“I’ll be back soon,” he said lamely, but she had recovered her composure now, and shrugged. “No big deal.” They went through the outside door of the building together and he walked rapidly away from her, toward Columbus Avenue, not looking around, knowing that she’d be with Eddie on the neighboring stoop, angrily sticking a thirsty tongue down his bemused, delighted throat. There were posters everywhere for The Cell, the new Jennifer Lopez movie. In it, Lopez was miniaturized and injected into the brain of a serial killer. It sounded like a remake of Fantastic Voyage, starring Raquel Welch, but so what? Nobody remembered the original. Everything’s a copy, an echo of the past, thought Professor Solanka. A song for Jennifer: We’re living in a retro world and I am a retrograde girl.

11

“In the future, sure theen’, they don’t listen no more to this type talk radio. Or, jou know wha’ I theen’? Porhap’ the radio weel listen to ass. We’ll be like the entortainmon’ and the machines weel be the audien’, an’ own the station, and we all like work for them. —”Yo, listen up. Dunno what jive sci-fi crap of Speedy Gonzalez there was handin’ out. Sound to me like he rent The Matrix too many times. Where I’m sittin’ the future plain ain’t arrive. Ever’thin’ look the same. I mean the exact same shinola goin’ down all over. Ever’body in the same accommodation, gettin the same education, doin’ the same recreation, looknn’ for the same… ploymentation. Check it out. We gettin’ the same bills, datin’ the same girls, goin’ to the same jails; gettin’ paid bad, laid bad’n made bad, am I right? That would be cor-recto, sefior. And my radio? It come wit’ a on-off switch, daddy-o, and I turn that sucker off anytime I choose. =“Boy, does he don’ get eet. That guy jus’ now, he dori get eet so bad he won’t see eet comin’ till eet sittin’ on his face. Jon better wise up, hermano. They got machine now eat food for fuel, jou hear that? No more gasoline. Eat human food like jou an’ me. Pizza, chili dog, tuna melt, whatev’. Pretty soon Mr. Machine gonna be takin’ a table in a restauran’. Gonna be, like, gimme the bes’ booth. Now jou tell me what’s the differen’? If eet eatin’, eet alive, I say. The future here, man, right now, jou better watch jou butt. Pretty soon Mr. Live Machine gonna be comin’ for that employmentation jou talkin’ ‘bout, maybe for jour pretty girlfrien’ too…… “Hey, hey, my paranoid Latino friend, Ricky Ricardo, I missed the name, but slow down, Desi, okay? This here’s not that communist Cuba you escaped from in yo’ rubber boat an’ got sanctuary in the land of the free…” “Don’ insul’ me, please, now. I’m sayin’ please, because I was raise polite, no? The brother here, how he’s call, Senor Cleef Hoxtaboo’ or Mr. No Good from the ‘Hood, maybe bees mother never tol’ heem right, but we goin’ out live on air here, we talkin’ to the whole metro region, less keep eet clean.”—“Can I get in here? Excuse me? I’m listening to all this?, and I’m thinking, they have electronically generated TV presenters now?, and there’s dead actors selling motor vehicles?, Steve McQueen in that car?, so I’m more with our Cuban friend?, the technology scares me? And so in the future?, like, will anyone even be thinking about our like needs? I’m an actress?, I work mainly in commercials?, and there’s this big SAG strike?, and for months now I can’t earn a dollar?, and it doesrit stop one single spot going on air?, because they can get Lara Croft?, Jar Jar Binks?, they can get Gable or Bogey or Marilyn or Max Headroom or HAL from 2001?”—“I’m going to interrupt, ma’am, because we’re out of time and this is something I know a lot of people feel strongly about. Can’t blame cutting-edge technological innovation for the fix your union’s got you in. You chose socialism, union made your bed, now you’re lying in it. My personal take on the future? You can’t turn back the clock, so go with the flow and ride the tide. Be the new thing. Seize the day. From sea to shining sea.”

