Three weeks and I hadn't slept. Three weeks without sleep, and everything becomes an out-of-body experience. My doctor said, "Insomnia is just the symptom of something larger. Find out what's actually wrong. Listen to your body."

I just wanted to sleep. I wanted little blue Amytal Sodium capsules, 200milligram-sized. I wanted red-and-blue Tuinal bullet capsules, lipstick-red Seconals.

My doctor told me to chew valerian root and get more exercise. Eventually I'd fall asleep.

The bruised, old fruit way my face had collapsed, you would've thought I was dead.

My doctor said, if I wanted to see real pain, I should swing by First Eucharist on a Tuesday night. See the brain parasites. See the degenerative bone diseases. The organic brain dysfunctions. See the cancer patients getting by.

So I went.

The first group I went to, there were introductions: this is Alice, this is Brenda, this is Dover. Everyone smiles with that invisible gun to their head.

I never give my real name at support groups.

The little skeleton of a woman named Chloe with the seat of her pants hanging down sad and empty, Chloe tells me the worst thing about her brain parasites was no one would have sex with her. Here she was, so close to death that her life insurance policy had paid off with seventy-five thousand bucks, and all Chloe wanted was to get laid for the last time. Not intimacy, sex.

What does a guy say? What can you say, I mean.

All this dying had started with Chloe being a little tired, and now Chloe was too bored to go in for treatment. Pornographic movies, she had pornographic movies at home in her apartment.

During the French Revolution, Chloe told me, the women in prison, the duchesses, baronesses, marquises, whatever, they would screw any man who'd climb on top. Chloe breathed against my neck. Climb on top. Pony up, did I know. Screwing passed the time.

La petite mort, the French called it.

Chloe had pornographic movies, if I was interested. Amyl nitrate. Lubricants.

Normal times, I'd be sporting an erection. Our Chloe, however, is a skeleton dipped in yellow wax.

Chloe looking the way she is, I am nothing. Not even nothing. Still, Chloe's shoulder pokes mine when we sit around a circle on the shag carpet. We close our eyes. This was Chloe's turn to lead us in guided meditation, and she talked us into the garden of serenity. Chloe talked us up the hill to the palace of seven doors. Inside the palace were the seven doors, the green door, the yellow door, the orange door, and Chloe talked us through opening each door, the blue door, the red door, the white door, and finding what was there.

Eyes closed, we imagined our pain as a ball of white healing light floating around our feet and rising to our knees, our waist, our chest. Our chakras opening. The heart chakra. The head chakra. Chloe talked us into caves where we met our power animal. Mine was a penguin.

Ice covered the floor of the cave, and the penguin said, slide. Without any effort, we slid through tunnels and galleries.

Then it was time to hug.

Open your eyes.

This was therapeutic physical contact, Chloe said. We should all choose a partner. Chloe threw herself around my head and cried. She had strapless underwear at home, and cried. Chloe had oils and handcuffs, and cried as I watched the second hand on my watch go around eleven times.

So I didn't cry at my first support group, two years ago. I didn't cry at my second or my third support group, either. I didn't cry at blood parasites or bowel cancers or organic brain dementia.

This is how it is with insomnia. Everything is so far away, a copy of a copy of a copy. The insomnia distance of everything, you can't touch anything and nothing can touch you.

Then there was Bob. The first time I went to testicular cancer, Bob the big moosie, the big cheesebread moved in on top of me in Remaining Men Together and started crying. The big moosie treed right across the room when it was hug time, his arms at his sides, his shoulders rounded. His big moosie chin on his chest, his eyes already shrink-wrapped in tears. Shuffling his feet, knees together invisible steps, Bob slid across the basement floor to heave himself on me.

Bob pancaked down on me.

Bob's big arms wrapped around me.

Big Bob was a juicer, he said. All those salad days on Dianabol and then the racehorse steroid, Wistrol. His own gym, Big Bob owned a gym. He'd been married three times. He'd done product endorsements, and had I seen him on television, ever? The whole how-to program about expanding your chest was practically his invention.

Strangers with this kind of honesty make me go a big rubbery one, if you know what I mean.

Bob didn't know. Maybe only one of his huevos had ever descended, and he knew this was a risk factor. Bob told me about postoperative hormone therapy.

A lot of bodybuilders shooting too much testosterone would get what they called bitch tits.

I had to ask what Bob meant by huevos.

Huevos, Bob said. Gonads. Nuts. Jewels. Testes. Balls. In Mexico, where you buy your steroids, they call them "eggs."

