I asked them why. The answer made me laugh. It seems they were from the Authors' Guild. "It's a matter of responsibility. If you refuse to take responsibility for the future consequences of your acts, we'll have to give the responsibility to somebody else."

And so I asked them why they didn't just kill me in the first place instead of wasting time talking to me.

It was Tree who answered, and the bastard was crying, and he says to me, "Because we love you. We love everything you write. We've learned everything we know about writing from you. And we'll lose it if you die."

They tried to console me by telling me what good company I was in. Thomas Hardy -- they made him give up novels and stick to poetry which nobody read and so it was safe. Meek tells me, "Hemingway decided to kill himself instead of waiting for us to do it. And there are some others who only had to refrain from writing a particular book. It hurt them, but Fitzgerald was still able to have a decent career with the other books he could write, and Perelman gave it to us in laughs, since he couldn't be allowed to write his real work. We only bother with great writers. Bad writers aren't a threat to anybody."

We struck a sort of bargain. I could go on writing. But after I had finished everything, I had to burn it. All but the first three pages. "If you finish it at all," says Meek, "we'll have a copy of it here. There's a library here that -- uh, I guess the easiest way to I say it is that it exists outside time. You'll be published, in a way. Just not in your own time. Not for about eight hundred years. But at least you can write. There are others who have to keep their pens completely still. It breaks our hearts, you know."

I knew all about broken hearts, yes sir, I knew all about it. I burned all but the first three pages.

There's only one reason for a writer to quit writing, and that's when the Censorship Board gets to him. Anybody else who quits. is just a gold-plated jackass. "Swap" Morris doesn't even know what real censorship is. It doesn't happen in libraries. It happens on the hoods of cars. So go on, become a real estate broker, sell insurance, follow Santa Claus and clean up the reindeer poo, I don't give a damn. But if you give up something that I will never have, I'm through with you. There's nothing in you for me.

So I write. And Doc reads it and tears it to pieces; everything except this. This he'll never see. This he'd probably kill me for, but what the hell? It'll never get published. No, no, I'm too vain. You're reading it, aren't you? See how I put my ego on the line? If I'm really a good enough writer, if my work is important enough to change the world, then a couple of guys in business suits will come make me a proposition. I can't refuse, and you won't read this at all, but you are reading it, aren't you? Why am I doing this to myself? Maybe I'm hoping they'll come and give me an excuse to quit writing now, before I find out that I've already written as well as I'm ever going, to. But here I thumb my nose at those goddamn future critics and they ignore me, they tell exactly what my work is worth.

Or maybe not. Maybe I really am good, but my work just happens to have a positive effect, happens not to make any unpleasant waves in the future. Maybe I'm one of the lucky ones who ran accomplish something powerful that doesn't need to be censored to protect the future.

Maybe pigs have wings.

QUIETUS

It came to him suddenly, a moment of blackness as he sat working late at his desk. It was as quick as an eye-blink, but before the darkness the papers on his desk had seemed terribly important, and afterward he stared at them blankly, wondering what they were and then realizing that he didn't really give a damn what they were and he ought to be going home now.

Ought definitely to be going home now. And C. Mark Tapworth of CMT Enterprises, Inc., arose from his desk without finishing all the work that was on it, the first time he had done such a thing in the twelve years it had taken him to bring the company from nothing to a multi-million-dollar-a-year business. Vaguely it occurred to him that he was not acting normally, but he didn't really care, it didn't really matter to him a bit whether any more people bought-- bought--

And for a few seconds C. Mark Tapworth could not remember what it was that his company made.

It frightened him. It reminded him that his father and his uncles had all died of strokes. It reminded him of his mother's senility at the fairly young age of sixty- eight. It reminded him of something he had always known and never quite believed, that he was mortal and that all the works of all his days would trivialize gradually until his death, at which time his life would be his only act, the forgotten stone whose fall had set off ripples in the lake that would in time reach the shore having made, after all, no difference.

I'm tired, he decided. Maryjo is right. I need a rest.

But he was not the resting kind, not until that moment standing by his desk when again the blackness came, this time a jog in his mind and he remembered nothing, saw nothing, heard nothmg, was fallmg interminably through nothingness.

Then, mercifully, the world returned to him and he stood trembling, regretting now the many, many nights he had stayed far too late, the many hours he had not spent with Maryjo, had left her alone in their large but childless house; and he imagined her waiting for him forever, a lonely woman dwarfed by the huge living room, waiting patiently for a husband who would, who must, who always had come home.

Is it my heart? Or a stroke? he wondered. Whatever it was, it was enough that he saw the end of the world lurking in the darkness that had visited him, and like the prophet returning from the mount-- things that once had mattered overmuch mattered not at all, and things he had long postponed now silently importuned him. He felt a terrible urgency that there was something he must do before--

Before what? He would not let himself answer. He just walked out through the large room full of ambitious younger men and women trying to impress him by working later than he; noticed but did not care that they were visibly relieved at their reprieve from another endless night. He walked out into the night and got in his car and drove home through a thin mist of rain that made the world retreat a comfortable distance from the windows of his car.

The children must be upstairs, he realized. No one ran to greet him at the door. The children, a boy and a girl half his height and twice his energy, were admirable creatures who ran down stairs as if they were skiing, who could no more hold completely still than a hummingbird in midair. He could hear their footsteps upstairs, running lightly across the floor. They hadn't come to greet him at the door because their lives, after all, had more important things in them than mere fathers. He smiled, set down his attach‚ case, and went to the kitchen.

Maryjo looked harried, upset. He recognized the signals instantly-- she had cried earlier today.

"What's wrong?"

"Nothing," she said, because she always said Nothing. He knew that in a moment she would tell him. She always told him everything, which had sometimes made him impatient. Now as she moved silently back and forth from counter to counter, from cupboard to stove, making another perfect dinner, he realized that she was not going to tell him. It made him uncomfortable. He began to try to guess.

"You work too hard," he said. "I've offered to get a maid or a cook. We can certainly afford them."

Maryjo only smiled thinly. "I don't want anyone else mucking around in the kitchen," she said. "I thought we dropped that subject years ago. Did you-- did you have a hard day at the office?"