She has played upon me as I would play upon the harp. The words rang so in her mind that at first, hearing harp music from inside Viviane's dwelling, she thought it the echo of her own bitter thoughts. Then she thought that Viviane was playing. But in the years she had been in Avalon she had learned much of music, and she knew the sound of Viviane's harp; the older woman was, at best, an indifferent player.

She listened now, wondering in spite of herself who the musician was. Taliesin? Before he was the Merlin, she knew, he had been the greatest of bards, renowned throughout the length of Britain. She had heard him play often enough on the great feast days, and for the most solemn of rituals; but now his hands were old. Their skill was not diminished, but even at his best he had never made such sounds as these-this was a new harper, one she knew she had never heard before. And she knew, even before she saw it, that this was a larger harp than even Taliesin played, and the strange Musician's fingers spoke to the strings as if he had enchanted them.

Viviane had once told her some old tale from a far-off country, a tale of a bard whose strings had made the ring stones circle in their own dance and the trees drop their leaves in mourning, and when he went down into the country of the dead, the stern judges there relented and let his beloved dead go forth. Morgaine stood motionless outside the door as everything that was in her faded into the music. Suddenly she felt that all the weeping she had held back in the ten days past might come upon her again, that her rage might dissolve, if she let it, into tears which would wash it all away, leaving her weak as any girl. Abruptly she thrust the door back and entered without ceremony.

Taliesin the Merlin was there, but he was not playing; his hands were clasped attentively in his lap as he bent forward, listening. Viviane too, in her simple house robes, was seated, not in her accustomed seat, but further from the fire; she had given the seat of honor to the strange harper.

He was a young man, in the green robe of a bard; smooth-shaven in the Roman fashion, his curling hair darker than rusted iron. His eyes were deep-set under a forehead which seemed almost too big for him, and though Morgaine for some reason had expected them to be dark, they were instead an unexpected piercing blue. He frowned at the interruption, his hands stopping in the middle of a chord.

Viviane too looked displeased, but ignored the discourtesy. "Come here, Morgaine, and sit by me. I know you are fond of music, and I thought you would like to hear Kevin the Bard."

"I was listening outside."

The Merlin smiled. "Come and listen, then. He is new to Avalon, but I think perhaps he may have much to teach us."

Morgaine went and sat on the little seat beside Viviane. The Lady of the Lake said, "My kinswoman Morgaine, sir; she too is of the royal line of Avalon. You see before you, Kevin, she who will be Lady here in years to come."

Morgaine made a startled movement; never before had she known that this was what Viviane planned for her. But anger drowned out her rush of gratification. She thinks she can say a kind or flattering word and I will rush to lick her feet like a bitch puppy!

"May that day be far distant, Lady of Avalon, and may your wisdom long continue to guide us," said Kevin smoothly. He spoke their language as if he had learned it well-she could just tell that it was not his own; a little hesitation and thought before the words, although the accent was almost flawless. Well, he had a musician's ear, after all. He was, Morgaine surmised, about thirty, perhaps a little more. But she did not look too closely at him after that first quick surprise at the blueness of his eyes; her gaze was bent on the great harp at his knee.

As she had guessed, it was somewhat larger than even the harp Taliesin played at the great festivals. It was made of a dark-reddish, gleaming wood, completely unlike the pale willow wood from which the harps of Avalon were fashioned, and she wondered if it was this which had given it the silken brilliant tone. The bowed edge curved in a line as graceful as a cloud, the pegs were carved of a curious pale bone, and it was painted and adorned with runic letters strange to Morgaine, who had learned, like any educated woman, to read and write in Greek characters. Kevin followed her close scrutiny and looked somewhat less displeased as he said, "You are admiring my lady." He ran his hands caressingly over the dark wood. "I named her so when she was built for me-she was the gift of a king. She is the only woman, whether maiden or matron, whose caresses never weary me and of whose voice I never tire."

Viviane smiled at the harper. "Few men can boast of so loyal a mistress."

His smile was a cynical twist. "Oh, like all women, she will respond to whatever hand caresses her, but I think she knows that I can best make her thrill to my touch, and being like all women lecherous, I am sure she loves me best."

Viviane said, "It sounds to me as if you had no good opinion of women who are flesh and blood."

"Why, so I have not, Lady. Save for the Goddess-" He spoke the words with a faint lilt, not quite mockery. "I am content to have no mistress but My Lady here, who never chides me if I neglect her, but is always the same sweet paramour."

"Perhaps," said Morgaine, raising her eyes, "you treat her rather better than you treat a woman of flesh and blood, and she rewards you as is your due."

Viviane frowned, and Morgaine knew she had trespassed by this bold speech. Kevin raised his head suddenly from the harp and met Morgaine's eyes. For a moment he held her gaze, and she was astonished at his bitter hostility and with it, the sense that he understood something of her rage, had known his own and fought through it.

He might have spoken, but Taliesin nodded to him, and he bent his face again over the harp. Now she noticed that he played it differently from most harpers, who held their small instruments across their body, playing with the left hand. He set his harp between his knees, and leaned forward to it. It startled her, but as the music began to fill the room, like moonlight rippling from the strings, she forgot the strangeness of it, saw his face change and grow quiet and distant, without the mockery of his words. She decided that she liked him better when he played than when he spoke.

There was no other sound in the room, only the harping that filled it to the rafters, as if the listeners had stilled even their breathing. The sound swept away all else, and Morgaine dropped her veil over her face and let the tears come. It seemed that in the music she could hear the flooding of the spring tides, the sweet awareness that had filled her body as she lay that night in the moonlight, awaiting the coming of the dawn. Viviane reached out to her and, as she had done when Morgaine was only a child, took her hand, gently stroking her fingers one after another. Morgaine could not stop her tears. She raised Viviane's hand to her lips and kissed it. She thought, with a crushing sense of loss, Why, she is old, she has grown old since I came here ... always before this, Viviane had seemed to her ageless, unchanging, like the very Goddess herself. Ah, but I too have changed, I am no longer a child ... once she told me, when I came here, that a day would come when I would hate her as much as I loved her, and I could not believe it then ... . She struggled against her weeping, afraid she would make some sound which would betray her and, even more, interrupt the flood of music. She thought, No, I cannot hate Viviane, and all her rage melted into sorrow so great that for a moment she thought she would break into the fiercest weeping. For herself, for the changes in herself, for Viviane who had been so beautiful, the very face of the Goddess, and who was now nearer to the Death-crone, and for the knowledge that she too, like Viviane, with the relentless years would one day herself come to stand as the crone; for the day she had climbed the Tor with Lancelet and lain there in the sun, hungering for his touch without clearly knowing what it was she wanted; and for something which had gone from her, irrevocably. Not virginity alone, but a trust and belief she would never know again. And Morgaine knew that beside her Viviane, too, was weeping silently behind her veil.