports, for fear of seeing a whole story collapse. Moreover, the occupants of the Caravanserai had long since ceased to notice these iron relics here and there thrusting out their useless beams or levers.

Living in that strange annex, Olga had the feeling of being very remote from the communal life of the Caravanserai. Tacked on to the back of the old brewery, her house had no connection with the inner courtyard that was the nerve center of this home for exiles. To go to the library each morning she was obliged to walk beside the wall parallel with the riverbank, and make her way around two corners of the building; even sometimes to make a detour along one of the winding alleys of the lower town, so as to avoid waterlogged areas and piles of rubble overgrown with nettles left over from the abandoned building works. Thus each time she came in by the main gateway she had the illusion of arriving from a long way off. Furthermore, at the time when she settled there, half the apartments, overcrowded in earlier days, were uninhabited. During the war this scattering of the Horde would increase. The only occupants who remained there were those who would never be wealthy enough to leave, like the old cavalry officer; or those who were not yet wealthy enough-like the young artist whose smock was caked with motley layers of paint. Then there were the residents of the retirement home, who did not leave because they were waiting to die there. And some owners of vegetable patches, who were waiting for the harvest. And finally there were some eccentrics who were waiting for nothing and who made no distinction between the Caravanserai, Paris, or Nice. Occasionally, through the library window Olga would see one of these dreamers stopping in the middle of the courtyard and for a long time studying the movement of the clouds.

In the late autumn of 1946 her house seemed even more remote than usual from both the Caravanserai and the town; alien to the world. The rains isolated it, transforming the track that led around the wall into a dotted line of tufts of grass. Then came the cold that began to blanket this ephemeral pathway in hoarfrost. The power cuts announced regularly by the newspapers became no more unusual than the flickering of candles at the dark windows of the Caravanserai.

The thoughts and fears that had so tortured her during the preceding months had now been transmuted into a silent dialogue imagined between herself and Li. She confided to her friend, who was very understanding, as our partners in these imaginary conversations always are, that when young she felt she was living not for the sake of living but to prove to somebody that she was free to change the course of her life on a simple whim. Whim! Yes, her whole youth had been corroded by this restlessness, this posturing frenzy, this lust for defiance, for provocation, for negation. A life mistaken, spoiled, led astray, badly begun… No doubt Li would find the right word for it.

These silent dialogues were nothing other than brief interludes within the fabric-at once dense and transparent-through which she viewed everything in this world: the life of her son. She finally accepted him in the guise of the adolescent who had appeared to her one September evening, so composed, so discreet he hardly seemed to be there. Sometimes the tissue of her thoughts, from which the boy was never absent, grew denser and she felt stifled: this was on those occasions, often unexpected, when his illness returned.

She had had the same feeling of suffocation during the latest consultation with the doctor. This dry and almost disagreeable man pleased her. With him she had no fear that the worst might be hidden from her… This time there were discordant notes in the tenor of the rather clumsy words of encouragement he addressed to the boy. She thought she could detect the consciously adopted tone designed to restore the confidence of an elderly invalid. A patient, in fact, whose decline is being closely monitored and to whom the physician promises several more years, with the openhandedness of a benefactor.

Next day there was another power cut. She was delighted: in the dim light at the library the traces of anguish left on her face caused by her conversation with the doctor would be harder to discern. The readers departed. She remained for a long moment at the window, and darkness fell as she watched. In the dusk a little point of light advanced slowly across the vast inner courtyard of the Caravanserai. Some elderly resident, for sure, candle in hand, making a visit to a friend who lived in the opposite wing of the building. In the wind an eddy of dead leaves swirled in broad circles along the walls, drawing with it the whirling pages of a newspaper. In the middle of the courtyard the little light stopped. Another figure could be made out dimly, face to face with the candle carrier. Their heads bent over the flame shielded by a feeble, almost translucent hand… This meeting in the autumn wind over that fragile flame, Olga told herself, was perhaps a faint echo of the dream cherished by the original occupants of the Caravanserai.

It was another day spent without light… A Saturday. The week that had preceded it was punctuated with cold showers that glazed the dull air. During the final night this fluid glass had congealed. The earth covered in frozen footprints and ruts as hard as stone made walking painful. The readers hastened to go home while they could still dimly see where they were putting their feet in the courtyard that bristled with sharp little ridges of frozen earth…