The shopkeeper sighed. "Look, I'm not in this for my health. You want to hang around here, you gotta buy some more tokens."
"I've seen those already," James said. "What else do you sell?"
"Oh, machines not good enough for you, eh?" Mr. Ferry stroked his chin. "Well, it's not strictly in my line, but I might sneak you a gram or two of Senor Buendia's Colombian Real Magic Powder. First Taste is free. No? You're a hard man to please, bub."
Ferry sat down, looking bored. "I don't see why I should change my stock, just because you're so picky. A smart operator like you, you ought to have bigger fish to fry than a little magic shop. Maybe you just don't belong here, pal."
"No, I always liked this place," James said. "I used to, anyway... I even wanted to own it myself."
Ferry tittered. "You? Gimme a break." His face hardened. "If you don't like the way I run things, take a hike."
"No, no, I'm sure I can find something here," James said quickly. He pointed at random to a thick hardbound book, at the bottom of a stack, below the counter. "Let me try that."
Mr. Ferry shrugged with bad grace and fetched it out. "You'll like this," he said unconvincingly. "Marilyn Monroe and Jack Kennedy at a private beach house."
James leafed through the glossy pages. "How much?"
"You want it?" said the shopkeeper. He examined the binding and set it back down. "Okay, fifty bucks."
"Just cash?" James said, surprised. "Nothing magical?"
"Cash is magical, pal." The shopkeeper shrugged. "Okay, forty bucks and you have to kiss a dog on the lips."
"I'll pay the fifty," James said. He pulled out his wallet. "Whoops!" He fumbled, and it dropped over the far side of the counter.
Mr. Ferry lunged for it. As he rose again, James slammed the heavy book into his head. The shopkeeper fell with a groan.
James vaulted over the counter and shoved the curtains aside. He grabbed the wheelchair and hauled it out. The wheels thumped twice over Ferry's outstretched legs. Jostled, O'Beronne woke with a screech.
James pulled him toward the blacked-out windows. "Old man," he panted. "How long has it been since you had some fresh air?" He kicked open the door.
"No!" O'Beronne yelped. He shielded his eyes with both hands. "I have to stay inside here! That's the rules!" James wheeled him out onto the pavement. As sunlight hit him, O'Beronne howled in fear and squirmed wildly. Gouts of dust puffed from his cushions, and his bandages flapped. James yanked open the car door, lifted O'Beronne bodily, and dropped him into the passenger seat.
"You can't do this!" O'Beronne screamed, his nightcap flying off. "I belong behind walls, I can't go into the world..."
James slammed the door. He ran around and slid behind the wheel. "It's dangerous out here," O'Beronne whimpered as the engine roared into life. "I was safe in there."
James stamped the accelerator. The car laid rubber. He glanced behind him in the rearview mirror and saw an audience of laughing whooping hookers. "Where are we going?" O'Beronne said meekly.
James floored it through a yellow light. He reached into the backseat one-handed and yanked a can from its six-pack. "Where was this bottling plant?"
O'Beronne blinked doubtfully. "It's been so long... Florida, I think...."
"Florida sounds good. Sunlight, fresh air...." James weaved deftly through traffic, cracking the pop-top with his thumb. He knocked back a swig, then gave O'Beronne the can. "Here, old man. Finish it off.
O'Beronne stared at it, licking dry lips. "But I can't. I'm an owner, not a customer. I'm simply not allowed to do this sort of thing. I own that magic shop, I tell you."
James shook his head and laughed.
O'Beronne trembled. He raised the can in both gnarled hands and began chugging thirstily. He paused once to belch, and kept drinking.
The smell of May filled the car.
O'Beronne wiped his mouth and crushed the empty can in his fist. He tossed it over his shoulder.
"There's room back there for those bandages, too," James told him. "Let's hit the highway."
FLOWERS OF EDO
First published in Isaac Asimov's Science Fiction Magazine, May 1987.
Autumn. A full moon floated over old Edo, behind the thinnest haze of high cloud. It shone like a geisha's night-lamp through an old mosquito net. The sky was antique browned silk.
Two sweating runners hauled an iron-wheeled rickshaw south, toward the Ginza. This was Kabukiza District, its streets bordered by low tile-roofed wooden shops. These were modest places: coopers, tobacconists, cheap fabric shops where the acrid reek of dye wafted through reed blinds and paper windows. Behind the stores lurked a maze of alleys, crammed with townsmen's wooden hovels, the walls festooned with morning glories, the tinder-dry thatched roofs alive with fleas.
It was late. Kabukiza was not a geisha district, and honest workmen were asleep. The muddy streets were unlit, except for moonlight and the rare upstairs lamp. The runners carried their own lantern, which swayed precariously from the rickshaw's drawing-pole. They trotted rapidly, dodging the worst of the potholes and puddles. But with every lurching dip, the rickshaw's strings of brass bells jumped and rang.
Suddenly the iron wheels grated on smooth red pavement. They had reached the New Ginza. Here, the air held the fresh alien smell of mortar and brick.
The amazing New Ginza had buried its old predecessor. For the Flowers of Edo had killed the Old Ginza. To date, this huge disaster had been the worst, and most exciting, fire of the Meiji Era. Edo had always been proud of its fires, and the Old Ginza's fire had been a real marvel. It had raged for three days and carried right down to the river.
Once they had mourned the dead, the Edokko were ready to rebuild. They were always ready. Fires, even earthquakes, were nothing new to them. It was a rare building in Low City that escaped the Flowers of Edo for as long as twenty years.
But this was Imperial Tokyo now, and not the Shogun's old Edo anymore. The Governor had come down from High City in his horse-drawn coach and looked over the smoldering ruins of Ginza. Low City townsmen still talked about it -- how the Governor had folded his arms -- like this -- with his wrists sticking out of his Western frock coat. And how he had frowned a mighty frown. The Edo townsmen were getting used to those unsettling frowns by now. Hard, no- nonsense, modern frowns, with the brows drawn low over cold eyes that glittered with Civilization and Enlightenment.
So the Governor, with a mighty wave of his modern frock-coated arm, sent for his foreign architects. And the Englishmen had besieged the district with their charts and clanking engines and tubs full of brick and mortar. The very heavens had rained bricks upon the black and flattened ruins. Great red hills of brick sprang up -- were they houses, people wondered, were they buildings at all? Stories spread about the foreigners and their peculiar homes. The long noses, of course -- necessary to suck air through the stifling brick walls. The pale skin -- because bricks, it was said, drained the life and color out of a man....
The rickshaw drew up short with a final brass jingle. The older rickshawman spoke, panting, "Far enough, gov?"
"Yeah, this'll do," said one passenger, piling out. His name was Encho Sanyutei. He was the son and successor of a famous vaudeville comedian and, at thirty-five, was now a well-known performer in his own right. He had been telling his companion about the Ginza Bricktown, and his folded arms and jutting underlip had cruelly mimicked Tokyo's Governor.
Encho, who had been drinking, generously handed the older man a pocketful of jingling copper sen. "Here, pal," he said. "Do something about that cough, will ya?" The runners bowed, not bothering to overdo it. They trotted off toward the nearby Ginza crowd, hunting another fare.