Sitting on the steps of the great museum, caught in a sudden burst of slanting, golden afternoon sunlight, scanning the Times while he waited for Neela, Professor Malik Solanka felt more than ever like a refugee in a small boat, caught between surging tides: reason and unreason, war and peace, the future and the past. Or like a boy in a rubber ring who watched his mother slip under the black water and drown. And after the terror and the thirst and the sunburn there was the noise, the incessant adversarial buzz of voices on a taxi driver’s radio, drowning his own inner voice, making thought impossible, or choice, or peace. How to defeat the demons of the past when the demons of the future were all around him in full cry? The past was rising up; it could not be denied. As well as Sara Lear, here in the TV listings was Krysztof Waterford-Wajda’s little Ms. Pinch-ass back from the dead. Perry Pincus—she must be, what, forty by now—had written a tell-all book about her years as the eggheads’ premier groupie, Men with Pens, and Charlie Rose was talking to her about it this very night. Oh poor Dubdub, Malik Solanka thought. This is the girl you wanted to settle down with, and now she’s going to dance on your grave. If tonight it’s Charlie “Tell me what sort of qualms this project gave you, Perry; as an intellectual yourself, you must have had serious misgivings. Say how you overcame those scruples”—then tomorrow it’ll be Howard Stern: “Chicks dig writers. But then, a lot of writers dug this chick.” Halloween, Walpurgisnacht, did indeed seem to be early this year. The witches were gathering for their sabbat.

Yet another story was being half told behind his back; another stranger’s fairy tale of the city poured into his defenseless ear. “Yeah, it went great, honey. No, no problems, I’m en route to the trustees’ meeting, that’s why I’m calling you on my cell. Conscious all the time, but doped-up, sure. So, semiconscious. Yeah, the knife comes right at your eyeball, but the chemical assistance makes you think it’s a feather. No, no bruising, and let me tell you it’s amazing what my visual world now contains. Amazing grace, yeah, good one. Was blind but now I see. Really. Look at all this stuff out here. I’ve been missing so much. Well, think about it. He really is the laser king. I asked around a lot as you know and the same name kept coming up. A little dryness is all, but that goes away in a few weeks, he says. Okay, love ya. I’ll be home late. What can you do. Don’t wait up.” And of course he turned around, of course he saw that the young woman was not alone, a man was nuzzling at her even as she flipped her cell phone shut. She, gladly allowing herself to be nuzzled, met Solanka’s eye; and, seeing herself caught in her lie, beamed guiltily, and shrugged. What can you do, as she had said on the phone. The heart has its reasons, and we are all the servants of love.

Twenty minutes to ten in London. Asmaan would be asleep. Five and a half hours later in India. Turn the watch upside down in London and you got the time in the town of Malik Solanka’s birth, the Forbidden City by the Arabian Sea. That, too, was coming back. The thought filled him with dread: of what, driven by his long-sealed-away fury, he might become. Even after all these years it defined him, had not lost any of its power over him. And if he finished the sentences of that untold tale?… That question must be for another day. He shook his head. Neela was late. Solanka put down his newspaper, pulled a piece of wood and a Swiss Army knife out of an overcoat pocket, and began, with complete absorption, to whittle.

“Who is he?” Neela Mahendra’s shadow fell across him. The sun was behind her, and in silhouette she looked even taller than he remembered. “He’s an artist,” Solanka replied. “The most dangerous man in the world.” She dusted off a spot on the museum steps and sat down beside him. “I don’t believe you,” she said. “I know a lot of dangerous men, and none of them ever created a credible work of art. Also, trust me, not a single one of them was made of wood.” They sat there in silence for a while, he whittling, she simply still, offering the world the gift of her being in it. Afterward Malik Solanka, remembering their first moments alone together, would dwell particularly on the silence and stillness, on how easy that had been. “I fell in love with you when you weren’t saying a word,” he told her. “How was I to know you were the most talkative woman on earth? I know a lot of talkative women and, trust me, compared to you, every single one of them was made of wood.”