Divorce, divorce, divorce, Bob said and showed me a wallet photo of himself huge and naked at first glance, in a posing strap at some contest. It's a stupid way to live, Bob said, but when you're pumped and shaved on stage, totally shredded with body fat down to around two percent and the diuretics leave you cold and hard as concrete to touch, You're blind from the lights, and deaf from the feedback rush of the sound system until the judge orders: "Extend your right quad, flex and hold."

"Extend your left arm, flex the bicep and hold."

This is better than real life.

Fast-forward, Bob said, to the cancer. Then he was bankrupt. He had two grown kids who wouldn't return his calls.

The cure for bitch tits was for the doctor to cut up under the pectorals and drain any fluid.

This was all I remember because then Bob was closing in around me with his arms, and his head was folding down to cover me. Then I was lost inside oblivion, dark and silent and complete, and when I finally stepped away from his soft chest, the front of Bob's shirt was a wet mask of how I looked crying.

That was two years ago, at my first night with Remaining Men Together.

At almost every meeting since then, Big Bob has made me cry.

I never went back to the doctor. I never chewed the valerian root.

This was freedom. Losing all hope was freedom. If I didn't say anything, people in a group assumed the worst. They cried harder. I cried harder. Look up into the stars and you're gone.

Walking home after a support group, I felt more alive than I'd ever felt. I wasn't host to cancer or blood parasites; I was the little warm center that the life of the world crowded around.

And I slept. Babies don't sleep this well.

Every evening, I died, and every evening, I was born.

Resurrected.

Until tonight, two years of success until tonight, because I can't cry with this woman watching me. Because I can't hit bottom, I can't be saved. My tongue thinks it has flocked wallpaper, I'm biting the inside of my mouth so much. I haven't slept in four days.

With her watching, I'm a liar. She's a fake. She's the liar. At the introductions tonight, we introduced ourselves: I'm Bob, I'm Paul, I'm Terry, I'm David.

I never give my real name.

"'This is cancer, right?" she said.

Then she said, "Well, hi, I'm Marla Singer."

Nobody ever told Marla what kind of cancer. Then we were all busy cradling our inner child.

The man still crying against her neck, Marla takes another drag on her cigarette.

I watch her from between Bob's shuddering tits.

To Marla I'm a fake. Since the second night I saw her, I can't sleep. Still, I was the first fake, unless, maybe all these people are faking with their lesions and their coughs and tumors, even Big Bob, the big moosie. The big cheesebread.

Would you just look at his sculpted hair.

Marla smokes and rolls her eyes now.

In this one moment, Marla's lie reflects my lie, and all I can see are lies. In the middle of all their truth. Everyone clinging and risking to share their worst fear, that their death is coming head-on and the barrel of a gun is pressed against the back of their throats. Well, Marla is smoking and rolling her eyes, and me, I'm buried under a sobbing carpet, and all of a sudden even death and dying rank right down there with plastic flowers on video as a non-event.

"Bob," I say, "you're crushing me." I try to whisper, then I don't. "Bob." I try to keep my voice down, then I'm yelling. "Bob, I have to go to the can."

A mirror hangs over the sink in the bathroom. If the pattern holds, I'll see Marla Singer at Above and Beyond, the parasitic brain dysfunction group. Marla will be there. Of course, Marla will be there, and what I'll do is sit next to her. And after the introductions and the guided meditation, the seven doors of the palace, the white healing ball of light, after we open our chakras, when it comes time to hug, I'll grab the little bitch.

Her arms squeezed tight against her sides, and my lips pressed against her ear, I'll say, Marla, you big fake, you get out.

This is the one real thing in my life, and you're wrecking it.

You big tourist.

The next time we meet, I'll say, Marla, I can't sleep with you here. I need this. Get out.

YOU WAKE UP at Air Harbor International.

Every takeoff and landing, when the plane banked too much to one side, I prayed for a crash. That moment cures my insomnia with narcolepsy when we might die helpless and packed human tobacco in the fuselage.

This is how I met Tyler Durden.

You wake up at O'Hare.

You wake up at LaGuardia.

You wake up at Logan.

Tyler worked part-time as a movie projectionist. Because of his nature, Tyler could only work night jobs. If a projectionist called in sick, the union called Tyler.

Some people are night people. Some people are day people. I could only work a day job.

You wake up at Dulles.

Life insurance pays off triple if you die on a business trip. I prayed for wind shear effect. I prayed for pelicans sucked into the turbines and loose bolts and ice on the wings. On takeoff, as the plane pushed down the runway and the flaps tilted up, with our seats in their full upright position and our tray tables stowed and all personal carry-on baggage in the overhead compartment, as the end of the runway ran up to meet us with our smoking materials extinguished, I prayed for a crash.

You wake up at Love Field.

In a projection booth, Tyler did changeovers if the theater was old enough. With changeovers, you have two projectors in the booth, and one projector is running.