As he ran down the dark parallel street, Turi Guiliano felt invisible, godlike. He knew the enemy would never dream, could never even imagine, what he was doing, that they thought he was running for safety in the mountains. He felt a wild elation. They would learn they could not raid his mother's home with impunity, they would think twice before doing it again. They could not again shoot a man in cold blood. He would make them show respect for his neighbors and his family.
He reached the far side of the square, and in the light of its single streetlamp he could see the police van blocking the entrance into the Via Bella. As if he could have been caught in such a trap. What could they have been thinking of? Was that a sample of official cleverness? He switched to another side street to bring him to the back entrance of the church that dominated the square, Pisciotta following him. Inside, they both vaulted the altar rail and then both stopped for a fraction of a second on the holy stage where long ago they had performed as altar boys and served their priest while he was giving the people of Montelepre Sunday Mass and Communion. Holding their guns at the ready they genuflected and crossed themselves clumsily; for a moment the power of the wax statues of Christ crowned with thorns, the gilded chalky blue-robed Virgin Marys, the batteries of saints blunted their lust for battle. Then they were running up the short aisle to the great oaken door that gave a field of fire to the square. And there they knelt again to prepare their weapons.
The van blocking the Via Bella backed off to let the truck with the arrested men enter the square to make its circle and go back up the street. At that moment Turi Guiliano pushed open the church door and said to Pisciotta, "Fire over their heads." At the same moment he fired his machine pistol into the blocking van, aiming at the tires and the engine. Suddenly the square flamed with light as the engine blew up and the van caught fire. The two carabinieri in the front seat tumbled out like loose-jointed puppets, their surprise not giving their bodies time to tighten against the shock. Beside him Pisciotta was firing his rifle at the cab of the truck holding the prisoners. Turi Guiliano saw the driver leap out and fall still. The other armed carabinieri jumped out and Pisciotta fired again. The second policeman went down. Turi turned to Pisciotta to reproach him but suddenly the stained glass windows of the church shattered with machine gun fire and the colored bits scattered on the church floor like rubies. Turi realized that there was no longer any possibility of mercy. That Aspanu was right. They must kill or be killed.
Guiliano pulled Pisciotta's arm and ran back through the church and out the back door and through the dark crooked streets of Montelepre. He knew that tonight there was no hope of helping the prisoners to escape. They slipped through the final wall of the town over the open fields and kept running until they were safely into the rising slopes covered with huge white stones. Dawn was breaking when they reached the top of Monte d'Ora in the Cammarata Mountains.
Over a thousand years ago Spartacus had hidden his slave army here and led them out to fight the Roman legions. Standing on the top of this Monte d'Ora watching the sun come radiantly alive, Turi Guiliano was filled with youthful glee that he had escaped his enemies. He would never obey a fellow human being again. He would choose who should live and who should die, and there was no doubt in his mind that all he would do would be for the glory and freedom of Sicily, for good and not for evil. That he would only strike for the cause of justice, to help the poor. That he would win every battle, that he would win the love of the oppressed.
He was twenty years old.
CHAPTER 7
Don Croce Malo was born in the village of Villaba, a little mudhole he was to make prosperous and famous all through Sicily. It was not ironic, to Sicilians, that he sprang from a religious family who groomed him for priesthood in the Holy Catholic Church, that his first name had originally been Crocefisso, a religious name given only by the most pious parents. Indeed, as a slender youth he was forced to play the part of Christ in those religious plays put on in celebration of Holy Easter and was acclaimed for his marvelous air of piety.
But when he grew to manhood at the turn of the century, it was clear that Croce Malo had difficulty accepting any authority other than himself. He smuggled, he extorted, he stole, and finally, worst of all, he impregnated a young girl of the village, an innocent Magdalene in the plays. He then refused to marry her, claiming they had both been carried away with the religious fervor of the play, and therefore he should be forgiven.
The girl's family found this explanation too subtle to accept and demanded matrimony or death. Croce Malo was too proud to marry a girl so dishonored and fled to the mountains. After a year as a bandit, he had the good fortune to make contact with the Mafia.
"Mafia," in Arabic, means a place of sanctuary, and the word took its place in the Sicilian language when the Saracens ruled the country in the tenth century. Throughout history, the people of Sicily were oppressed mercilessly by the Romans, the Papacy, the Normans, the French, the Germans, and the Spanish. Their governments enslaved the poor working class, exploiting their labor, raping their women, murdering their leaders. Even the rich did not escape. The Spanish Inquisition of the Holy Catholic Church stripped them of their wealth for being heretics. And so the "Mafia" sprang up as a secret society of avengers. When the royal courts refused to take action against a Norman noble who raped a farmer's wife, a band of peasants assassinated him. When a police chief tortured some petty thief with the dreaded cassetta, that police chief was killed. Gradually the strongest-willed of the peasants and the poor formed themselves into an organized society which had the support of the people and in effect became a second and more powerful government. When there was a wrong to be redressed, no one ever went to the official police, they went to the leader of the local Mafia, who mediated the problem.
The greatest crime a Sicilian could commit was to give any information of any kind to the authorities about anything done by the Mafia. They kept silent. And this silence came to be called omerta. Over the centuries the practice enlarged to never giving the police information about a crime committed even against oneself. All communications broke down between the people and the law enforcement agencies of reigning governments so that even a small child was taught not to give a stranger the simplest directions to a village or a person's house.
Through the centuries the Mafia governed Sicily, a presence so shadowy and indistinct that the authorities could never quite grasp the extent of its power. Up until World War II, the word "Mafia" was never uttered on the island of Sicily.
Five years after Don Croce's flight into the mountains, he was well known as a "Qualified Man." That is, someone who could be entrusted with the elimination of a human being without causing more than a minimal amount of trouble. He was a "Man of Respect," and after making certain arrangements, he returned to live in his native town of Villaba, some forty miles south of Palermo. These arrangements included paying an indemnity to the family of the girl he had dishonored. This was later heralded as the measure of his generosity, but it was rather the proof of his wisdom. The pregnant girl had already been shipped to relatives in America with the label of a young widow to hide her shame, but her family still remembered. They were, after all, Sicilian. Don Croce, a skilled murderer, a brutal extorter, a member of the dreaded Friends of the Friends, could not comfortably count on all this to protect him from the family that had been disgraced. It was a matter of honor, and if not for the indemnity, they would have had to kill him no matter what the consequences.