In the helicopter shuttle to Mildendo on the island of Lilliput, the other passengers stared at Professor Solanka as incredulously as the customs officer had. He decided to ignore their behavior and turned his attention instead to the countryside below. As they flew over the sugarcane farms of Blefuscu, he noted the high piles of black igneous boulders near the center of each field. Once indentured Indian laborers, identified only by numbers, had broken their backs to clear this land, building these rock piles under the stony supervision of Australian Coolumbers and storing in their hearts the deep resentment born of their sweat and the cancellation of their names. The rocks were icons of accumulated volcanic wrath, prophecies from the past of the eruption of Indo-Lilly fury, whose effects were everywhere to be seen. The rickety LB Air helicopter made its landing, to Solanka’s immense relief, on the still-intact apron of the ruined Golbasto Gue Intercontinental Airport, and the first thing he saw was a giant cardboard representation of “Commander Akasz,” that is to say of the FRM leader Babur in his Akasz Kronos mask and cloak. Contemplating this image, Solanka wondered with a pounding heart whether, in making his trans-global journey, he had acted as a lovelorn fool and political nail For the dominant image in Lilliput-Blefuscu—a country close to civil war, in which the president himself was still being held hostage, and a high-tension state of siege existed, and unpredictable developments could occur at any moment—was, as he had known it must be, a close likeness of himself. The face looking down at him from the top of the fifty-foot cutout—that face framed in long silver hair, with its wild eyes and dark-lipped Cupid’s bow mouth, was his very own.

He was expected. News of the Commander’s lookalike had raced ahead of the helicopter shuttle. Here in the Theater of Masks the original, the man with no mask, was perceived as the mask’s imitator: the creation was real while the creator was the counterfeit! It was as though he were present at the death of God and the god who had died was himself. Masked men and women carrying automatic weapons were waiting for him outside the shuttle’s door. He accompanied them without protest.

He was led to a chairless “holding room,” whose single piece of furniture was a battered wooden table, watched by the unflinching eyes of lizards, with thirsty flies buzzing at the moisture in the corners of his eyes. His passport, watch, and airline ticket were taken from him by a woman whose face was concealed behind a mask bearing the face of the woman he loved. Deafened by the strident martial music that was incessantly being played throughout the airport at high volume on a primitive sound system, he could still hear the elated terror in the young voices of his guards—for guerrillas weighted down with weapons were all around him—and he could also see evidence of the situation’s extreme instability in the shifting eyes of the unmasked civilians in the terminal building and in the jumpy bodies of the masked combatants. All this brought vividly home to Solanka that he had stepped a long way out of his element, leaving behind all the signs and codes by which his life’s meaning and form had been established. Here “Professor Malik Solanka” had no existence as a self, as a man with a past and future and people who cared about his fate. He was merely an inconvenient nobody with a face that everyone knew, and unless he could rapidly parlay that startling physiognomy into an advantage, his position would deteriorate, resulting, at the very best, in his early deportation. The very worst was something he refused to contemplate. The thought of being expelled without having come close to Neela was upsetting enough. I’m naked again, Solanka thought. Naked and stupid. Walking right into the approaching knockout punch.

After an hour or more, an Australian Holden station wagon drove up to the shed in which he had been detained and Solanka was invited, not tenderly, but without undue roughness, to get in the back. Guerrillas in combat fatigues pushed in on either side of him; two more got into the baggage hold and sat facing the rear, their guns sticking out of the raised back-window hatch. On the drive through Mildendo, Malik Solanka had a strong sense of deja vu, and it took him a moment to work out that he was being reminded of India. Of, to be specific, Chandni Chowk, Old Delhi’s troubled heart, where the traders crowded together in this same hugger-mugger style, where the shop fronts were as brightly colored and the interiors as crudely lit, where the roadway was even more densely thronged with walking, cycling, jostling, shouting life, where animals and human beings fought for space, and where massed car horns performed the daily unvarying symphony of the street. Solanka had not expected such crowds. Easier to predict but unnerving nonetheless was the palpable distrust between the communities, the muttering clumps of Elbee and Indo-Lilly men eyeing each other unpleasantly, the sense of living in a tinderbox and waiting for a flash. This was the paradox and the curse of communal trouble: when it came, it was your friends and neighbors who came to kill you, the very same people who had helped you, a few days earlier, start your spluttering motor scooter, who had accepted the sweetmeats you distributed when your daughter became engaged to a decent, well-educated man. The shoe-shop manager next to whose premises your tobacco store had operated for ten years or more: this was the man who would put the boot in, who would lead the men with torches to your door and fill the air with sweet Virginia smoke.

There were no tourists to be seen. (The flight to Blefuscu had been more than two thirds empty.) Few women were on the street, apart from the surprisingly large number of female FRM cadres, and no children.

Many stores were closed and barricaded; others remained warily open, and people-men-were still going about their daily tasks. Guns, however, were everywhere to be seen, and in the distance, from time to time, sporadic shooting could be heard. The police force was collaborating with the FRM personnel to maintain a measure of law and order; the Ruritanian joke of an army remained in its barracks, although the leading generals were involved in the complex negotiations taking place behind the scenes for long hours every day. FRM negotiators were meeting with the ethnic Elbee chiefs, as well as religious and business leaders. “Commander Akasz” was at least trying to give the impression of a man looking for a peaceful resolution to the crisis. But civil war bubbled just beneath the surface. Skyresh Bolgolam may have been defeated and captured, but the large proportion of Elbee youths who had backed the failed Bolgolamite coup were licking their wounds and no doubt plotting their next move. Meanwhile, the international community was moving quickly toward declaring Lilliput-Blefuscu the world’s smallest pariah state, suspending trade agreements and freezing aid programs. In these moves Solanka had seen his opportunity.

Motorcycle outriders surrounded the station wagon, escorting it to the heavily defended perimeter walls of the parliamentary compound.

The gates opened and the vehicle passed through, proceeding to a service entrance at the rear of the central complex. The kitchen entrance, thought Solanka with a wry private smile, was the true gate of power. Many people, functionaries or supplicants, could enter the great houses of power through their front doors. But to get into a service elevator, watched by white-hatted chefs and sous-chefs, to be borne slowly upward in an unornamented box with silent masked men and women all around you: that really was important. To emerge into an undistinguished bureaucratic corridor and be led through a series of increasingly unpretentious rooms was to walk down the true pathway to the center. Not bad for a dollmaker, he told himself. You’re in. Let’s see if you get out with what you want. In fact, let’s see if you manage to get out at all.