‘One: agreed. Two: you get the book back afterwards. You used it to vanish in Osaka and I’m not having that again. Three I can’t do.’

‘Why not?’ I asked. ‘Bring Landen back and the confession is irrelevant because it never happened—but I can use it if you ever try anything like this again.’

‘Perhaps,’ put in Lavoisier, ‘you would accept this as a token of my intent.’

He handed me a brown hardback envelope I opened it and pulled out a picture of Landen and me at our wedding.

‘I have nothing to gain from your husband’s eradication and everything to lose, Miss Next. Your father… well, I’ll get to him eventually. But you have my word—if that’s good enough.’

I looked at Lavoisier, then at Schitt-Hawse, then at the photo.

‘I need a sheet of paper.’

‘Why?’ asked Schitt-Hawse

‘Because I have to write a detailed description of this charming dungeon to be able to get back.’

Schitt-Hawse nodded to Chalk, who gave me a pen and paper, and I sat down and wrote the most detailed description that I could. The travel book said that five hundred words was adequate for a solo jump, a thousand words if you were intending to bring anyone with you, so I wrote fifteen hundred just in case. Schitt-Hawse looked over my shoulder as I wrote, checking I wasn’t describing another destination.

‘I’ll take that back, Next,’ he said, retrieving the pen as soon as I had finished. ‘Not that I don’t trust you or anything.’

I took a deep breath, opened the copy of The Poems of Edgar Allan Poe and read the first verse to myself

He was still pissed off, make no mistake about that. I read on:

‘Still the same old Jack Schitt,’ I murmured.

‘I won’t let him lay a finger on you, Miss Next,’ assured Schitt-Hawse. ‘He’ll be arrested before you can say ketchup.’

So, gathering my thoughts, I offered my apologies to Miss Havisham for being an impetuous student, cleared my mind and throat and then read the words out loud, large as life and clear as a bell.

There was a distant rumble of thunder and the flutter of wings close to my face. An inky blackness fell and a wind sprang up and whistled about me, tugging at my clothes and flicking my hair into my eyes. A flash of lightning briefly illuminated the sky about me, and I realised with a start that I was high above the ground, hemmed in by clouds filled with the ugly passion of a tempest in full spate. The rain struck my face like a heavy damp cloak and I saw in the feeble moonlight that I was being swept along close to a large storm cloud, illuminated from within by bolts of lightning. Just when I thought that perhaps I had made a very big mistake by attempting this feat without proper instruction, I noticed a small dot of yellow light through the swirling rain. I watched as the dot grew bigger until it wasn’t a dot but an oblong, and presently this oblong became a window, with frames, and glass, and curtains beyond. I flew closer and faster, and just when I thought I must collide with the rain-splashed glass I was inside, wet to the skin and quite breathless.

The mantel clock struck midnight in a slow and steady rhythm as I gathered my thoughts and looked around. The furniture was of highly polished dark oak, the drapes a gloomy shade of purple, and the wall coverings, where not obscured by bookshelves or morbid mezzotints, were a dismal brown colour. For light there was a solitary oil lamp that flickered and smoked from a poorly trimmed wick. The room was in a mess; a bust of Pallas lay shattered on the floor and the books that had once graced the shelves were now scattered about the room with their spines broken and pages torn. Worse still, some books had been used to rekindle the fire, a choked profusion of blackened paper had fallen from the grate and now covered the hearth. But to all of this I paid only the merest attention. Before me was the poor narrator of The Raven himself, a young man in his mid-twenties seated in a large armchair, bound and gagged. He looked at me imploringly and mumbled something behind the gag as he struggled with his bonds. As I removed the gag the young man burst forth in speech as though his life depended upon it.

‘ ‘Tis some visitor,’ he spoke urgently and rapidly, ‘tapping at my chamber door—only this and nothing more!’

And so saying, he disappeared from view into the room next door.

‘Damn you, Sebastian!’ said a chillingly familiar voice from the adjoining room. ‘I would pin you to your chair if this poetical coffin had seen so fit as to furnish me with hammer and nails!’

But the speaker stopped abruptly as he entered the room and saw me. Jack Schitt was in a wretched condition. His previously neat crew cut had been replaced by straggly hair and his thin features were now covered with a scruffy beard; his eyes were wide and haunted and hung with dark circles from lack of sleep. His sharp suit was rumpled and torn, his diamond tiepin lacking in lustre. His arrogant and confident manner had given way to a lonely desperation, and as his eyes met mine I saw tears spring up and his lips tremble. It was, to a committed Schitt-hater like myself, a joyous spectacle.

‘Thursday!’ he croaked in a strangled cry. ‘Take me back! Don’t let me stay one more second in this vile place! The endless clock staking midnight, the tap-tap-tapping, the raven—oh my good God, the raven!’

He fell to his knees and sobbed as the young man bounded happily back into the room and started to tidy up as he muttered: