Within him all his language disappeared; all words were gone. Some scanning agency of his brain, some organic searching device, swept out mile after mile of emptiness, finding no stored words, nothing to draw on: he felt it sweeping wider and wider, extending its oscillations into every dark reach, overlooking nothing; it wanted, would accept, anything, now; it was desperate. And still, year after year, the empty bins where words, many of them, had once been but were not now.
He said, then, "Tremens factus sum ego et timeo." Because out of the periphery of his vision he had obtained a clear glimpse of the progress of the brilliant light-based drama unfolding silently. "Libere me," he said, and repeated it, once, twice, then on and on, without cease. "Libere me Domini," he said, and for a hundred years he listened, watched the events projected soundlessly before him, witnessed forever.
"Let go of me, you bastard," the THL soldier said. His hands grasped Rachmael's neck and the pain was vast beyond compare; Rachmael let go and the face mocked him in leering hate. "And enjoy your expanded consciousness," the soldier said with malice so overwhelming that Rachmael felt throughout him unendurable somatic torment which came and then stayed.
"Mors scribitum," Rachmael said, appealing to the THL soldier. He repeated it, but there was no response. "Misere me," he said, then; he had nothing else available, nothing more to draw on. "Dies Irae," he said, trying to explain what was happening inside him. "Dies Illa." He waited hopefully; he waited years, but no help, no sound, came. I won't make it, he realized then. Time has stopped. There is no answer.
"Lots of luck," the face said, then. And began to recede, to move away. The soldier was leaving.
Rachmael hit him. Crushed the mouth. Teeth flew; bits of broken white escaped and vanished, and blood that shone with dazzling flame, like a flow of new, clear fire, exposed itself and filled his vision; the power of illumination emanating from the blood overwhelmed everything, and he saw only that — its intensity stifled everything else and for the first time since the dart had approached him he felt wonder, not fear; this was good.
This captivated and pleased him, and he contemplated it with joy.
In five centuries the blood by degrees faded. The flame lessened. Once more, drifting dimly behind the breathing color, the lusterless face of the THL soldier could be made out, uninteresting and unimportant, of no value because it had no light. It was a dreary and tiresome specter, long known, infinitely boring; he experienced excruciating disappointment to see the fire decrease and the THL soldier's features re-gather. How long, he asked himself, do I have to keep seeing this same unlit scene?
The face, however, was not the same. He had broken it. Split it open with his fist. Opened it up, let out the precious, blinding blood; the face, a ruined husk, gaped disrobed of its shell: he saw, not the mere outside, but into its genuine works.
Another face, concealed before, wriggled and squeezed out, as if wishing to escape. As if, Rachmael thought, it knows I can see it, and it can't stand that. That's the one thing it can't endure.
The inner face, emerging from the cracked-open gray-chitin mask, now tried to fold up within itself, attempted vigorously to wrap itself in its own semi-fluid tissue. A wet, limp face, made of the sea, dripping, and at the same time stinking; he smelled its salty, acrid scent and felt sick.
The oceanic face possessed a single multi-lensed eye. Beneath the beak. And when it opened its toothless mouth the wideness of the cavity divided the face entirely; the mouth separated the face into two unconnected equal parts.
"Esse homo bonus est," Rachmael said, and wondered numbly why such a simple statement as To be a man is good sounded so peculiar to his ears. "Non homo," he said, then, to the squashed, divided sea-face, "video. Atque malus et timeo; libere me Domini." What he saw before him was not a man, not a man's face, and it was bad and it frightened him. And he could do nothing about it; he could not stop seeing it, he could not leave, and it did not go away, it would never go because there was no time at work, no possibility of change; what confronted him would peer at him forever, and his knowledge of it would dwell inside him for an equal duration, passed on by him to no one because there was no one. "Exe," he said, helplessly; he spoke pointlessly, knowing it would do no good to tell the creature to go away, since there was no way by which it could; it was as trapped as he, and probably just as terrified. "Amicus sum," he said to it, and wondered if it understood him. "Sumus amici," he said, then, even though he knew it was not so; he and the thing of water were not friends, did not even know what the other consisted of or where it had come from, and he himself, in the dull, sinking dark red expiration of decaying time, time at its wasted and entropic final phase, would stay grafted in this spot confronted by this unfamiliar thing for a million years ticked away by the ponderous moribund clock within him. And never in all that great interval would he obtain any news as to what this ugly deformed creature signified.
It means something, he realized. This thing's ocean-face; its presence at the far end of the tube, at the outer opening where I'm not, that isn't a hallucinated event inside me — it's here for a reason; it drips and wads itself into glued-together folds and stares without winking at me and wants to keep me dead, keep me from ever getting back. Not my friend, he thought. Or rather knew. It was not an idea; it was a concrete piece of observed reality outside: when he looked at the thing he saw this fact as part of it: the non-friend attribute came along inseparably. The thing oozed; it oozed and hated together. Hated him, and with absolute contempt; in its oversplattering liquid eye he perceived its derision: not only did it not like him, it did not respect him. He wondered why.
My god, he realized. It must know something about me. Probably it has seen me before, even though I haven't seen it. He knew, then, what this meant.
It had been here all this time.
10
In a pleasant living room he sat, and across from him a stout man with good-intentioned features gnawed on a toothpick, eyed him with a compound of tolerant amusement and sympathy, then turned to grunt at a thin-faced middle-aged dapper man wearing gold-rimmed glasses who also watched Rachmael, but with a severe, virtually reproving frown.
"Finally coming back for a couple breaths of real air," the stout man observed, nodding toward Rachmael.
"There's no such thing as real air," a woman seated across from the two of them said; dark-skinned, tall, with acutely penetrating chitin-black eyes, she scrutinized Rachmael and he imagined for an instant that he was seeing Freya. "All air is real; it's either that or no air at all. Unless you think there's something called false air."
The stout man chuckled, nudged his companion. "Listen to that; you hear that? I guess everything you see is real, then; there's no fake nothing." To Rachmael he said, "Everything including dying and being in — "
"Can't you discuss all those sorts of things later?" a blond curly-haired youth at the far end of the room said irritably. "This is a most particularly important summation he's making, and after all, he is our elected president; we owe him our undivided attention, every one of us." His gaze traveled around the tastefully furnished room, taking all of the people in, including Rachmael. Eleven persons in addition to himself, he realized; eleven and me, but what is me? Am I what? His mind, clouded, dwelt in some strange overcast gloom, an obscuring mist that impeded his ability to think or to understand; he could see the people, the room also. But he could not identify this place, these people, and he wondered if the breach with that which had been familiar was so complete as to include himself; had his own physical identity, his customary self, been eradicated too, and some new gathering of matter set in its place? He examined his hands, then. Just hands; he could learn nothing from them, only that he did have hands and that he could see them — he could see everything, with no difficulty. Colors did not rise out of the walls, drapes, prints, the dresses of the seated, casual women; nothing distorted and magnified floated as a median world between this clearly tangible environment and his own lifelong established percept-system.