“Tell me about the children,” Bran said. It was important.

“What do you wish to know?”

“Everything.”

Maester Luwin tugged at his chain collar where it chafed against his neck. “They were people of the Dawn Age, the very first, before kings and kingdoms,” he said. “In those days, there were no castles or holdfasts, no cities, not so much as a market town to be found between here and the sea of Dorne. There were no men at all. Only the children of the forest dwelt in the lands we now call the Seven Kingdoms.

“They were a people dark and beautiful, small of stature, no taller than children even when grown to manhood. They lived in the depths of the wood, in caves and crannogs and secret tree towns. Slight as they were, the children were quick and graceful. Male and female hunted together, with weirwood bows and flying snares. Their gods were the gods of the forest, stream, and stone, the old gods whose names are secret. Their wise men were called greenseers, and carved strange faces in the weirwoods to keep watch on the woods. How long the children reigned here or where they came from, no man can know.

“But some twelve thousand years ago, the First Men appeared from the east, crossing the Broken Arm of Dorne before it was broken. They came with bronze swords and great leathern shields, riding horses. No horse had ever been seen on this side of the narrow sea. No doubt the children were as frightened by the horses as the First Men were by the faces in the trees. As the First Men carved out holdfasts and farms, they cut down the faces and gave them to the fire. Horror-struck, the children went to war. The old songs say that the greenseers used dark magics to make the seas rise and sweep away the land, shattering the Arm, but it was too late to close the door. The wars went on until the earth ran red with blood of men and children both, but more children than men, for men were bigger and stronger, and wood and stone and obsidian make a poor match for bronze. Finally the wise of both races prevailed, and the chiefs and heroes of the First Men met the greenseers and wood dancers amidst the weirwood groves of a small island in the great lake called Gods Eye.

“There they forged the Pact. The First Men were given the coastlands, the high plains and bright meadows, the mountains and bogs, but the deep woods were to remain forever the children’s, and no more weirwoods were to be put to the axe anywhere in the realm. So the gods might bear witness to the signing, every tree on the island was given a face, and afterward, the sacred order of green men was formed to keep watch over the Isle of Faces.

“The Pact began four thousand years of friendship between men and children. In time, the First Men even put aside the gods they had brought with them, and took up the worship of the secret gods of the wood. The signing of the Pact ended the Dawn Age, and began the Age of Heroes.”

Bran’s fist curled around the shiny black arrowhead. “But the children of the forest are all gone now, you said.”

“Here, they are,” said Osha, as she bit off the end of the last bandage with her teeth. “North of the Wall, things are different. That’s where the children went, and the giants, and the other old races.”

Maester Luwin sighed. “Woman, by rights you ought to be dead or in chains. The Starks have treated you more gently than you deserve. It is unkind to repay them for their kindness by filling the boys’ heads with folly.”

“Tell me where they went,” Bran said. “I want to know.”

“Me too,” Rickon echoed.

“Oh, very well,” Luwin muttered. “So long as the kingdoms of the First Men held sway, the Pact endured, all through the Age of Heroes and the Long Night and the birth of the Seven Kingdoms, yet finally there came a time, many centuries later, when other peoples crossed the narrow sea.

“The Andals were the first, a race of tall, fair-haired warriors who came with steel and fire and the seven-pointed star of the new gods painted on their chests. The wars lasted hundreds of years, but in the end the six southron kingdoms all fell before them. Only here, where the King in the North threw back every army that tried to cross the Neck, did the rule of the First Men endure. The Andals burnt out the weirwood groves, hacked down the faces, slaughtered the children where they found them, and everywhere proclaimed the triumph of the Seven over the old gods. So the children fled north—”

Summer began to howl.

Maester Luwin broke off, startled. When Shaggydog bounded to his feet and added his voice to his brother’s, dread clutched at Bran’s heart. “It’s coming,” he whispered, with the certainty of despair. He had known it since last night, he realized, since the crow had led him down into the crypts to say farewell. He had known it, but he had not believed. He had wanted Maester Luwin to be right. The crow, he thought, the three-eyed crow . . . 

The howling stopped as suddenly as it had begun. Summer padded across the tower floor to Shaggydog, and began to lick at a mat of bloody fur on the back of his brother’s neck. From the window came a flutter of wings.

A raven landed on the grey stone sill, opened its beak, and gave a harsh, raucous rattle of distress.

Rickon began to cry. His arrowheads fell from his hand one by one and clattered on the floor. Bran pulled him close and hugged him.

Maester Luwin stared at the black bird as if it were a scorpion with feathers. He rose, slow as a sleepwalker, and moved to the window. When he whistled, the raven hopped onto his bandaged forearm. There was dried blood on its wings. “A hawk,” Luwin murmured, “perhaps an owl. Poor thing, a wonder it got through.” He took the letter from its leg.

Bran found himself shivering as the maester unrolled the paper. “What is it?” he said, holding his brother all the harder.

“You know what it is, boy,” Osha said, not unkindly. She put her hand on his head.

Maester Luwin looked up at them numbly, a small grey man with blood on the sleeve of his grey wool robe and tears in his bright grey eyes. “My lords,” he said to the sons, in a voice gone hoarse and shrunken, “we . . . we shall need to find a stonecarver who knew his likeness well . . . ”

SANSA

n the tower room at the heart of Maegor’s Holdfast, Sansa gave herself to the darkness.

She drew the curtains around her bed, slept, woke weeping, and slept again. When she could not sleep she lay under her blankets shivering with grief. Servants came and went, bringing meals, but the sight of food was more than she could bear. The dishes piled up on the table beneath her window, untouched and spoiling, until the servants took them away again.

Sometimes her sleep was leaden and dreamless, and she woke from it more tired than when she had closed her eyes. Yet those were the best times, for when she dreamed, she dreamed of Father. Waking or sleeping, she saw him, saw the gold cloaks fling him down, saw Ser Ilyn striding forward, unsheathing Ice from the scabbard on his back, saw the moment . . . the moment when . . . she had wanted to look away, she had wanted to, her legs had gone out from under her and she had fallen to her knees, yet somehow she could not turn her head, and all the people were screaming and shouting, and her prince had smiled at her, he’d smiled and she’d felt safe, but only for a heartbeat, until he said those words, and her father’s legs . . . that was what she remembered, his legs, the way they’d jerked when Ser Ilyn . . . when the sword . . . 

Perhaps I will die too, she told herself, and the thought did not seem so terrible to her. If she flung herself from the window, she could put an end to her suffering, and in the years to come the singers would write songs of her grief. Her body would lie on the stones below, broken and innocent, shaming all those who had betrayed her. Sansa went so far as to cross the bedchamber and throw open the shutters . . . but then her courage left her, and she ran back to her bed, sobbing.