"I forgot to give you something," I said in a very neutral voice, feeling in my bag.
The dog tensed even more and uttered a throaty, menacing growl. I went on speaking in Russian with the slightly sheepish air of an absentminded person.
"I expect your dog is trained to react to nervous gestures. I won't make any. I have a gun with a silencer and I shall shoot through the bag at the slightest refusal on your part. For a start, tell the caretaker to go away and take the dog with him."
He complied. His voice remained cheerful, but he could not conceal a quavering note nor, in particular, his Russian accent, which was suddenly more marked. The caretaker grasped the dog by its collar and disappeared to the bottom of the garden. The dotted line of lights along the path went out and Vinner's face was now only lit by the bluish haze coming from the street lamps. He tried to smile, started to speak… and fell silent, hearing his wife's voice through an open window, gently reprimanding the children.
I told him the name I had been using at the time when we first met. I reminded him of the arrival of the two of them, Yuri and Yulia, their naïveté, so well feigned, their disappearance. I spoke of you, your remorse at not having been able to protect them, of your attempts to find them again. I realized that in fact I had very little to say to him. My ringing cry, long since prepared ("You betrayed her, you bastard!"), which was to be followed by the gunshot, seemed unbelievably false and did not fit this man in beach sandals, with a drop of rain suspended from the end of his nose. His wife's voice became clearer. "No, you're not going out, Dave. I said 'no,' do you hear me? First of all because it's raining and look at you. You're in bare feet. No. Go find your slippers." I saw Vinner's eyes glance toward the lighted window of the house for a second. I broke off, as if preparing my final peroration, but, in reality, not knowing how to end this monologue that was telling him nothing new. He threw a similar rapid, oblique glance at my bag, still open with my hand in it, pretending to be looking for a lost object. We saw one another for a moment with a total reciprocal understanding, with a sharp awareness of what we both were, standing here in the rain, sharing a past that made our lives logically impossible and at the same time perfectly ordinary, like his beach sandals, like my bag bought the day before at the airport.
At that moment there was a brief pause in the hissing of the raindrops, a second of complete silence, and from the damp, still depths of the darkness there emerged a faint yawn, a woman's sigh, followed by the grating of a window being closed. We looked at one another. Instinctively I lowered my voice. I surprised myself by talking to him about what I had not intended to say, about what it seemed to me unthinkable to tell.
"Near the harbor there were docks where they crammed in all the opponents of the regime, mixed up together with several who were under suspicion. She was among them. As she had admitted nothing, the Americans had handed her over to the local rulers, those paramilitary choppers-off of heads. A week later, when one of their chiefs had the idea of trading her in negotiations with the government forces, he didn't dare show her. A week of rape and torture. She no longer had a face. They preferred to kill her."
"I didn't know."
He said this in a dull and broken tone of which his voice had seemed to me incapable.
"Yes, you did. You knew very well. During that week you were listening to interrogations taped by the Americans. Interrogations of her."
"I didn't know."
"What interests me is what you do know. Everything you know about those days. To the very last word. You were a methodical man. You even kept certain objects that belonged to her, isn't that right? Photos… Everything you know, written down. To help you, I'll ask you questions. Yes, an interrogation, you're quite used to them."
"But I kept nothing! I remember nothing!"
We turned. In the silent respite between two onslaughts of rain the gravel grated beneath footfalls, like the crunch of broken glass.
Vinner's wife seemed not to notice my presence. Upright, with an air of ruffled dignity, she stopped a few yards away from us.
"What is it, Val?"
Her tone of voice and a slight raising of her chin summed up the whole of their life as a couple: sure, I have a husband with a strange past, whose profession is pretty hard to explain to our friends, but my tact and my remote serenity make it all perfectly acceptable.
"I forgot to give your husband this scientific journal which he'll need tomorrow," I announced, taking a magazine from my bag.
She smiled distractedly, as if she had just noticed me in the darkness, and moved away, saying good night to no one in particular. In the middle of the path, beside a little lamp, she bent down to pick up a small plastic spade left there by the children. The fabric of her dressing gown, very fine, like satin, revealed the line of her back, the breadth of her hips. In a quite unreal vision I found myself thinking about the night they would spend together, the nights he always spent beside this beautiful woman's body, their pleasure.
"Don't complicate things," I said to Vinner, moving toward the gate. "I have nothing to lose. But you have a fine life ahead of you. That's worth a few admissions. Tomorrow I'll wait to hear from you. And don't forget that I'm working in tandem, as the marksmen say. If I'm waked up by the police at four a.m., my colleague will be forced to wake you up at four-thirty. Sweet dreams."
He phoned me at nine and proposed that we should meet in two days' time at his office in Saint Petersburg.
In the foyer of my hotel there was a bookshelf squeezed between two plants with broad glossy leaves: from it I took down three or four volumes at random to occupy those two rainy days, to stop me thinking about Vinner. I tried to identify with the characters in these American novels, to believe in the lives of an honest, warmhearted horse breeder, or a naive young woman from the country ensnared by the big city. But in a roundabout way my mind kept returning to our nocturnal conversation. I vaguely envied those authors who knew everything about the slightest mood swings of their heroes, who guessed their intentions, even when "after that, without knowing why, Hank always avoided taking the North Falls Road." I felt I could understand the attraction of these pages, turned by so many hands, all these fictional worlds. It was the comfort of omniscience, the vision of chaos vanquished, pinned down, like a hideous insect in a glass case.
Thinking about Vinner, I did not even know whether, during our conversation in the rain, he had been afraid, had felt guilty, had believed me really prepared to shoot him and his wife. I did not know if the change in his tone of voice was assumed or not. I did not know his order of preference for ways of getting rid of me: the police, a contract killer, an amicable outcome. I did not know if he was particularly perturbed by my appearance. In a nutshell, I had no idea what was going on in his head.
I closed the book and pictured Vinner going back up to his house after my departure, shutting the door, going through all the little rituals of bedtime hygiene, lying down beside his wife. I sensed that these daily gestures verged on madness. But what would be real insanity would in fact be for me to picture Vinner lying beside that beautiful woman's body I had recently glimpsed through the satiny fabric of her dressing gown, to picture him caressing her, to picture them making love. For it was quite possible that everything might happen in precisely that way: the trivial hygiene routine, their bedroom, their bodies. I told myself that a real book should have copied this improbable sequence of real actions. A man learns what Vinner had learned, goes up to his house, washes, goes to bed, draws his wife to him, squeezes her breasts, caresses her thighs, enters her, faithfully following all the small singularities of their sexual ritual.