And here.

Here.

And here.

Someone is pinning a white rose to my lapel. Someone is on his knees shining my shoes. The makeup artist is still blending.

The agent now owns the copyright to my image. And my name.

It's the end of the first quarter with the game tied seven to seven, and the agent's still alive.

The personal fitness trainer needles me with 10 cc's of adrenaline to put some sparkle in my eyes.

The senior events coordinator says all I have to do is walk the fifty-yard line out to where the wedding party is standing in the center of the stadium. The bride will walk in from the opposing side. We'll all of us be standing on a platform of wooden boxes with five thousand white doves hidden underneath. The audio for the ceremony was all prerecorded in a studio, so that's what the audience will hear. I don't have to say a word until my prediction.

When I step on a switch hidden by my foot, that will release the doves. Walk. Talk. Doves. It's a cinch.

The wardrobe supervisor announces that we need to use the corset to get the silhouette we're after and tells me to hurry and strip in front of everybody. The angels, the staff, the caterers, the florist people. The agent. Now. Everything except my shorts and socks. Now. The wardrobe supervisor stands with the rubber-and-wire torture of the corset ready for me to step into, and says here's my last chance to take a leak for the next three hours.

"You wouldn't have to wear that monster," the agent tells me, "if you could keep the weight off."

It's four minutes into the second quarter and nobody can find the wedding ring.

The agent blames the events coordinator blames the wardrobe supervisor blames the properties manager blames the jeweler who was supposed to donate a ring in return for advertising time on the blimp circling the stadium. Outside, the blimp is going around the sky flashing the jeweler's name. Inside the agent is threatening to sue for breach of contract and trying to radio the blimp.

The events coordinator is telling me, "Fake the ring."

They'll have the cameras do a head-and-shoulders on me and the bride. Just fake putting a ring on Trisha's finger.

The bride says she's not Trisha.

"And remember," the coordinator says, "just mouth the words, it's all prerecorded."

It's nine minutes into the second quarter and the agent is still alive and yelling into his phone.

"Shoot it down," he's yelling. "Pull the plug. Give me a gun and I'll do it," he's yelling. "Just get that damn blimp out of the air."

"No can do," the events coordinator says. The minute the wedding party comes out of the stadium, the crew in the blimp will dump fifteen thousand pounds of rice over the parking lot.

"If you'll come with me," the senior scheduler says. It's time for us to take our places.

The Colts and Cardinals go chugging off the field, the score twenty to seventeen.

The crowd is screaming for more football.

The angels and property staff rush out with the altar and silk flowers, the candelabras flaming and the platform full of doves.

The corset is squeezing all my internal organs up into my throat.

The clock is ticking down to the start of the second half, and the agent is still alive. I can only inhale in little half breaths.

The personal fitness trainer sidesteps up next to me and says, "Here, this will put some color in your cheeks."

He puts a little bottle under my nose and says for me to sniff hard.

The crowd is stomping their feet, the clock ticks, the score is so close, and I sniff.

"Now the other nostril," the trainer says.

And I sniff.

And everything's disappeared. Except for the hum of my blood chugging through veins in my ears and my heart pumping against the squeeze of my corset, I'm not aware of anything.

Feel no evil. See no evil. Hear no evil. Fear no evil.

In the distance, the coordinator is waving me out onto the artificial grass. He's pointing down at the line chalked into the field, then pointing out at a group of people standing on the wedding platform covered with white flowers in the center of the field.

The hum of my blood is fading until I hear music. I'm walking past the coordinator, out into the stadium with the thousands screaming in their seats. The music blares out of nowhere. The blimp circles outside, flashing:

Congratulations from the Many Fine Products of the Philip Morris Family of Products.

The bride, Laura, Trisha, whoever, arrives from the opposing side.

Without opening his mouth, the justice of the peace says:

DO YOU, TENDER BRANSON, TAKE TRISHA CONNERS TO BE YOURS TO HAVE AND TO HOLD AND BE FRUITFUL AND MULTIPLY WITH AS MANY TIMES AS POSSIBLE AS LONG AS YOU BOTH SHALL LIVE?

You can feel the reverb from a hundred speakers.

Without opening my mouth, I say:

I DO.

Without opening his mouth, the justice of the peace says:

WILL YOU, TRISHA CONNERS, TAKE TENDER BRANSON AS LONG AS YOU BOTH SHALL LIVE?

And Laura lip-synchs:

I DO.

With the television cameras zooming in, we fake the rings.

We fake the kiss.

The veil stays pretty much in place. Laura stays Trisha. From a distance everything looks perfect.

Outside the shot, the police are starting out onto the field. The agent must be dead. The cologne. Chlorine gas.

The police are at the ten-yard line.

I ask the justice of the peace for a microphone, to make my big prediction, my miracle.

The police are at the twenty-yard line.

I get the microphone, but it's dead.

The police are at the twenty-five-yard line.

I saying, Testing, testing, one, two, three.

Testing, one, two, three.

The police are at the thirty-yard line, their handcuffs open and ready to snap on me.

The microphone comes to life and my voice blares from the sound system.

The police are at the forty-yard line saying, You have the right to remain silent.

If you choose to give up that right, anything you say can and will be used against you ...

And I give up my right.

I give my prediction.

The police are at the forty-five-yard line.

My voice blaring throughout the stadium, I say:

THE FINAL SCORE OF TODAY'S GAME WILL BE COLTS TWENTY-SEVEN, CARDINALS TWENTY-FOUR. THE COLTS WILL WIN TODAYS SUPER BOWL BY THREE POINTS.

And all hell breaks loose.

What's worse than that, engine number two has just flamed out. Up here alone in Flight 2039, I only have two engines left.

To do the job right, you take one sheet of the goldenrod paper and fold it around a sheet of the white paper. Slip a coupon inside the folded papers. Hold a sheet of merchandise stamps alongside the folded papers. Then fold a sheet of the letterhead paper around all of it, and stuff this into an envelope.

Stick the corresponding address label on the envelope, and you've earned three cents.

Do this thirty-three times, and you've earned almost a dollar.

Where we're at tonight is Adam Branson's idea.

The letter I'm folding starts:

Is the water that comes into the WILSON house bringing with it dangerous parasites?

Where we're at is supposed to be safe.

The goldenrod around the white, the coupon inside, the sheet of stamps, the letterhead paper, it all goes inside the envelope, and I'm three cents closer to escaped.

Is the water that comes into the CAMERON house bringing with it dangerous parasites?

The three of us sit around the dining-room table, Adam and Fertility and me, stuffing these envelopes. At ten o'clock, the housemother locks the front door of the house and stops on her walk back to the kitchen to ask if our daughter is doing any better. Have the doctors upgraded her condition? Will she live?

Fertility with rice still in her hair says, "We're not out of the woods, not yet."