A knock on the door, and a spotty individual called Slape was staring at him through the wired glass.

‘Come in.’

‘Urgent telephone call for you, sir. In the Secretary’s Office.’

Redman hated the telephone. Unsavoury machine: it never brought good tidings.

‘Urgent. Who from?’

Slape shrugged and picked at his face.

‘Stay with Lacey, will you?’

Slape looked unhappy with the prospect.

‘Here, sir?’ he asked.

‘Here.’

‘Yes, sir.’

‘I’m relying on you, so don’t let me down.’

‘No, sir.’

Redman turned to Lacey. The bruised look was a wound now open, as he wept.

‘Give me your letter. I’ll take it to the Office.’

Lacey had thrust the envelope into his pocket. He retrieved it unwillingly, and handed it across to Redman.

‘Say thank you.’

‘Thank you, sir.’

The corridors were empty.

It was television time, and the nightly worship of the box had begun. They would be glued to the black and white set that dominated the Recreation Room, sitting through the pap of Cop Shows and Game Shows and Wars from the World Shows with their jaws open and their minds closed. A hypnotized silence would fall on the assembled company until a promise of violence or a hint of sex. Then the room would erupt in whistles, obscenities, and shouts of encouragement, only to subside again into sullen silence during the dialogue, as they waited for another gun, another breast. He could hear gunfire and music, even now, echoing down the corridor.

The Office was open, but the Secretary wasn’t there. Gone home presumably. The clock in the Office said eight-nineteen. Redman amended his watch.

The telephone was on the hook. Whoever had called him had tired of waiting, leaving no message. Relieved as he was that the call wasn’t urgent enough to keep the caller hanging on, he now felt disappointed not to be speaking to the outside world. Like Crusoe seeing a sail, only to have it sweep by his island.

Ridiculous: this wasn’t his prison. He could walk out whenever he liked. He would walk out that very night: and be Crusoe no longer.

He contemplated leaving Lacey’s letter on the desk, but thought better of it. He had promised to protect the boy’s interests, and that he would do. If necessary, he’d post the letter himself.

Thinking of nothing in particular, he started back towards the workshop. Vague wisps of unease floated in his system, clogging his responses. Sighs sat in his throat, scowls on his face. This damn place, he said aloud, not meaning the walls and the floors, but the trap they represented. He felt he could die here with his good intentions arrayed around him like flowers round a stiff, and nobody would know, or care, or mourn. Idealism was weakness here, compassion and indulgence. Unease was all: unease and —Silence. That was what was wrong. Though the television still popped and screamed down the corridor, there was silence accompanying it. No wolf-whistles, no cat-calls.

Redman darted back to the vestibule and down the corridor to the Recreation Room. Smoking was allowed in this section of the building, and the area stank of stale cigarettes. Ahead, the noise of mayhem continued unabated. A woman screamed somebody’s name. A man answered and was cut off by a blast of gunfire. Stories, half-told, hung in the air.

He reached the room, and opened the door.

The television spoke to him. ‘Get down!’

‘He’s got a gun!’

Another shot.

The woman, blonde, big-breasted, took the bullet in her heart, and died on the sidewalk beside the man she’d loved.

The tragedy went unwatched. The Recreation Room was empty, the old armchairs and graffiti-carved stools placed around the television set for an audience who had better entertainment for the evening. Redman wove between the seats and turned the television off. As the silver-blue fluorescence died, and the insistent beat of the music was cut dead, he became aware, in the gloom, in the hush, of somebody at the door.

‘Who is it?’

‘Slape, sir.’

‘I told you to stay with Lacey.’

‘He had to go, sir.’

‘Go?’

‘He ran off, sir. I couldn’t stop him.’

‘Damn you. What do you mean, you couldn’t stop him?’

Redman started to re-cross the room, catching his foot on a stool. It scraped on the linoleum, a little protest. Slape twitched.

‘I’m sorry, sir,’ he said, ‘I couldn’t catch him. I’ve got a bad foot.’

Yes, Slape did limp. ‘Which way did he go?’ Slape shrugged. ‘Not sure, sir.’ ‘Well, remember.’

‘No need to lose your temper, sir.’

The ‘sir’ was slurred: a parody of respect. Redman found his hand itching to hit this pus-filled adolescent. He was within a couple of feet of the door. Slape didn’t move aside.

‘Out of my way, Slape.’

‘Really, sir, there’s no way you can help him now. He’s gone.’

‘I said, out of my way.’

As he stepped forward to push Slape aside there was a click at navel-level and the bastard had a flick-knife pressed to Redman’s belly. The point bit the fat of his stomach.

‘There’s really no need to go after him, sir.’

‘What in God’s name are you doing, Slape?’

‘We’re just playing a game,’ he said through teeth gone grey.

‘There’s no real harm in it. Best leave well alone.’

The point of the knife had drawn blood. Warmly, it wended its way down into Redman’s groin. Slape was prepared to kill him; no doubt of that. Whatever this game was, Slape was having a little fun all of his own. Killing teacher, it was called. The knife was still being pressed, infinitesimally slowly, through the wall of Redman’s flesh. The little rivulet of blood had thickened into a stream.

‘Kevin likes to come out and play once in a while,’ said Slape.

‘Henessey?’

‘Yes, you like to call us by our second names, don’t you? That’s more manly isn’t it? That means we’re not children, that means we’re men. Kevin isn’t quite a man though, you see sir. He’s never wanted to be a man. In fact, I think he hated the idea. You know why? (The knife divided muscle now, just gently). He thought once you were a man, you started to die: and Kevin used to say he’d never die.’

‘Never die.’ ‘Never.’

‘I want to meet him.’

‘Everybody does, sir. He’s charismatic. That’s the Doctor’s word for him: Charismatic.’

‘I want to meet this charismatic fellow.’

‘Soon.’

‘Now.’

‘I said soon.’

Redman took the knife-hand at the wrist so quickly Slape had no chance to press the weapon home. The adolescent’s response was slow, doped perhaps, and Redman had the better of him. The knife dropped from his hand as Redman’s grip tightened, the other hand took Slape in a strangle-hold, easily rounding his emaciated neck. Redman’s palm pressed on his assailant’s Adam’s apple, making him gargle.

‘Where’s Henessey? You take me to him.’

The eyes that looked down at Redman were slurred as his words, the irises pin-pricks.

‘Take me to him!’ Redman demanded.

Slape’s hand found Redman’s cut belly, and his fist jabbed the wound. Redman cursed, letting his hold slip, and Slape almost slid out of his grasp, but Redman drove his knee into the other’s groin, fast and sharp. Slape wanted to double up in agony, but the neck-hold prevented him. The knee rose again, harder. And again. Again.

Spontaneous tears ran down Slape’s face, coursing through the minefield of his boils. ‘I can hurt you twice as badly as you can hurt me,’ Redman said, ‘so if you want to go on doing this all night I’m happy as a sand-boy.’

Slape shook his head, grabbing his breath through his constricted windpipe in short, painful gasps.

‘You don’t want any more?’

Slape shook his head again. Redman let go of him, and flung him across the corridor against the wall. Whimpering with pain, his face crimped, he slid down the wall into a foetal position, hands between his legs.