"It's fine," John Dawes said impassively. He hadn't moved an inch from his position by the car.

Charlotte hung on tight to Fergesson -- against him, her body shuddered with fear and despair. "Look!" she whispered. "Look at my hands." She held up her white-stained hands. "It's beginning to turn black."

The thick powder streaking her hands and arms had begun to darken. Even as they watched, the powder became gray, then black as soot. The girl's shredded clothing withered and shriveled up. Like a shrunken husk, her clothing cracked and fell away from her body.

"Get in the car," Fergesson ordered. "There's a blanket in there -- from my settlement."

Together, he and Untermeyer wrapped the trembling girl in the heavy wool blanket. Charlotte crouched against the seat, her eyes wide with terror, drops of bright blood sliding down her cheek onto the blue and yellow stripes of the blanket. Fergesson lit a cigarette and put it between her quivering lips.

"Thanks." She managed a grateful half-whimper. She took hold of the cigarette shakily. "Allen, what the hell are we going to do?"

Fergesson softly brushed the darkening powder from the girl's blonde hair. "We'll drive over and show him the originals I brought. Maybe he can do something. They're always stimulated by the sight of new things to print from. Maybe this'll arouse some life in him."

"He's not just asleep," Charlotte said in a stricken voice. "He's dead, Allen. I know it!"

"Not yet," Untermeyer protested thickly. But the realization was in the minds of all of them.

"Has he spawned?" Dawes asked.

The look on Charlotte's face told them the answer. "He tried to. There were a few that hatched, but none of them lived. I've seen eggs back there, but..."

She was silent. They all knew. The Biltong had become sterile in their struggle to keep the human race alive. Dead eggs, progeny hatched without life...

Fergesson slid in behind the wheel and harshly slammed the door. The door didn't close properly. The metal was sprung -- or perhaps it was mis­shapen. His hackles rose. Here, too, was an imperfect print -- a trifle, a microscopic element botched in the printing. Even his sleek, luxurious Buick was puddinged. The Biltong at his settlement was wearing out, too.

Sooner or later, what had happened to the Chicago settlement would hap­pen to them all...

Around the park, rows of automobiles were lined up, silent and unmoving. The park was full of people. Most of the settlement was there. Everybody had something that desperately needed printing. Fergesson snapped off the motor and pocketed the keys.

"Can you make it?" he asked Charlotte. "Maybe you'd better stay here."

"I'll be all right," Charlotte said, and tried to smile.

She had put on a sports shirt and slacks that Fergesson had picked up for her in the ruins of a decaying clothing store. He felt no qualms -- a number of men and women were picking listlessly through the scattered stock that lit­tered the sidewalk. The clothing would be good for perhaps a few days.

Fergesson had taken his time picking Charlotte's wardrobe. He had found a heap of sturdy-fibered shirts and slacks in the back storeroom, material still a long way from the dread black pulverization. Recent prints? Or, perhaps -- incredible but possible -- originals the store owners had used for printing. At a shoe store still in business, he found her a pair of low-heeled slippers. It was his own belt she wore -- the one he had picked up in the clothing store rotted away in his hands while he was buckling it around her.

Untermeyer gripped the steel box with both hands as the four of them approached the center of the park. The people around them were silent and grim-faced. No one spoke. They all carried some article, originals carefully preserved through the centuries or good prints with only minor imperfec­tions. On their faces were desperate hope and fear fused, in a taut mask.

"Here they are," said Dawes, lagging behind. "The dead eggs."

In a grove of trees at the edge of the park was a circle of gray-brown pellets, the size of basketballs. They were hard, calcified. Some were broken. Fragments of shell were littered everywhere.

Untermeyer kicked at one egg; it fell apart, brittle and empty. "Sucked dry by some animal," he stated. "We're seeing the end, Fergesson. I think dogs sneak in here at night, now, and get at them. He's too weak to protect them."

A dull undercurrent of outrage throbbed through the waiting men and women. Their eyes were red-rimmed with anger as they stood clutching their objects, jammed in together in a solid mass, a circle of impatient, indignant humanity ringing the center of the park. They had been waiting a long time. They were getting tired of waiting.

"What the hell is this?" Untermeyer squatted down in front of a vague shape discarded under a tree. He ran his fingers over the indistinct blur of metal. The object seemed melted together like wax -- nothing was distin­guishable. "I can't identify it."

"That's a power lawnmower," a man nearby said sullenly.

"How long ago did he print it?" Fergesson asked.

"Four days ago." The man knocked at it in hostility. "You can't even tell what it is -- it could be anything. My old one's worn out. I wheeled the settle­ment's original up from the vault and stood in line all day -- and look what I got." He spat contemptuously. "It isn't worth a damn. I left it sitting here -- no point taking it home."

His wife spoke up in a shrill, harsh wail. "What are we going to do? We can't use the old one. It's crumbling away like everything else around here. If the new prints aren't any good, then what --"

"Shut up," her husband snapped. His face was ugly and strained. His long-fingered hands gripped a length of pipe. "We'll wait a little longer. Maybe he'll snap out of it."

A murmur of hope rippled around them. Charlotte shivered and pushed on. "I don't blame him," she said to Fergesson. "But..." She shook her head wearily. "What good would it do? If he won't print copies for us that are any good..."

"He can't," John Dawes said. "Look at him!" He halted and held the rest of them back. "Look at him and tell me how he could do better."

The Biltong was dying. Huge and old, it squatted in the center of the settlement park, a lump of ancient yellow protoplasm, thick, gummy, opaque. Its pseudopodia were dried up, shriveled to blackened snakes that lay inert on the brown grass. The center of the mass looked oddly sunken. The Biltong was gradually settling, as the moisture was burned from its veins by the weak overhead sun.

"Oh, dear!" Charlotte whispered. "How awful he looks!"

The Biltong's central lump undulated faintly. Sickly, restless heavings were noticeable as it struggled to hold onto its dwindling life. Flies clustered around it in dense swarms of black and shiny blue. A thick odor hung over the Biltong, a fetid stench of decaying organic matter. A pool of brackish waste liquid had oozed from it.

Within the yellow protoplasm of the creature, its solid core of nervous tissue pulsed in agony, with quick, jerky movements that sent widening waves across the sluggish flesh. Filaments were almost visibly degenerating into calcified granules. Age and decay -- and suffering.

On the concrete platform, in front of the dying Biltong, lay a heap of originals to be duplicated. Beside them, a few prints had been commenced, unformed balls of black ash mixed with the moisture of the Biltong's body, the juice from which it laboriously constructed its prints. It had halted the work, pulled its still-functioning pseudopodia painfully back into itself. It was resting -- and trying not to die.

"The poor damn thing!" Fergesson heard himself say. "It can't keep on."

"He's been sitting like that for six solid hours," a woman snapped sharply in Fergesson's ear. "Just sitting there! What does he expect us to do, get down on our hands and knees and beg him?"