Richard gazed up at the glassed roof a hundred feet overhead, which let in some of the somber, late-day light to balance the glow of the lamps down in the heart of the room. He wondered when the lamps had been lit. He didn't recall it happening.
"Shota, there could be no greater need for such knowledge. How am I supposed to succeed in stopping the Order if I can't use my ability as a war wizard? Can't you give me anything, any idea at all, of how to find this book? If I don't find some answers, and soon, I'm dead. We all are."
She cupped his chin as she looked down into his eyes. "I hope you know, Richard, that if I knew how to get that book for you, I would do it. You know how much I want to stop the Imperial Order."
"Well, why do you get specific information. Where does it come from? Why is it that it comes to you at specific times, like now? Why not the first time I met you? Or when I was trying to get into the Temple of the Winds to stop the plague?"
"I suppose that it comes from the same place you get answers or inspiration when you mull over a problem. Why do you come up with answers to problems when you do? I think about a situation and sometimes the answers come to me. Fundamentally, it's no different, I suppose, than how anyone comes up with ideas. It's just that my ideas are unique to a witch woman's mind and they involve events in the flow of time. I suppose that it's much the same as how you suddenly came to know the truth about what Lothain had done. How did that come to you? I suppose that it works much the same for me.
"If I knew where the book Secrets of a War Wizard's Power was, or had any idea of how to find it, I wouldn't hesitate to tell you."
Richard heaved a sigh and stood. "I know, Shota. Thank you for all you've done. I'll try to find a way for what you've told me to be of help."
Shota squeezed his shoulder. "I must go. I have a witch woman to find. At least, thanks to Nicci, I now know her name."
A thought struck him. "I wonder why she's named Six?"
Shota's countenance darkened. "It's a derogatory name. A witch woman sees many things in the flow of time, especially those things having to do with any daughters she might bear. For a witch woman, the seventh child is special. To name a child Six is to say that she falls short, that she is less than perfect. It's an open insult, from birth, for what a witch woman foresees of her daughter's character. It's a pronouncement that her daughter is flawed.
"Naming her Six probably earned the mother her own murder at the hands of that daughter."
"Then why would the mother so openly declare such a thing? Why not name the daughter something else and avoid the probability of her own murder."
Shota regarded him with a sad smile. "Because there are witch women who are believers in the truth, because truth will help others avoid danger. To such women, a lie would be the bud of much larger trouble that would grow from it. To us, truth is the only hope for the future. To us, the future is life."
"Well, it sounds like the name fits the trouble this one is causing."
Shota's smile, sad though it had been, vanished. Her brow tightened with a dark look. She lifted a finger in warning. "Such a woman could easily conceal her name. This one, instead, reveals it the way a snake bares its fangs. You worry about everything else, and leave her to me. A witch woman is profoundly dangerous."
Richard smiled a little. "Like you?"
Shota didn't return the smile. "Like me."
Richard stood alone by the fountain as he watched Shota ascend the steps. Nicci, Cara, Zedd, Nathan, Ann, and Jebra were huddled off to the side, engaged in whispered conversation among themselves. They didn't pay any heed to Shota as she passed, like an unseen apparition.
Richard followed her up the steps. In the doorway, silhouetted by the light, Shota turned back, almost as if she had seen an apparition herself. She reached out and for a time rested a hand on the doorframe.
"One other thing, Richard." Shota studied his eyes for a moment. "When you were young, your mother died in a fire."
Richard nodded. "That's right. A man got in a fight with George Cypher, the man who raised me, the man I thought at the time was my father. This man who started the fight with my father knocked a lamp off the table, setting the house on fire. My brother and I were asleep in the back bedroom at the time. While the man dragged my father outside and was beating him, my mother raced in and pulled my brother and me from the burning house."
Richard cleared his throat with the pain that still haunted him. He remembered the quick smile of her relief that they were safe, and the last quick kiss she had given him on his forehead.
"After my mother was sure that we were safe, she ran back inside to save something — we never knew what. Her screams brought the man to his senses and he and my father tried to save her, but they couldn't… it was too late. They were driven back by the heat of the flames and could do nothing for her. Filled with guilt and revulsion at what he had caused, the man ran off sobbing that he was sorry.
"It was a terrible tragedy, especially because there was no one else in the house and nothing worth saving, nothing worth her life. My mother died for nothing."
Shota, standing silhouetted in the doorway, one hand resting against the doorframe, stared at him for what seemed an eternity. Richard waited silently. There was some kind of terrible significance evident in her posture, in her almond eyes. She finally spoke in a soft voice.
"Your mother was not the only one to die in that fire."
Richard felt goose bumps race up his legs and arms. Everything he had known for nearly his whole life seemed to be vaporized in an instant by the lightning strike of those words.
"What are you talking about? What do you mean?"
Shota shook her head sadly. "I swear on my life, Richard, I don't know anything else."
He stepped closer and grasped her arm, being careful not to grip it as hard as he easily could have under the sudden power of his burning need to understand why she would say such a thing.
"What do you mean, you don't know anything else? How can you say something so inconceivable and then just say that you don't know anything else? How can you say something like that about the death of my mother — and then just not know any more. That doesn't make sense. You must know something more."
Shota cupped a hand to the side of his face. "You did something for me the last time you came to Agaden Reach. You turned down my offer and said that I was worth more than to have someone against their will. You said that I deserved to have someone who would value me for who I am.
"As angry as I was with you at that moment, it made me think. No one has ever turned me down before, and you did it for the right reasons — because you cared about me, cared that I have what will make my life worthwhile. You cared enough to risk my wrath.
"When I assumed the likeness of your mother, that gift in some way influenced the flow of information coming to me. Because of that, just now as I was about to leave, that single thought came into my awareness: Your mother was not the only one to die in that fire.
"Like all things that I glean from the flow of events in time, it came to me as a kind of intuitive vision. I don't know what it means, and I don't know any more about it. I swear, Richard, I don't.
"Under ordinary circumstances I would not have revealed that small bit of information because it is so charged with possibilities and questions, but these are hardly ordinary circumstances. I thought you should know what came to me. I thought you should know every scrap of everything I know. Not all of what I learn from the flow of time is useful — that's why I don't always reveal to people isolated things like this. In this instance, however, I thought you should know it in case it comes to mean something to you, in case it might come to help you somehow."