Malik Solanka, a decade and a half older than Jack Rhinehart and a dozen dozen times more inhibited, had often watched and listened with envious wonder as Rhinehart went about his life’s business in so unshamedly male a manner. The combat zones, the women, the dangerous sports, the life of a man of deeds. Even the now-abandoned poetry had been of the virile Ted Hughes school. Often Solanka had felt that in spite of his seniority in years, it was Rhinehart who was the master and he the student. A mere maker of dolls must bow his head before a wind surfer, a sky diver, a bungee jumper, a rock climber, a man whose idea of fun it was to go to Hunter College twice a week and run up and down forty flights of stairs. Being a boy—but this was getting too close to his forbidden, obliterated back-story—was a skill Malik Solanka had not been allowed to acquire in full.
Patrick Kluivert scored for the Dutch, and both Solanka and Rhinehart jumped to their feet, waving bottles of Mexican beer and shouting. Then the doorbell rang and Rhinehart said, without preamble, “Oh, by the way, I think I’m in love. I invited her to join us. Hope that’s okay.” This was not an original line. Traditionally it signaled the arrival of what Rhinehart would very privately call the new waitress. What followed, however, was new. “She’s one of yours,” Rhinehart said over his shoulder as he got up to open the door. “Indian diaspora. One hundred years of servitude. In the eighteen nineties her ancestors went as indentured laborers to work in what’s-its-name. Lilliput-Blefuscu. Now they run the sugarcane production and the economy would fall apart without them, but you know how it is wherever Indians go. People don’t like them. Dey works too hard and dey keeps to deyself and dey acts so clang uppity. Ask anyone. Ask Idi Amin.”
On the television the Dutch were playing sublime soccer, but the match had suddenly become an irrelevance. Malik Solanka was thinking that the woman who had just entered Rhinehart’s living room was by some distance the most beautiful Indian woman—the most beautiful woman—he had ever seen. Compared to the intoxicating effect of her presence, the bottle of Dos Equis in his left hand was wholly alcohol free. Other women in the world were just under six feet tall, with waist-length black hair, he supposed; and no doubt such smoky eyes were also to be found elsewhere, as also other lips as richly cushioned, other necks as slender, other legs as interminably long. On other women, too, there might be breasts like these. So what? In the words of an idiotic song from the fifties, “Bernardine,” sung in one of his raunchier moments by his mother’s favorite recording artist, the Christian conservative Pat Boone: “Your separate parts are not unknown / but the way you assemble ‘em’s all your own.” Exactly, thought Professor Solanka, drowning. Just exactly so.
Down the upper part of the woman’s right arm there was an eight-inch-long herringbone-pattern scar. When she saw him looking at it, she at once crossed her arms and put her left hand over the injury, not understanding that it made her more beautiful, that it perfected her beauty by adding an essential imperfection. By showing that she could be injured, that such astonishing loveliness could be broken in an instant, the cicatrice only emphasized what was there, and made one cherish it—my goodness, Solanka thought, what a word to use about a stranger!—all the more.
Extreme physical beauty draws all available light toward itself, becomes a shining beacon in an otherwise darkened world. Why would one peer into the encircling gloom when one could look at this kindly flame? Why talk, eat, sleep, work when such effulgence was on display? Why do anything but look, for the rest of one’s paltry life? Lumen de lumine. Staring into the sidereal unreality of her beauty, which wheeled in the room like a galaxy on fire, he was thinking that if he had been able to wish his ideal woman into being, if he’d had a magic lamp to rub, this would have been what he’d have wished for. And, at the same time, while he was mentally congratulating Rhinehart for breaking away at last from the many daughters of Paleface, he was also imagining himself with this dark Venus, he was allowing his own, closed heart to open, and so remembering once again what he spent much of his life trying to forget: the size of the crater within him, the hole left by his break with his recent and remote past, which, just perhaps, the love of such a woman could fill. Ancient, secret pain welled up in him, pleading to be healed.
“Yeah, sorry bout that, buddy” came Rhinehart’s tickled drawl from the far side of the universe. “She hits most people that way. Can’t help it. Doesn’t know how to switch it off. Neela, meet my celibate pal Malik. He’s given up women forever, as you can plainly see.” Jack was enjoying himself, Solanka noted. He forced himself back into the real world. “Lucky for all of us that I have,” he finally said, pushing his mouth into some sort of smile. “Otherwise, I’d have to fight you for her.” Here’s that old euphony again, he thought: Neela, Mila. Desire is coming after me, and giving me warnings in rhyme.
She worked as a producer with one of the better independents, and specialized in documentary programming for television. Right now she was planning a project that would take her back to her roots. Things back home in Lilliput-Blefuscu were not good, Neela explained. People in the West thought of it as a South Sea paradise, a place for honeymoons and other trysts, but there was trouble brewing. Relations between the Indo-Lilliputians and the indigenous, ethnic “Elbee” community—which still made up a majority of the population, but only just—were deteriorating fast. To highlight the issues, New York representatives of the opposing factions had both arranged to hold parades on the same upcoming Sunday. These manifestations would be small but fervent. The two march routes were to be widely separated, but it was still a good bet that there would be some angry clashes. Neela herself was determined to march. As she talked about the worsening political turbulence in her tiny patch of the antipodes, Professor Solanka saw the hot blood rising in her. This conflict was not a small matter for beautiful Neela. She was still connected to her origins, and Solanka almost envied her for it. Jack Rhinehart was saying, boyishly, “Great! We’ll all go! Sure we will! You’ll march for your people, Malik, right? Well, you’ll march for Neela, anyhow.” Rhinehart’s tone was light: a miscalculation. Solanka saw Neela stiffen and frown. This wasn’t to be treated as a game. “Yes,” Solanka said, looking her in the eyes. “I’ll march.”
They settled down to watch the game. More goals came: six in all for the Netherlands, a late, irrelevant consolation strike for Yugoslavia. Neela, too, was glad the Dutch had done well. She saw their black players, uncompetitively but also without false modesty, as her near equals in gorgeousness. “The Surinamese,” she said, unknowingly echoing the thoughts of the young Malik Solanka in Amsterdam all those years ago, “are the living proof of the value of mixing up the races. Look at them. Edgar Davids, Kluivert, Rijkaard in the dugout, and, in the good old days, Ruud. The great Gullit. All of them, metegues. Stir all the races together and you get the most beautiful people in the world. I want to go,” she added, to nobody in particular, “soon, to Surinam.” She sprawled across the settee, throwing one long, leather-clad leg over the arm, and dislodged the day’s Post. It fell to the floor at Solanka’s feet, and his eye was caught by the headline: CONCRETE KILLER STRIKES AGAIN. And below, in smaller type: Who Was the Man in the Panama Hat? Everything changed at once; darkness rushed in through the open window, blinding him. His little rush of excitement, good humor, and lust drained away. He felt himself trembling, and rose quickly to his feet. “I have to leave,” he said. “What, the final whistle blows and you’re out of here? Malik, friend, that just plain ain’t polite.” But Solanka only shook his head at Rhinehart and headed out through the door, fast. Behind him he heard Neela talking about the Post headline; she’d picked up the paper as he left. “Bastard. This stuff is supposed to have stopped, it’s supposed to be safe now, right,” she was saying. “But, shit, it’s never over. Here we go again.”