"When were you born, Marty?"

"In 1948. December."

"The war was over."

"Yes."

"You don't know what you missed.

It was an odd beginning for a confession.

"Such times."

"You had a good war?"

Whitehead reached for one of the less damaged chairs and righted it; then he sat down. For several seconds he didn't say anything.

"I was a thief, Marty," he said at last. "Well... black marketeer has a more impressive ring, I suppose, but it amounts to the same thing. I was able to speak three or four languages adequately, and I was always quick-witted. Things fell my way very easily."

"You were lucky."

"Luck had no bearing on it. Luck's out for people with no control. I had control; though I didn't know it at the time. I made my own luck, if you like." He paused. "You must understand, war isn't like you see in the cinema; or at least my war wasn't. Europe was falling apart. Everything was in flux. Borders were changing, people were being shipped into oblivion: the world was up for grabs." He shook his head. "You can't conceive of it. You've always lived in a period of relative stability. But war changes the rules you live by. Suddenly it's good to hate, it's good to applaud destruction. People are allowed to show their true selves-"

Marty wondered where this introduction was taking them, but Whitehead was just getting into the rhythm of his telling. This was no time to divert him.

"-and when there's so much uncertainty all around, the man who can shape his own destiny can be king of the world. Forgive the hyperbole, but it's how I felt. King of the World. I was clever, you see. Not educated, that came later, but clever. Streetwise, you'd call it now. And I was determined to make the most of this wonderful war God had sent me. I spent two or three months in Paris, just before the Occupation, then got out while the going was good. Later on, I went south. Enjoyed Italy; the Mediterranean. I wanted for nothing. The worse the war became the better it was for me. Other people's desperation made me into a rich man.

"Of course I frittered the money away. Never really held onto my earnings for more than a few months. When I think of the paintings I had through my hands, the objets d'art, the sheer loot. Not that I knew that when I pissed in the bucket I splashed a Raphael. I bought and sold these things by the jeepload."

"Towards the end of the European war I took off north, into Poland. The Germans were in a bad way: they knew the game was coming to an end, and I thought I could strike a few deals. Eventually-it was an error really-I wound up in Warsaw. There was practically nothing left by the time I got there. What the Russians hadn't flattened, the Nazis had. It was one wasteland from end to end." He sighed, and pulled a face, making an effort to find the words. "You can't imagine it," he said. "This had been a great city. But now? How can I make you understand? You have to see through my eyes, or none of this makes sense."

"I'm trying," Marty said.

"You live in yourself," Whitehead went on. "As I live in myself. We have very strong ideas of what we are. That's why we value ourselves; by what's unique in us. Do you follow what I'm saying?"

Marty was too involved to lie. He shook his head.

"No; not really."

"The isness of things: that's my point. The fact that everything of any value in the world is very specifically itself. We celebrate the individuality of appearance, of being, and I suppose we assume that some part of that individuality goes on forever, if only in the memories of the people who experienced it. That's why I valued Evangeline's collection, because I delight in the special thing. The vase that was unlike any other, the carpet woven with special artistry."

Then suddenly, they were back in Warsaw-

"There'd been such glories there, you know. Fine houses; beautiful churches; great collections of paintings. So much. But by the time I arrived it was all gone, pounded to dust.

"Everywhere you walked it was the same. Underfoot there was muck. Gray muck. It caked your boots, its dust hung in the air, it coated the back of your throat. When you sneezed, your snot was gray; your shit the same. And if you looked closely at that filth you could see it wasn't just dirt, it was flesh, it was rubble, it was porcelain fragments, newspapers. All of Warsaw was in that mud. Its houses, its citizens, its art, its history: all ground down to something that you scraped off your boots."

Whitehead was hunched up. He looked his seventy years; an old man lost in remembering. His face was knotted up, his hands were fists. He was older than Marty's father would have been had he survived his lousy heart: except that his father would never have been able to speak this way. He'd lacked the power of articulation, and, Marty thought, the depth of pain. Whitehead was in agonies. The memory of muck. More than that: the anticipation of it.

Thinking of his father, of the past, Marty alighted upon a memory that made some sense of Whitehead's reminiscences. He'd been a boy of five or six when a woman who'd lived three doors down the terrace died. She'd had no relatives apparently, or none that cared sufficiently to remove what few possessions she'd had from the house. The council had reclaimed the property and summarily emptied it, carting off her furniture to be auctioned. The day after, Marty and his playmates had found some of the dead woman's belongings dumped in the alley behind the row of houses. The council workmen, pressed for time, had simply emptied all the drawers of worthless personal effects into a pile, and left them there. Bundles of ancient letters roughly tied up with faded ribbon; a photograph album (she was there repeatedly: as a girl; as a bride; as a middle-aged harridan, diminishing in size as she dried up); much valueless bric-a-brac; sealing wax, inkless pens, a letter opener. The boys had fallen on these leavings like hyenas in search of something nourishing. Finding nothing, they scattered the torn-up letters down the alley; they dismembered the album, and laughed themselves silly at the photographs, although some superstition in them prevented them tearing those. They had no need to do so.

The elements soon vandalized them more efficiently than their best efforts could have done. In a week of rain and night-frost the faces on the photographs had been spoiled, dirtied arid finally eroded entirely. Perhaps the last existing portraits of people now dead went to mush in that alley, and Marty, passing down it daily, had watched the gradual extinction; seen the ink on the scattered letters rained off until the old woman's memorial was gone away utterly, just as her body had gone. If you'd upended the tray that held her ashes onto the trampled remains of her belongings they would have been virtually indistinguishable: both gray dirt, their significance irretrievably lost. Muck held the whip hand.

All this Marty recalled mistily. It wasn't quite that he saw the letters, the rain, the boys-as much as retouching the feelings the events had aroused: the buried sense that what had happened in that alley was unbearably poignant. Now his memory meshed with Whitehead's. All the old man had said about muck, about the isness of things, made some sense.

"I see," he murmured.

Whitehead looked up at Marty.

"Perhaps," he said.

"I was a gambling man in those days; far more than I am now. War brings it out in you, I think. You hear stories all the time, about how some lucky man escaped death because he sneezed, or died for the same reason. Tales of benign providence, or fatal bad fortune. And after a while you get to look at the world a little differently: you begin to see chance at work everywhere. You become alive to its mysteries. And of course to its flip side; to determinism. Because take it from me there are men who make their own luck. Men who can mold chance like putty. You talked yourself of feeling a tingle in your hands. As though today, whatever you did, you couldn't lose."