The spook shrugged. "You mean the skin? The zaibatsery apparat can deal with that. I'm dead tired of this bodyform, anyway."

"No, it's something else."

"Of course, I was robbed of the Veil." He smiled flatly. "To continue. Once the traitress and I had become lovers, I was able to discover the location and guard codes of the nerve gas armaments. Immediately thereafter I faked an emergency, and released the chemical agents within the sealed bunker. They had all sought safety there, so their own ventilation system destroyed all but two of them. Those two I hunted down and shot later the same night. Whether the cyborg Owens 'died' or not is a matter of definition."

"You won the woman's trust?"

"No. That would have taken too long. I simply tortured her until she broke." Again, he smiled. "Now the Synthesis can move in and dominate the Mayan population, as you would any other preindustrial culture. A few transistor radios will knock the whole flimsy structure over like a deck of cards."

"You have our thanks," said the chief. "And my personal congratulations."

"Save it," said the spook. "Once I've faded back into the shadows under the Veil, I'll forget all this anyway. I'll forget that my name is Simpson. I'll forget that I am the mass murderer responsible for the explosion of the Leyland Zaibatsery and the death of eight thousand orbiters. By any standards I am a deadly hazard to society who fully deserves to be psychically destroyed." He fixed the man with a cold, controlled, and feral grin. "And I face my own destruction happily. Because now I've seen life from both sides of the Veil. Because now I know for sure what I've always suspected. Being human just isn't enough fun."

THE BEAUTIFUL AND THE SUBLIME

First published in Isaac Asimov's Science Fiction Magazine, June 1986.

May 30, 2070

My dear MacLuhan:

You, my friend, who know so well a lover's troubles, will understand my affair with Leona Hillis.

Since my last letter to you, I have come to know... Leona's soul. Slowly, almost despite myself, I opened those reservoirs of sympathy and feeling that turn a simple liaison into something much deeper. Something that partakes of the sublime.

It is love, my dear MacLuhan. Not the appetite of the body, easily counterfeited with pills. No, it is closer to agape, the soaring spiritual union of the Greeks.

I know the Greeks are out of favor these days, especially Plato with his computerlike urge toward abstract intellect.

Forgive me if my sentiments take this somewhat over-Westernized expression. I can only express what I feel, simply and directly.

In other words, I am free of that sense of evanescence that poisoned my earlier commitments. I feel as if I had always loved Leona; she has a place within my soul that could never be filled by another woman.

I know it was rash of me to leave Seattle. Aksyonov was eager to have me complete the set design for his new drama. But I felt taxed and restless, and dreaded the days of draining creative effort. Inspiration comes from nature, and I had been too long pent in the city.

So, when I received Leona's invitation to her father's birthday gala in the Grand Canyon, the lure was irresistible. It combined the best of both worlds: the companionship of a charming woman, against the background of a natural wonder unrivaled for sublimity.

I left poor Aksyonov only a hasty note over the mailnet, and fled to Arizona.

And what a landscape! Great sweeping mesas, long blasted vistas in purple and rose, great gaudy sunsets reaching ethereal fingers of pure radiance halfway to the zenith! It is the opposite pole to our green, introspective Seattle; a bright yang to the drizzling yin of the Pacific Coast. The air, sharpened by sagebrush and pinyon pine, seems to scrub the brain like a loofah. At once I felt my appetite return, and a new briskness lent itself to my step.

I spoke with several Arizonans about their Global Park. I found them to be sensitive and even noble people, touched to the core by the staggering beauty of their eerie landscape. They are quite modern in their sentiments, despite the large numbers of retirees -- crotchety industrial-age relics. Since the draining of Lake Powell, the former floodplain of the reservoir has been opened to camping, sports, and limited development. This relieves the crowding in the Grand Canyon itself, which, under wise stewardship, is returning to a pristine state of nature.

For Dr. Hillis's celebration, Hillis Industries had hired a modern hogan, perching on the northern canyon rim. It was a broad two-story dome, wrought from native cedar and sandstone, which blended into the landscape with admirable restraint and taste. A wide cedar porch overlooked the river. Behind the dome, white-barked Ponderosa pines bordered a large rock garden.

Freed of its obnoxious twentieth-century dams, the primal Colorado raged gloriously below the cliffsides, leaping and frothing in great silted billows and surges, flinging rocks and driftwood with tigerlike abandon. In the days that followed, its hissing roar would never be far from my thoughts.

The long drowning beneath the man-made lake had added an eerie charm to these upper reaches of the great canyon. Its shale and sandstone walls were stained a viridian green. In gulfs and eddies amid the canyon's sinuous turns, old lake sediments still clung in warping slopes, clotted by the roots of cottonwoods and flowering scrub.

On the hogan porch, overlooking the cliffs, I plugged my wrist-ward into the house system and made my presence known. Also on the porch were a pair of old people. I checked their identities with my newly charged ward. But with the typical callousness of their generation, they had not plugged into the house system, and remained unknown to me.

It was with some relief, then, that I saw our old friend Mari Kuniyoshi emerge from the hogan to greet me. She and I had corresponded faithfully since her return to Osaka; mostly about her fashion business, and the latest gossip in Japanese graphic design.

I confess I never understood the magnetic attraction Mari has for so many men. My interest lies in her talent for design, and in fact I find her romances rather heartless.

My ward identified Mari's companion: her production engineer and chief technician, Claire Berger. Mari was dressed somewhat ahead of the latest taste, in a bright high-throated peach sateen jacket and subtly clinging fluted anklewrap skirt. Claire Berger wore expedition pants, a cotton trek blouse, and hiking boots. It was typical of Mari that she would use this gawky young woman as a foil.

The three of us were soon chastely sipping fruit juice under one of the porch umbrellas and admiring the view. We traded pleasantries while I waited for Mari's obvious aura of trouble to manifest itself.

It emerged that Mari's current companion, a nineteen-year-old model and aspiring actor, had become a source of friction. Also present at the Hillis birthday fete was one of Mari's older flames, the globe-trotting former cosmonaut, Friedrik Solokov. Mari had not expected Fred's appearance, though he had been traveling with Dr. Hillis for some time. Mari's model friend had sensed the rekindled rapport between Mari and Fred Solokov, and he was extravagantly jealous.

"I see," I said. "Well, at some convenient time I can take your young friend aside, for a long talk. He's an actor with ambitions, you say. Our troupe is always looking for new faces."

"My dear Manfred," she sighed, "how well you understand my little problems. You look very dashing today. I admire your ascot. What a charming effect. Did you tie it yourself or have a machine do it?"