"Oh, bugger them, too," she said easily. "Independent production, that's for me. Doing my own thing. I'll show you some tapes. No more LCD, no more Trendex. Just me and a friend or two."
"LCD?"
"Lowest common denominator. My audience. Eight-year-old minds in thirty-one-point-three-sixyear- old bodies. Demographics. Brain-cancer victims."
"Television made them that way," he said.
"Of course. And they loved it. Nobody could ever underestimate them, and nobody could ever give them enough crap. I'm not even going to try anymore."
She stood up, turned at the waist, and knocked the door off its hinges. It clattered into the hallway, teetering around the deep dimple her fist had made in the metal.
ALL that would have been bizarre enough, but when the noise had finally stopped she still stood there, arm extended, fist clenched, half turned at the waist. The whining sound was louder now, accompanied by something resembling the wail of a siren. She looked over her shoulder.
"Oh, darn it," she said, in a voice that rose in pitch with every word. "I think I'm stuck." And she burst into tears.
Cooper was no stranger to the ways of the super-rich and super-famous. He had thought he understood clout. He soon learned he knew nothing about it.
He got her calmed in a few minutes. She eventually noticed the small crowd that had gathered beyond the space where his door had been, whispering and pointing at the woman sitting on Cooper's bed with her arm stuck in an odd position. Her eyes grew cold, and she asked for his telephone.
Thirty seconds after her first call, eight employees of BCE arrived in the hallway outside. Guards herded the audience away and engineers erected a new door, having to remove two twisted hinges to do so. It was all done in less than four minutes, and by then Galloway had completed her second call.
She made three calls, none of them over two minutes long. In one, she merely chatted with someone at the Telecommunion Network and mentioned, in passing, that she had a problem with her sidekick.
She listened, thanked the person on the other end, and hung up. The call to GM&L, the conglom that owned Sidekick, Incorporated, was businesslike and short.
Two hours later a repairman from Sidekick knocked at the door. It was not until the next day that Cooper realized the man had been on the Earth's surface when he got the call, that his trip had involved a special ship boosting at one gee all the way and carrying no cargo but himself and his tool kit, which he opened and plugged into the wall computerminal before starting to work on the sidekick.
But in those two hours...
"If you'd like me to leave, I'll leave," she said, sipping her third glass of Cooper's wine.
"No, please."
She was still frozen like a frame from a violent film. Her legs worked and so did her right arm, but from her hips all the way up her back and down her left arm the sidekick had shorted out. It looked awfully uncomfortable. He asked if there was anything he could do.
"It's okay, really," she said, resting her chin on the arm that crossed in front of her.
"Will they be able to fix it?"
"Oh, sure." She tossed down the rest of the wine. "And if they can't, I'll just stay here and you'll have a real conversation piece. A human hatrack." She picked her shirt off the couch beside her and draped it over her frozen arm, then smiled at him. It was not a pretty smile.
He had helped her get the shirt off. It had been like undressing a statue. The idea had been to check the sidekick core for hot spots and visible cracks, which would necessitate the quick removal of the apparatus. It was clearly a project she did not relish. But as far as he had been able to see the thing was physically intact. The damage was on the electronic level.
It was the closest look he had yet taken at the technological marvel of the age, closer even than the night before, when he had made love to her. Then, manners had prevented him from staring. Now he had a perfect excuse, and he used it.
When he thought about it, it was frightening that they could pack so much power into a mechanism that, practically speaking, was hardly even there. The most massive part of the sidekick was the core, which was segmented, padded in flesh-toned soft plastic, and hugged her spine from the small of the back to the nape of her neck. Nowhere was it more than three centimeters thick.
Radiating from the core was an intricate network of gold chains, bands, and bracelets, making such a cunningly contrived system that one could almost believe it was all decoration rather than the conductors for energized fields that allowed her to move. Woven belts of fine gold wire crisscrossed like bandoliers between her breasts and just happened to connect, via a fragile gold chain, with the sinuous gooseneck that was concealed by her hair before it attached to the back of the golden tiara that made her look like Wonder Woman. Helical bands fashioned to look like snakes coiled down her arms, biting each other's tails until the last ones attached to thick, jewel-encrusted bracelets around her wrists, which in turn sprouted hair-fine wires that transformed themselves into finger rings, one for each joint, each inset with a single diamond. Elsewhere the effect was much the same. Each piece, taken by itself, was a beautiful piece of jewelry. The worst that could be said about Megan Galloway in the "nude" was that she was ostentatiously bejeweled. If one didn't mind that, she was absolutely stunning: a gilded Venus, or a fantasy artist's Amazon in full, impractical armor. Dressed, she was just like anyone else except for the tiara and the rings. There were no edges on her sidekick to savage clothes or poke out at unnatural angles. Cooper guessed this was as important to Galloway as the fact that the sidekick was a beautiful object, emphatically not an orthopedic appliance.
"It's unique," she said. "One of a kind."
"I didn't mean to stare."
"Heavens," she said. "You weren't staring. You are so pointedly not staring that your fascination must be intense. And no... don't say anything." She held up her free hand and waited for him to settle back in his chair. "Please, no more apologies. I've got a pretty good idea of the problem I present to somebody with both manners and curiosity, and it was shitty of me to say that about not staring.
That puts you in the wrong whatever you do, huh?" She leaned back against the wall, getting comfortable as she could while waiting for the repairman to arrive.
"I'm proud of the damned thing. Cooper. That's probably obvious. And of course I've answered the same questions so many times that it bores me, but for you, since you're providing me a refuge in an embarrassing moment, I'll tell you anything you want to know."
"Is it really gold?"
"Twenty-four carat, solid."
"That's where your nickname comes from, I presume."
She looked puzzled for a moment, then her face cleared.
"Touche. I don't like that nickname any more than you like yours. And no, it's no more correct than yours is. At first, I wasn't the Golden Gypsy. The sidekick was. That was the name of this model sidekick. But they've still only made one of them, and before long, the name rubbed off on me. I discourage it."
Cooper understood that too well.
He asked more questions. Before long the explanations got too technical for him. He was surprised that she knew as much about it as she did. Her knowledge stopped short of the mathematics of Tunable Deformation Fields, but that was her only limit. TDF's were what had made the Bubble possible, since they could be made to resonate with particular molecular or atomic structures. The Bubble's fields were turned to attract or repel H2O, while the fields generated by Galloway's sidekick influenced gold, Au197, and left everything else alone. She went on to tell him far more than he could absorb about the ways in which the fields were generated in the sidekick core, shaped by wave guides buried in the jewelry, and deformated ("Physics terms are usually inelegant," she apologized), to the dictates of nanocomputers scattered throughout the hardware, operating by a process she called "augmented neuro-feedback holistitopology."